My only problem is that every time they mention his name I get earwormed with "the lot it fell first upon Henry Morgan, the youngest of the three" ... which isn't too bad, but since I can't sing and don't remember anything after that verse, is annoying.
Boxed Set, Vol. V: Just a Hint of Denial and a Dash of Retcon
A topic for the discussion of Doctor Who, Arrow, and The Flash. Beware possible invasions of iZombie, Sleepy Hollow, or pretty much any other "genre" (read: sci fi, superhero, or fantasy) show that captures our fancy. Expect adult content and discussion of the Big Gay Sex.
Marvel superheroes are discussed over at the MCU thread.
Whitefont all unaired in the U.S. ep discussion, identifying it as such, and including the show and ep title in blackfont.
Blackfont is allowed after the show has aired on the east coast.
This is NOT a general TV discussion thread.
Hm, enough of you are enjoying Forever to make me think about giving it a watch. Like I need more TV, but I like whatshisname who will probably always be SMG's husband from that twin show to me. And I liked New Amsterdam
whatshisname who will probably always be SMG's husband from that twin show to me
Oh, yeah, the show that wasn't Revenge. What was the name of it?? I was inrigued by it but never got around to watching it.
I think it was one of those one word titles? Not Revenge, not Scandal...anyway, I liked it well enough, but I loved the recaps that one of the Fug Girls used to do. So funny.
Ringer.
I think I watched the first one or two of that.
I watched the whole season of that. Great cast but terrible writing.
Thank you, Tom, I was never gonna come up with that.
I don't know why, but the presence of cell phones in Gotham threw me for a loop. Or, I do know why, but I'm not sure if my assumption was valid.
Story-wise, sometimes the existence of cellphones ruins things. There's so many more ways for shit to go wrong without that instant communication, which makes for tension-gold. And yes, like the X-Files showed, cellphones made stories possible as well, along with connecting the main characters without them being in the same scene. But sometimes I miss how a story could generate drama that a cell phone would undermine.
Maybe writers today don't know how to tell a story without?
But the non-existence of cell phones would ruin things--it would be like American cops without guns--it's your job to write around it, because basic plausibility should be front and centre.