How's it sit? Pretty cunning, don'tchya think?

Jayne ,'The Message'


Buffista Music II: Wrath of Chaka Khan  

There's a lady plays her fav'rite records/On the jukebox ev'ry day/All day long she plays the same old songs/And she believes the things that they say/She sings along with all the saddest songs/And she believes the stories are real/She lets the music dictate the way that she feels.


Daisy Jane - May 28, 2004 9:55:46 am PDT #2824 of 10003
"This bar smells like kerosene and stripper tears."

Red Dust -- Iron & Wine

Just got one of their cds, and we love love love it.


Daisy Jane - May 28, 2004 9:57:24 am PDT #2825 of 10003
"This bar smells like kerosene and stripper tears."

Also, speaking of remixes and such. Does anyone know who does a sort of boyband cover of Boys in the Hood?


DavidS - May 28, 2004 10:00:45 am PDT #2826 of 10003
"Look, son, if it's good enough for Shirley Bassey, it's good enough for you."

How does Kenny G.'s fucking with Louis Armstrong fit into your world view?

Heh. Kenny can do it, but he must also suffer the wrath of Pat Metheny.

Damn, that's a good band name: The Wrath of Pat Metheny!


joe boucher - May 28, 2004 10:15:17 am PDT #2827 of 10003
I knew that topless lady had something up her sleeve. - John Prine

I haven't heard the Verve remixes, David, so can't comment on them (and probably won't hear them, although that's a function of limited time & money, not because of a basic objection). I'm not a purist, but I'm also not interested in hearing watered down stuff. If the innovations are in the spirit of "this and this would sound really cool together" or "geez, I wonder what this and this would sound like together" then great, give it a whirl. That exploration is the music's lifeblood. But "lite jazz" or "jazz: America's classical music" drive me bonkers because it's that fucked up marketing concept of "jazz for people who don't like jazz." Which makes it most probably not jazz. The music can survive being lots of things -- blatantly commercial, pretty much unsellable, conservative, radical, lyrical, discordant -- but when it starts apologizing for itself that's the kiss of death. If the guys playing it aren't trying to convince you ("You don't think you like our music? Well, listen to this!") why bother? (I'm loath to be really didactic about it, though, because sometimes contempt for the material injects life into something that otherwise would be really lame. That element of surprise is part of the mystery of art. "That shouldn't have worked, but it did; and that should have worked, but it didn't. WTF?") Anyway, it's time for me to leave. So I'll just recommend this, Mr. Hec, Haunted Heart by Charlie Haden's Quartet West. Not remixes, not new backing tracks, but Charlie picking some of his favorites for "duets" in which the Quartet West plays an intro, maybe short, maybe expansive, that ends up blending seamlessly into the original recordings. My favorites are "Ev'ry Time We Say Goodbye" sung by Jeri Southern, and "Deep Song" by Billie Holiday, a tune I haven't seen anywhere else, but which I think ranks with her very best. ETA: I thought about breaking this into paragraphs, but I didn't want to disappoint Misha.


DavidS - May 28, 2004 10:32:08 am PDT #2828 of 10003
"Look, son, if it's good enough for Shirley Bassey, it's good enough for you."

So I'll just recommend this, Mr. Hec, Haunted Heart by Charlie Haden's Quartet West.

I've got that! That was a cool project.

The thing with the Verve remixes is that they smooth out the playing-with-rhythm which is an inextricable part of bop and after jazz. It's all dance beats of one kind or another. That works fine on something like "Summertime" which can survive any number of interpretations. Less defensible is the way they chopped up Carmen McRae's vocals on "How Long Has This Been Going On" - essentially undoing her timing. Tricky remaking "Strange Fruit" sounds interesting on paper - but it doesn't work as well in actual execution.

But Nina Simone's "See-Line Woman" works pretty well as a groove number.

As creative sampling, it's not nearly as interesting as something like Tipsy or Paul's Boutique or a Bomb Squad production. It definitely trends towards the loungey/chill/ambient side of the spectrum.


Jon B. - May 28, 2004 10:36:11 am PDT #2829 of 10003
A turkey in every toilet -- only in America!

Damn, that's a good band name: The Wrath of Pat Metheny!

Would also make a good Yo La Tengo song title.


Michele T. - May 28, 2004 10:53:12 am PDT #2830 of 10003
with a gleam in my eye, and an almost airtight alibi

ETA: I thought about breaking this into paragraphs, but I didn't want to disappoint Misha

Aw, Joe! You're too good to me.

You around this weekend, btw?


DavidS - May 28, 2004 10:56:36 am PDT #2831 of 10003
"Look, son, if it's good enough for Shirley Bassey, it's good enough for you."

Would also make a good Yo La Tengo song title.

Or The Lothars. ijs

I need to share the following exchange from the wedding:

Me: Alex, I want to introduce you to Jon. He's a theremin player in a couple bands, The Pee Wee Fist and The Lothars...

Alex [my best man]: No way! I love The Lothars - they're one of my favorite new bands.

It was all highly unlikely, though Alex does listen to a lot of stuff like Sigur Ros which has a similarly experimental/psych/trippy feel.


joe boucher - May 28, 2004 10:57:24 am PDT #2832 of 10003
I knew that topless lady had something up her sleeve. - John Prine

I'm going to "Homebody/Kabul" at BAM tonight. Upstate with the Sorels for the weekend. Should be back Monday & may be getting together with Nathaniel, so I may be on your block. Would be delighted to see you.


Steph L. - May 28, 2004 10:59:29 am PDT #2833 of 10003
I look more rad than Lutheranism

I'm going to "Homebody/Kabul" at BAM tonight.

*Seriously*?? I really really REALLY want to see it. Jealous now.