Madagascar 2 is huge right now. If you don't want to see it in a crowded auditorium, it's wise to put it off.
Angel: How're you feeling? Faith: Like I did mushrooms and got eaten by a bear.
'A Hole in the World'
Buffista Movies 6: lies and videotape
A place to talk about movies--old and new, good and bad, high art and high cheese. It's the place to place your kittens on the award winners, gossip about upcoming fims and discuss DVD releases and extras. Spoiler policy: White font all plot-related discussion until a movie's been in wide release two weeks, and keep the major HSQ in white font until two weeks after the video/DVD release.
Laga - Nov 08, 2008 8:45:49 pm PST #8547 of 10000
You should know I'm a big deal in the Resistance.
Cashmere - Nov 08, 2008 8:53:25 pm PST #8548 of 10000
Now tagless for your comfort.
Remember we're in the Middle of Nowheresville so it's not likely the theatre will be too packed. I'm not even expecting to get through the film with both kids. We are prepared to bail.
It doesn't really matter too much because we'll eventually own it and I'll have seen it A THOUSAND TIMES.
DavidS - Nov 08, 2008 9:18:56 pm PST #8549 of 10000
"Look, son, if it's good enough for Shirley Bassey, it's good enough for you."
Can someone who liked Mulholland Drive sell it to me?
Have you liked other Lynch movies?
Because it's very Lynchian, but I thought successfully so.
Of course, you have to sort out the plot which I didn't get on first watch, but once that falls into place it's an interesting, even haunting movie.
§ ita § - Nov 08, 2008 9:29:55 pm PST #8550 of 10000
Well not canonically, no, but this is transformative fiction.
Oh, I'm never watching it again. And I disliked the second bit more than the first (wanted to slap them all silly), so I think it's not for me.
I was a Twin Peaks fan, though.
DavidS - Nov 08, 2008 9:31:37 pm PST #8551 of 10000
"Look, son, if it's good enough for Shirley Bassey, it's good enough for you."
Oh, I'm never watching it again.
I didn't mean that. There was a long piece on Salon when it came out laying out the storyline which made it more coherent for me.
Laga - Nov 08, 2008 9:33:35 pm PST #8552 of 10000
You should know I'm a big deal in the Resistance.
Twin Peaks pissed me off and I thought I hated David Lynch until I saw he directed The Straight Story. I guess I love everything with Richard Farnsworth in it.
§ ita § - Nov 08, 2008 9:45:57 pm PST #8553 of 10000
Well not canonically, no, but this is transformative fiction.
I read the imdb synopses to work what had happened, but then was left with the why. The Salon piece would probably be better info.
Imdb had a list of Lynch's ten clues, and even they didn't help. On my phone so I can't link, but if someone could explain those to me, I'd be grateful.
Also watched the remake of The Manchurian Candidate (love both versions) and Serendipity which I enjoy in sparse doses.
Next up is to make a dent in my netflix queue by watching online. I'll die before that list gets shorter than 100.
§ ita § - Nov 08, 2008 9:47:20 pm PST #8554 of 10000
Well not canonically, no, but this is transformative fiction.
::phone doublepost::
Ash - Nov 09, 2008 5:18:08 am PST #8555 of 10000
I really don't care for clever twists and stories I have to figure out by reading clues and explanations online somewhere. I don't want everything just handed to me, but Mulholland Dr wallows in a ridiculous level of obfuscation (or laziness?) in its storytelling. If I don't care whether a single character in your movie lives or dies, all the lovely cinematography and Hidden Layers Of Stuff won't save you.
I guess that means I'm not Lynch's advocate here...
DavidS - Nov 09, 2008 5:31:47 am PST #8556 of 10000
"Look, son, if it's good enough for Shirley Bassey, it's good enough for you."
I really don't care for clever twists and stories I have to figure out by reading clues and explanations online somewhere.
In fairness to Lynch, the twists aren't there just to give you a gotcha moment, but are completely justified by the narrative.
The story achieves a fair amount of emotional heft when you realize what's happening and it's not a place you can get to narratively if it was told in a straightforward fashion.
Salon's Mullholland Drive analysis