Simon: The decision saved your life. Zoe: Won't happen again, sir. Mal: Good. And thanks. I'm grateful. Zoe: It was my pleasure, sir.

'Out Of Gas'


Buffista Music II: Wrath of Chaka Khan  

There's a lady plays her fav'rite records/On the jukebox ev'ry day/All day long she plays the same old songs/And she believes the things that they say/She sings along with all the saddest songs/And she believes the stories are real/She lets the music dictate the way that she feels.


Michele T. - Feb 09, 2004 8:24:38 pm PST #857 of 10003
with a gleam in my eye, and an almost airtight alibi

Kelly Willis is *great*!

Hec, Neil Gaiman has said that Tori Amos has become one of the main inspirations for Delirium, although he created the character before he knew her. She has referenced both Gaiman and the Sandman characters in her songs: [link] -- looks like you'd be especially interested in the B-side "Sister Named Desire."


P.M. Marc - Feb 09, 2004 8:29:20 pm PST #858 of 10003
So come, my friends, be not afraid/We are so lightly here/It is in love that we are made; In love we disappear

But there are definitely times when listening to countrypop makes me want to write papers for a class or something. Stuff like when I hear "Thunder Rolls", "Independence Day" and "Night The Lights Went Out in Georgia" anywhere close together, and start thinking about abuse, female power, justice...

And at one point, I think I knew all the lyrics to all of those...


Jon B. - Feb 10, 2004 2:22:01 am PST #859 of 10003
A turkey in every toilet -- only in America!

They played this video of a song where the chorus was "I believe in a thing called love", rather...shrieked. And the video was really weird. And looked like something out of the 80s. WTF was that all about? Can anyone explain this song/band/concept to me? It was oddly intriguing.

The Darkness!!! Here's what AMG says:

England's the Darkness centers around irrepressible frontman Justin Hawkins (vocals/guitars/keyboards), who, along with his guitar-playing baby brother Dan, bassist Frankie Poullain and drummer Ed Graham, single-handedly resurrected the rather unfashionable sounds and attitudes of late-‘70s hard rock for an unsuspecting generation.

Following the demise of an earlier, conspicuously synth-pop-based outfit named Empire, the Hawkins brothers sowed the seeds of what would become the Darkness at an impromptu karaoke session on New Year's Eve 1999. Justin's rapturous rendition of Queen's "Bohemian Rhapsody" showed them the way, and the suitably dramatic name of the Darkness was chosen shortly after the arrival of Poullain and Graham. With outrageous stage antics that included gaudy leotards stolen from Steven Tyler's wardrobe, leaps and splits borrowed from David Lee Roth, and an ear-piercing falsetto copped from Freddie Mercury himself, the multi-talented elder Hawkins led the quartet as they spent the next two years slogging it out in London's pub circuit. Though they were immediately singled out as a joke by the notoriously vicious British press, the Darkness' high energy sets, remarkably catchy material and unapologetic worship of old-school rock & roll bombast gradually earned them a fanatical following based on simple word of mouth.

The tide finally began to shift in their favor in August 2002, when the Darkness released their debut EP I Believe in a Thing Called Love through independent Must Destroy Music, won a major talent contest and also scored all-important opening slots with Deep Purple and Def Leppard. Their momentum carried through into the new year, starting with a knockout performance at Austin's SXSW music convention in January, continuing with the release of their "Keep Your Hands off My Woman" single in February (peaking at number 36 in the U.K. chart), and climaxing in their subsequent signing of a major-label contract with Atlantic Records in March. Nothing could stop the Darkness' snowball effect now, and a series of acclaimed festival appearances set the stage for their debut album Permission to Land to debut atop the British charts -- the first time a new act had achieved such a feat since Coldplay three years earlier.


Lyra Jane - Feb 10, 2004 4:29:17 am PST #860 of 10003
Up with the sun

I got Tina's mix! It is *awesome.*


erinaceous - Feb 10, 2004 5:04:28 am PST #861 of 10003
A fellow makes himself conspicuous when he throws soft-boiled eggs at the electric fan.

They played this video of a song where the chorus was "I believe in a thing called love", rather...shrieked. And the video was really weird. And looked like something out of the 80s. WTF was that all about? Can anyone explain this song/band/concept to me? It was oddly intriguing.

I saw this when I was in Oxford in September and I was MESMERIZED. I laughed SO HARD. And then I bought the DVD single. I listen to this all the time. I should get their other stuff.

I still think they're a joke, but then I listen to Tenacious D much more than you would think it warrants. Also: what am I listening to RIGHT NOW? "The First Bratwurst of Summer" by Those Darn Accordions! Yeah, I have a high tolerance for jokey music.

What I came here to ask: Has anybody started messing around with GarageBand?


tommyrot - Feb 10, 2004 5:15:27 am PST #862 of 10003
Sir, it's not an offence to let your cat eat your bacon. Okay? And we don't arrest cats, I'm very sorry.

What I came here to ask: Has anybody started messing around with GarageBand?

My poor little 900 mhz G3 iBook isn't quite up to the requirements for GarageBand - but I'm tempted to get it anyway.


Jon B. - Feb 10, 2004 5:24:22 am PST #863 of 10003
A turkey in every toilet -- only in America!

I still think they're a joke

Me too, but a darned catchy one. And CURSE YOU MEARA! Because of you, I've been earwormed with "I believe in a Thing Called Love" all morning!


tina f. - Feb 10, 2004 5:33:55 am PST #864 of 10003

I got Tina's mix! It is *awesome.*

Yay! Glad it got there and that you like it.

Everyone where I work looooves the Darkness. I can't say I've really listened besides what I hear floating over the cube walls.


Fred Pete - Feb 10, 2004 5:43:49 am PST #865 of 10003
Ann, that's a ferret.

Because of you, I've been earwormed with "I believe in a Thing Called Love" all morning!

Like I was earwormed with "Take Me Out" all day yesterday.

And, about a different type of Britpop -- reviewing the latest from Kylie Minogue and Sophie Ellis-Bextor. Who've done some wonderful dance-pop singles.


DavidS - Feb 10, 2004 8:25:54 am PST #866 of 10003
"Look, son, if it's good enough for Shirley Bassey, it's good enough for you."

This is so odd to hear. Hec listening to country?? WTF?? It seems so...wrong, somehow.

Well, you know I am all about challenging the conventional wisdom on music and trying to use my ears rather than marketing labels. Besides, I've always liked George Strait, had Shelby Lynne records when she was still doing straight country and it was no big leap from Emmylou to Rodney Crowell and Roseanne Cash. So I've been dipping my toe into whatever was current in country from time to time.