Well, you can't argue with the more sex bit.

She's a hooker! It's her career, and she seems to approach it very clinically. What fun is that? Most of her clients appear to be young men who've never gotten any, ever, and therefore don't know any better.

Do not dis the Leia...

Do not dis the Leia...

Can I dis the majority of her dialogue, at least?

As Harrison Ford said "You can type this shit George, but you sure can't say it."

et tu, Ken?

et tu, Ken?

Well I like Inara and there seems to be a big hate-on for her here. Plus, I like Carrie Fischer, but nothing will ever make me forgive having to watch her commune with the Ruxpins.

Harrison was a wise man.

She's a hooker! It's her career, and she seems to approach it very clinically.

Man, I so don't get this. I just don't see her as cold. I don't see her as a disingenuous fluffywuffy heart-on-sleeve bunny rabbit, mind, and I think she's got plenty of reserve, but I don't see her as cold. I mean, she's not a tart in the style of Julia Roberts in Pretty Woman, thank God, but I do think she's well disposed to her clientele and quite likes a number of them - which, for a professional prostitute, is MORE than warm enough, as far as I'm concerned. I don't think she's any colder or harder than, say, my mate the masseuse. Yes the service she's providing is an intimate thing, and I think she enjoys it, and that she genuinely wants her clients to enjoy it. But no it's not a deep, meaningful personal relationship, and it's not supposed to be.

I see a lot of warmth in her relationship with Kaylee, and I see more reserve (but still courtesy and charm and some warmth) to her relationships with Zoe and Wash and the Tams. The Inara/Mal thing - in this episode I pretty much felt that Mal wasn't at all conflicted about how he felt about her, that he was seeing her as a passenger, no more or less. In other episodes I've been sold on there being mutual sexual tension - but always had the impression that it's more a case of her being fascinated with him than the other way around. Maybe even just with the idea of him.

Increasingly I wonder if this does boil down to a cultural thing, wrt the reserve business, or whether it's to do with viewing order.

Apply Lipstick. Insert Tab A into Slot B and serve tea. Apply more lipstick. Flip hair at Mal. Apply coat of varnish on lipstick. Promote new book, "Holier Than Thou Recipes for Tea." Apply more lipstick on top of varnish, take nap. Wake up, roll eyes at Jane, check to make sure 85 coats of lipstick are still really shiny. Smile. Say something arrogant without having anything to back it up. Apply more lipstick. Bitch about lack of rich asswipes to fuck. Make tea.

Is it Morena's acting in particular that you despise, or the way the character's written, or the concept of a character who is simply a passenger and a high class callgirl?

I mean, you're very much in the majority as far as I can see, but we obviously have very different takes on this.

Is it Morena's acting in particular that you despise, or the way the character's written, or the concept of a character who is simply a passenger and a high class callgirl?

Do I just have to choose one, Fay? She's baggage, a waste of space. Everytime she utters a a line, it's taking screentime away from another character, or even the humming engine of Serenity, which is more interesting, and possibly better in the sack.

Really though, is it because she's a professional hooker? Or because she's pretty? Cos I'm thinking, the lipstick and hair-flipping and looking fabulous are kind of a prerequisite if you want people to pay ridiculous amounts of money to have sex with you.

I'm thinking, the lipstick and hair-flipping and looking fabulous are kind of a prerequisite if you want people to pay ridiculous amounts of money to have sex with you.

My point is, that this is all the character is. This is all she does. There's no more depth to her than hair flipping, tea making, and applying lipstick, aside from occassionally bitching that there's no work.