Points to tina for Teenage Fanclub!

Though as she notes, Hornby's alltime favorite song is "Thunder Road." And for the record, I wrote my college admission essay about Bruce.

stops thumbing through all her hornby books frantically looking for album titles in italics

And for the record, I wrote my college admission essay about Bruce.

I would love to read this! Not just because I love Bruce (it was a combo of Cypress Avenue's Bill Shapiro and his crazy Bruce-love weekend after weekend and the VH-1 "Legends" on Bruce that finally did me in) but also I think the writings of teen!Hec would be charming and fun to read.

I would love to read this! ...but also I think the writings of teen!Hec would be charming and fun to read.

Yeah, not so much. Really earnest. But that's what happens when Darkness on the Edge of Town is the record that pulls you through high school.

Double ding.

Well, I'll edit and note that I love Joe's writing about music because he pays so much attention to rhythm and writes about it well. You may be surprised to hear that this is very uncommon in pop music writing. One of his key points in his piece about Willie Nelson, is about Willie's very distinctive acoustic guitar playing.

Similarly, I love Peter Bagge's music writing because he's absolutely obsessed with the quality of a singer's voice, and how voices blend in harmonies. You can tell he spends a lot of time with the headphones on thinking about it.

"Thankyou..." isn't so screamy to my recollection. More ominous and low and bass-popping.

It's not that the song is screamy. The bass line starts and then some dude kind of screams "yeeeeeah!" and then the song starts.

Oh, but you know what? I played it out in my head, and I think what I'm thinking of is "Play that funky music, white boy." Oops!

Oh, but you know what? I played it out in my head, and I think what I'm thinking of is "Play that funky music, white boy." Oops!

Yep, that song song does have a sick and fonquey "Yeah" in the beginning.

Still a great funk one-shot.

Does anyone have any thoughts on the new Prince album? I saw the new video for "Musicology" this morning and found it cool and interesting.

And for the record, I wrote my college admission essay about Bruce.

Trivia quiz, Mr. Astral Weeks fan (yes, that's a very unsubtle clue): who played bass on "Meeting Across the River"? Maybe "Jungleland" too. Yep, Richard Davis. His great 1964/65 Blue Note "trilogy": Eric Dolphy's Out to Lunch, Andrew Hill's Point of Departure, and Bobby Hutcherson's Dialogue. Hutcherson is also on all three. Dolphy & Tony Williams are on the first two; Freddie Hubbard is on the first and third; Andrew Hill on the last two.

Still a great funk one-shot.

And a complete Sly rip... er, "homage".

Well, I'll edit and note that I love Joe's writing about music because he pays so much attention to rhythm and writes about it well.

Thank you. I write about it, but not well. Can't count (in a musical sense) to save my life. Speaking of rhythm, as I read that "Un Poco Loco" came on. And now "Tempus Fugit". Bud Powell & Max Roach were virtuoso players who were rhythmic monsters. Willie Nelson, seems at first listen to be an anti-virtuoso, but like Thelonious Monk, has an absolutely ingenious approach to time. It sounds all awkward and off-kilter, but once you get on his wavelength it's "Aha! That's fuckin' brilliant! How'd he think of that?" I love phrasing, especially vocals.

I write about it, but not well.

Not to be all Flattery McCheerleader - but I disagree vigorously. I could go on about it - but I'll just say that - I think you write about music very well. I think it is greatly enhanced by your constant use of specific detail - your recall for name spellings and titles of things and quotes is positively Nilly-esque and sometimes makes me think you might be a robot. A robot that writes well.