Willow: Yes. Hi. You must be Angel's handsome, yet androgynous, son. Connor: It's Connor. Willow: And the sneer's genetic. Who knew?

'A Hole in the World'


Buffista Music II: Wrath of Chaka Khan  

There's a lady plays her fav'rite records/On the jukebox ev'ry day/All day long she plays the same old songs/And she believes the things that they say/She sings along with all the saddest songs/And she believes the stories are real/She lets the music dictate the way that she feels.


Steph L. - Aug 17, 2005 6:21:54 am PDT #9728 of 10003
the hardest to learn / was the least complicated

Five reels hold the complete session of Coltrane’s quartet with singer Johnny Hartman

I think I'd give up a kidney to hear those.

There is an astounding and completely unflawed rendition of "Body and Soul"

Also that.

Re: A Love Supreme --

After all these decades of admiring the quartet version of "Acknowledgement," indeed cherishing it as one of the landmarks of music, anywhere, anytime, it feels somewhat heretical to then suddenly turn around and say, "This sextet version is even better." But there it is. This version is even better, with Coltrane and Shepp playing with an intensity that makes it sound at some points as if there were three saxophonists present, and then goading each other onwards as they joyously trade the four-note "love supreme" motive.

Is anyone else drooling yet?


Hayden - Aug 17, 2005 6:47:28 am PDT #9729 of 10003
aka "The artist formerly known as Corwood Industries."

Holy shit. Wow.


Steph L. - Aug 17, 2005 7:11:31 am PDT #9730 of 10003
the hardest to learn / was the least complicated

I e-mailed the link to my jazzbo brother. I figure I need to share the unadulterated Coltrane lust.


Hayden - Aug 17, 2005 7:12:19 am PDT #9731 of 10003
aka "The artist formerly known as Corwood Industries."

I'm still a bit shocked.


Steph L. - Aug 17, 2005 7:13:13 am PDT #9732 of 10003
the hardest to learn / was the least complicated

I haven't heard back from my bro yet -- he may have passed out, himself.

t edit And I'm now listening to the Coltrane/Hartman CD, and lamenting that a superior recording of it exists BUT I CAN'T GET MY HANDS ON IT. Curses!


DavidS - Aug 17, 2005 8:33:27 am PDT #9733 of 10003
"Look, son, if it's good enough for Shirley Bassey, it's good enough for you."

it feels somewhat heretical to then suddenly turn around and say, "This sextet version is even better." But there it is.

Woo. Gave me chills reading that.


Polter-Cow - Aug 18, 2005 9:22:13 am PDT #9734 of 10003
What else besides ramen can you scoop? YOU CAN SCOOP THIS WORLD FROM DARKNESS!

What are people's feelings on Songs: Ohia? Because "Farewell Transmission" is an awesome song.


tina f. - Aug 18, 2005 9:41:40 am PDT #9735 of 10003

I downloaded Axxess & Ace off of emusic a while back and wasn't impressed. I thought he sounded like Neil Young at his most boring.

But, I then I downloaded Magnolia Electric Co.'s What Comes After the Blues (not realizing it was the same guy) which I like much better. It's a full band and his voice sounds much more confident. It's much more country-rock than other stuff I've heard of his. Still very Neil Young-esque but not so boring.

One thing you can say about Jason Molina, he records a lot. A lot. A lot.

Now playing: Lots of Richard Buckner. At the moment, Since. It's a super rainy day here and Buckner and rain go together just about perfectly.


Lyra Jane - Aug 18, 2005 9:44:17 am PDT #9736 of 10003
Up with the sun

Oh hey, tina, I downloaded two CYHSY songs on your recommendation. I like the music a lot, but I'm not sure about the singer's voice. But it's certainly dang hooky, which is a point in its favor.


tina f. - Aug 18, 2005 9:47:35 am PDT #9737 of 10003

I'm not sure about the singer's voice.

Neither was I - but it grows on you. And the hooks - like CRACK they are. The best song on the album, imo, is not on their site for download. It's called "The Skin of My Yellow Country Teeth" and I think the album is it worth it just for that. I've had to take a break from it though, I was overlistening. (because - crack!)