The original canon Irene Adler is all mixed up in my head with Carol Nelson Douglas' books about the character, the recent movie version, and now the Sherlock version. Even as I'm rereading the story, my minds pulling in allusions that Doyle never intended, given that they lead to writings from 2,000 or so.
Xander ,'Beneath You'
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I was at the bookstore last night, and the woman who rang me up was reading this: The House of Silk, by Anthony Horowitz. He was apparently commissioned by the ACD estate to write this new Holmes novel.
Calli, the showrunners have said that they consider all previous incarnations are part of their source material (c.f.--Mycroft), so you're not off-base there.
(c.f.--Mycroft)
What source material besides Doyle did they use for Mycroft?
They cite Christopher Lee's portrayal.
Calli, the showrunners have said that they consider all previous incarnations are part of their source material (c.f.--Mycroft), so you're not off-base there.
Wow. That's a lot of incarnations. Heck, Gaiman just wrote a Holmesian short story a couple of months ago and, as Amy mentioned, they're even putting out new novels. Still, more power to the showrunners.
I wonder--can anyone else think of a Victorian literary work that's been worked, reworked, and expanded upon the way Doyle's Holmes stories have? Maybe Dracula, but that had a folktale base going in that Holmes doesn't. (Maybe I should take this question to Natter.)
Dracula definitely. Whatever folktale elements were minor compared to Stoker refining the core mythos.
Tarzan is a little later, but comparable.
Gatiss basically imprinted on The Private Life of Sherlock Holmes (the one with Christopher Lee as Mycroft) as a young fellow.
Frankenstein is pre-Victorian, but it's been worked and reworked in a similar way.
Plus, hell, you can be kind and still scheme. These are not mutually exclusive, Watson's lens aside.
Yes, and anyone who thinks otherwise is more than a bit naive.