And also loved the "Are you Alliance?", "A lion?" scene, it was not funny and added to the off kilterness that was Juble.

Wasn't that bemusing? And the "You're a bounty hunter." "No. I'm a bounty hunter" (I'm paraphrasing, forgive me.) Mr Early was one scary piece of work, and no mistake.

"My sister is a ship. We had a complicated childhood." Heh. Ooh! And "He takes a lot of looking after." The scene with Mal and River on the outside of the ship was just brimming with lovely

YES. Oh, damn, yes. I loved those bits. I so love the Tams. Simon's just -- dude, he's like Sam Gamgee-level devoted. I mean, just breaks your heart. As does Kaylee, though -- really, Jewel was so wonderfully, unsappily yearning, bless her, with the whole trying-to-get-him-to-say-he-likes-her.

I fear I haven't said enough good things about Summer. She's fabulous. Her performance throughout the series has been top-notch -- she wasn't often the focus, but she was always giving 100% and her acting was fabulously physical and sincere -- I mean, she broke my heart at times, she really did, but she could also be thoroughly eerie. It was a very well judged performance, one that felt entirely unforced. She knocked my socks off.

It's heart breaking that the show was cancelled, and that Fox failed to promote it as it should have been promoted, but it really is exceptionally good work and the quality speaks for itself. I feel inappropriately proud and possessive of the show -- kind of tender, if you see what I mean? Because it's a beautiful thing, it really is. And so little television is startling, or challenging, or beautiful. I'm not saying it was flawless, because the quality of Objects in Space throws the pedestrian-ness of Heart of Gold into sharp relief, but overall Firefly is really a hell of an acheivement. If it were mine, I'd be painfully proud of it. Hell, I already am, and it's nothing to do with me.

I loved Simon's line, "I have a hard time keeping track of her even when she's not incorporeally possessing a spaceship."

That, and "Yes, he's very...gentle. And fuzzy. We're becoming fast friends!"

I think that one of my favorite images from the entire series is the shot of River standing on the cargo bay's railing, her ear tilted up to listen to the crew's conversation going on in the kitchen above her. It exemplified her grace, her ability to hear things that she really shouldn't be able to, and her unusual approach to problems (most people would have hauled a box up and stood on it).

I didn't so much take it that River needed to be perched that close to the ceiling to hear things, as that just happened to be the position she was in when the conversation was going on.

I liked the through-the-bulkhead shots. Although I was a little dissapointed to not see hidden treasure or a lost dinosaur toy in between.

Although I was a little dissapointed to not see hidden treasure or a lost dinosaur toy in between.

Or a Simpson?

I was thinking that, but I think it would have been too obvious.

Well, all I can say is thank goodness we didn't see some poor workman sealed in a bulkhead, like they have on every other ship-centric scifi show I can recall.

I remember ST:TNG's variation on that. The genetic material of a killed shipworker infused into the bulkhead.

Rosanne had a worker sealed in a bridge.