Sarah Jane had a great time post-doctor until the actress playing her died.
Hadn't she been abandoned by the doctor without a word for like 20 years until they reunited in "School Hard"?
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Sarah Jane had a great time post-doctor until the actress playing her died.
Hadn't she been abandoned by the doctor without a word for like 20 years until they reunited in "School Hard"?
Yeah, but she was on earth continuing to do stuff. Not isolated in some horrible place.
I thought Sarah Jane left by her own decision.
No. Four was recalled to Galifrey, and dropped her off (in the wrong city, but apparently the right planet and time).
Sarah Jane got booted originally when the Doctor was called back to Gallifrey.
He left her in the wrong place...which was utterly lacking in meaning to me-who-knows-little-of-UK-geography.
She did want some Doctor closure. but it's not like she was pining in some strange place far from home, or anything.
1) They have a greedy murderous trader with a big nose and they name him "Solomon"?
And disabled, at that. The episode was a real "win" on a number of "stepping directly into of problematic stereotypes" fronts.
There were a lot of bits of this one that I liked, but it fell into the "too many ingredients" category, because random Nefertiti and not!Quartermain seemed really random and superfluous to the plot. I get that they didn't want to use River, or make it future-Torchwood or UNIT that was gonna shoot down the ship, but my in medias res tolerance for things where I've seen all the res there is and it clearly being a one-off episode and largely outside of this large and complex universe that has been established is low enough to inspire me to write this post.
Is there not a meaningful distinction between disabled and injured? Or is it too loaded for that?
I like the idea of the Doctor running around and grabbing random people and having adventures. And then going "Oh! Ponds!" and getting some of them too. Still way too human, but it's lessening up on the claustrophobic run of contemporaneous human English-speaking women.
I'd love to think they could at least hook us up with an alien that looks human (hardly an earth-shattering concept), but I hold out little hope for that. I think they rely on 21st century touchpoints too much, whether explicit or not. At this point, the companion isn't our viewpoint character, are they? Can't they be one more thing we look at, rather than the lens through which we look?
They have a greedy murderous trader with a big nose and they name him "Solomon"?
And disabled, at that.
I don't get the reference.