Reavers ain't men. Or they forgot how to be. Now they're just nothing. They got out to the edge of the galaxy, to that place of nothing, and that's what they became.

Mal ,'Bushwhacked'


Supernatural 2: Why is it our job to save everybody?  

[NAFDA]. This is where we talk about the CW series Supernatural! Anything that's aired in the US on TV (including promos) is fair game. No spoilers though — if you post one by accident, an admin will delete it.


Amy - Feb 05, 2010 6:57:22 am PST #5096 of 30002
Because books.

I guess I made the leaps without it being spelled out. A lot was going on in this episode, and most of it was way more important to me than Anna, so. Anna was simply the cog that set this in motion this time, and to get to the emotional meat of the episode, that was fine with me.

Plus, Mary rocked. No gender fail there as far as I could see.


Marcia - Feb 05, 2010 7:00:54 am PST #5097 of 30002
Kneel before Glod. ~Stephen Colbert

Call me crazy, but Anna has been trying to stop the Apocalypse since she became an angel. This is not new a new idea for her, but with the Apocalypse started, she's now taking a more active role in stopping it. Seems like a natural next step for her to first try killing Sam, and having failed, then killing Sam's parents. I think it's perfectly valid character development.

I would add I do think the equivocation of Anna with Fatal Attraction/Glenn Close was very sloppy and unfortunate.


§ ita § - Feb 05, 2010 7:13:22 am PST #5098 of 30002
Well not canonically, no, but this is transformative fiction.

I would add I do think the equivocation of Anna with Fatal Attraction/Glenn Close was very sloppy and unfortunate.

And I'm pretty sure the writer's room would be all "it was a throwaway line! Why are you harping on it?" which is its own nugget of gender fail, but not one of characterisation, I don't think.


P.M. Marc - Feb 05, 2010 7:14:26 am PST #5099 of 30002
So come, my friends, be not afraid/We are so lightly here/It is in love that we are made; In love we disappear

I made the leaps as well, and I did enjoy the episode. But that doesn't mean it didn't have some sloppy aspects that were riding the genderfailboat.

The main explicitly gendered things that I wish they hadn't done were having Anna show up in the middle of that sort of dream (it's cheap laughs, but also ties the whole thing into their previous backseat contact in ways that make the Glenn Close thing more problematic) and the Glenn Close reference.


Ailleann - Feb 05, 2010 7:15:17 am PST #5100 of 30002
vanguard of the socialist Hollywood liberal homosexualist agenda

And I'm pretty sure the writer's room would be all "it was a throwaway line! Why are you harping on it?"

Also, it's a very Dean line. He's pretty genderfail-y.


Lee - Feb 05, 2010 7:17:05 am PST #5101 of 30002
The feeling you get when your brain finally lets your heart get in its pants.

"it was a throwaway line! Why are you harping on it?"

For me, that's kind of the issue--way too many of their throwaway lines are fratboy misogynistic.


P.M. Marc - Feb 05, 2010 7:21:05 am PST #5102 of 30002
So come, my friends, be not afraid/We are so lightly here/It is in love that we are made; In love we disappear

For me, that's kind of the issue--way too many of their throwaway lines are fratboy misogynistic.

Bingo!


Lee - Feb 05, 2010 7:23:36 am PST #5103 of 30002
The feeling you get when your brain finally lets your heart get in its pants.

But still and all, SHOW!!!!

Did you see the way Mary handled that knife?


Amy - Feb 05, 2010 7:23:38 am PST #5104 of 30002
Because books.

For me, though, and I know I'm holding up the minority here, misogyny is "hatred of women". For me, it's not misogynistic of Dean to compare Anna to another female character who went homicidal, it's just ... a similarity.

Are you saying he should have compared her to the Terminator or something male instead?


§ ita § - Feb 05, 2010 7:24:37 am PST #5105 of 30002
Well not canonically, no, but this is transformative fiction.

it's a very Dean line. He's pretty genderfail-y.

No, he's a feminist. I read that on the Internet, so it must be true.

Actually, I really don't like it from Dean. I think the line fails him more than it fails Anna, because if I take it at face value, he sees her as a former sexual partner gone crazy for no reason (or out of jealousy). And that reflects more on him than it does on her. Yes, it's a betrayal, but not of the beautiful special love they shared, or anything. Woman has a mission that's bigger than sex.

But I didn't get the impression that Show was calling her a bunny boiler.