Could it be the Killer?
From It Came From Memphis (p. 59):
...concurrent with playing in Brunswick [aka Stax, 1960-1963], Cropper was also doing some session work at the Sam Phillips Recording Service. Roland James remembers, "We worked three or four sessions there with Jerry Lee Lewis where we had Scotty (Moore) playing the rhythm guitar, Steve Cropper playing baritone guitar, and I played lead."
edit - This would have been the right time period, when Cropper was in the Mar-Keys, but the book doesn't give the exact date.
My brother-in-law has my copy of Sweet Soul Music right now, Heather, so that's all the research I'm good for.
Eh. That's ok. I'm not sure I'll ever solve the mystery.
I think they'll sell on the strength of the sigs alone. It's just instead of a story, there's a mystery.
Hayden, I think maybe you got it.
Heather, that would be a hot property if you had Jerry Lee Lewis, backed by Steve Cropper and Scotty Moore, with Sam Phillips recording.
I wonder who is in charge of acquistions at the rock and roll hall of fame.
I don't think SM is playing on the recording whatever it is. I think he's just the engineer.
I have neglected to mention that two weeks ago, JZ and I were in the Berkeley Amoeba and she came running up to me all excited because she found the second Lothars CD used.
I pointed out to her that if we bought it directly from Jon he would derive some economic benefit, but buying it used gained him nothing. She was unpersuaded and felt that the Lothar CD had personally found its way into her hands.
Reader, we bought that CD.
Better it find its way into loving hands than it sit there lonely amongst the anonymous multitudes of amoebadom.
Tonight G and I are going to see Great Big Sea at the 930
club. Of course, this means we'll be more zombie-ish than usual
at work tomorrow, but hey! It's Great Big Sea!
Hec! Incoming, I gots some stuff for you.
Also, Salon.com today has some links to a couple good free downloads.
Hey, Jon, have you left yet?