Easy Bake. Flop-a-palooza. Woosh. Pop. I don't skulk.

Angel ,'Shells'


Buffista Music II: Wrath of Chaka Khan  

There's a lady plays her fav'rite records/On the jukebox ev'ry day/All day long she plays the same old songs/And she believes the things that they say/She sings along with all the saddest songs/And she believes the stories are real/She lets the music dictate the way that she feels.


DavidS - May 05, 2005 8:41:43 am PDT #8510 of 10003
"Look, son, if it's good enough for Shirley Bassey, it's good enough for you."

There's certainly crossover between cajun and zydeco, but one is a broad cultural folk music (cajun) and the other is a regional dance music style (zydeco). I like Michael Doucet playing both.

Heather, if you want some red hot zydeo dance music that's not particularly traditional, I highly recommend Zydeco Brew. That's a side project by the aforementioned Mr. Doucet, with contributions from shit-hot guitarists Sonny Landreth and Richard Thompson. They a fantastic "Zyedeco Boogaloo" which I've put on innumerable mix tapes, and zydeco-ify "Wooly Bully" as well.


DavidS - May 05, 2005 8:43:37 am PDT #8511 of 10003
"Look, son, if it's good enough for Shirley Bassey, it's good enough for you."

it occurred to me that rarely has there been a more appropriate opportunity for Mr. Manservant of Evil to engage in some of his customary Swamp Dogg pimping: "I Couldn't Pay for What I Got Last Night," "Mama's Baby, Daddy's Maybe," "The Love We Got Ain't Worth Two Dead Flies". One could even say that Jerry William's raison d'etre is writing twisted love songs. And twisted liner notes, but that's a different mix.

So very true. Though even the Dogg might have to take a back seat to Screamin' Jay Hawkins' pervy little love letters.


DavidS - May 05, 2005 8:44:32 am PDT #8512 of 10003
"Look, son, if it's good enough for Shirley Bassey, it's good enough for you."

Also, still waiting to hear about the best magazine in America.

I think my favorite magazine right now is Mojo. But maybe I'm not thinking hard enough about this, and maybe that's not American enough.


Daisy Jane - May 05, 2005 8:46:17 am PDT #8513 of 10003
"This bar smells like kerosene and stripper tears."

There's certainly crossover between cajun and zydeco, but one is a broad cultural folk music (cajun) and the other is a regional dance music style (zydeco).

But that doesn't tell you much when listening to them and figuring out which is which- though I more often hear zydeco translated into English, so I guess that would make it the more "popular" form.


msbelle - May 05, 2005 8:46:38 am PDT #8514 of 10003
I remember the crazy days. 500 posts an hour. Nubmer! Natgbsb

cat fancy.


DavidS - May 05, 2005 8:52:34 am PDT #8515 of 10003
"Look, son, if it's good enough for Shirley Bassey, it's good enough for you."

But that doesn't tell you much when listening to them and figuring out which is which- though I more often hear zydeco translated into English, so I guess that would make it the more "popular" form.

More fiddles? Cajun. Washboards rhythm? Zydeco.

That's my short hand. Zydeco has a particular rhythm too, and cajun can be any number of rhythms (lots of waltzs, though).

cat fancy.

Is this a vote for Best Magazine, or a good way to discern cajun from zydeco?


msbelle - May 05, 2005 8:54:03 am PDT #8516 of 10003
I remember the crazy days. 500 posts an hour. Nubmer! Natgbsb

both.


joe boucher - May 05, 2005 8:55:46 am PDT #8517 of 10003
I knew that topless lady had something up her sleeve. - John Prine

Arhoolie is the label for zydeco & Cajun. Pick up a compilation or two & go from there. Rounder is another good source for both types. "Zydeco [i.e., Les Haricots] Sont Pas Sale," as Clifton Chenier sang, "The snapbeans aren't salty."

The box set you're going to buy looks pretty great, but it ranges way far afield from zydeco & Cajun, trying to capture the range of New Orleans music -- good luck on that! If you want classic New Orleans R&B hear are some good ones (but keep in mind that to say that this is only scratching the surface is a gross overstatement) in no particular order:

  • These two from Rhino (can't find the great series they released around 1985 or 1986; if you have a turntable & see the records, esp. the one with the purple cover, pounce on them)

And of course Professor Longhair, Fats Domino, Huey Smith, James Booker, the Nevilles, etc., which you can look up on your own. All of which ignores New Orleans jazz (yeah, yeah, I know many of those listed play it occasionally & all have been influenced by it), especially the town's musical 800 lb gorilla, Louis Armstrong. Jelly Roll Morton would no doubt argue that he deserves that title. The city & region's musical contributions are huge.

Here's a good customer list from Amazon.


Frankenbuddha - May 05, 2005 8:58:13 am PDT #8518 of 10003
"We are the Goon Squad and we're coming to town...Beep! Beep!" - David Bowie, "Fashion"

Is this a vote for Best Magazine, or a good way to discern cajun from zydeco?

both.

Yes, it turns out cats really groove on zydeco, but get all hissy/spitty when you play cajun....


DavidS - May 05, 2005 8:59:05 am PDT #8519 of 10003
"Look, son, if it's good enough for Shirley Bassey, it's good enough for you."

Yes, it turns out cats really groove on zydeco, but get all hissy/spitty when you play cajun....

So, zydeco gets the fancy cats? And cajun gets Bill the Cat?