Cajun music is well, cajun, and Zydeco is creole.
Fred ,'A Hole in the World'
Buffista Music II: Wrath of Chaka Khan
There's a lady plays her fav'rite records/On the jukebox ev'ry day/All day long she plays the same old songs/And she believes the things that they say/She sings along with all the saddest songs/And she believes the stories are real/She lets the music dictate the way that she feels.
I think there was an article in one of the recent Da Capo Best Music Writing annuals delineating the difference in terms of race and instrumentation.
The thing is they've borrowed so much from each other and both become so English, or rather Americanized, that I don't think that's a useful distinction.
I'm sure that's why I can't tell the difference between the two.
There's certainly crossover between cajun and zydeco, but one is a broad cultural folk music (cajun) and the other is a regional dance music style (zydeco). I like Michael Doucet playing both.
Heather, if you want some red hot zydeo dance music that's not particularly traditional, I highly recommend Zydeco Brew. That's a side project by the aforementioned Mr. Doucet, with contributions from shit-hot guitarists Sonny Landreth and Richard Thompson. They a fantastic "Zyedeco Boogaloo" which I've put on innumerable mix tapes, and zydeco-ify "Wooly Bully" as well.
it occurred to me that rarely has there been a more appropriate opportunity for Mr. Manservant of Evil to engage in some of his customary Swamp Dogg pimping: "I Couldn't Pay for What I Got Last Night," "Mama's Baby, Daddy's Maybe," "The Love We Got Ain't Worth Two Dead Flies". One could even say that Jerry William's raison d'etre is writing twisted love songs. And twisted liner notes, but that's a different mix.
So very true. Though even the Dogg might have to take a back seat to Screamin' Jay Hawkins' pervy little love letters.
Also, still waiting to hear about the best magazine in America.
I think my favorite magazine right now is Mojo. But maybe I'm not thinking hard enough about this, and maybe that's not American enough.
There's certainly crossover between cajun and zydeco, but one is a broad cultural folk music (cajun) and the other is a regional dance music style (zydeco).
But that doesn't tell you much when listening to them and figuring out which is which- though I more often hear zydeco translated into English, so I guess that would make it the more "popular" form.
cat fancy.
But that doesn't tell you much when listening to them and figuring out which is which- though I more often hear zydeco translated into English, so I guess that would make it the more "popular" form.
More fiddles? Cajun. Washboards rhythm? Zydeco.
That's my short hand. Zydeco has a particular rhythm too, and cajun can be any number of rhythms (lots of waltzs, though).
cat fancy.
Is this a vote for Best Magazine, or a good way to discern cajun from zydeco?