I've heard it stinks worse than circa 1995 rat-eating Angel must have.

Well, I'm glad for David. It looks like he'll have a huge, long running hit series on FOX, then.

::suh-nerk:: based on the previews, it just looks bad. i had the opportunity to watch the pilot, but i wasn't even that interested.

Kitchen Confidential on the other hand? very, very cute and will be getting my viewership.

I'm a little bummed because Aly's series is going to be on at the same time as Seth's series. I think Seth wins me first.

Ears perk up...

Aly's series is going to be on at the same time as Seth's series

Seth has a series, too? I missed this news. Off to Google.

Is there anywhere besides here for good, intelligent Buffy talk? A friend of a friend is looking, and I'll point them here as a last resort, but I'd rather they went elsewhere.

Wait, AH, NB and SG ALL have series that are airing at the SAME TIME!!!

What kind of sick joke is this?

AFAICT, Four Kings (Seth's show) won't be launched in the Fall - it's part of "NBC's strategy of launching series all year long". NBC will be showing something called "Surface" opposite AH's and NB's shows as of 9/19.

Is there anywhere besides here for good, intelligent Buffy talk?

There are a handful of hardcore posters at the Bronze: Beta who still discuss the shows regularly. Linear board, though, so s/he'd have to wade through other stuff to find it.

TiVo grabbed Smashed for me, and how could I not? There was a bit of fast-forwarding past the Willow parts, but the first Buffy/Spike fight scene -- man, I remember when I thought that "come back wrong" was going to have a payoff other than getting them into the wrong nookie.

Posting here because I don't post much, so I feel bad pimping things in a general announcements thread -- but we've got a new audioblog entry up at NickBrendon.com.

Scott and I are slowly working our way through BtVS in order. Well, not slowly enough. We just watched Revelations, which I think is the seventh episode of season 3, so we're nearly halfway through the series. There's not enough time! Actually, there's too much time, given how few episodes there are.

This is the third time I've watched at least part of Revelations in as many nights. The first night, Scott and I both fell asleep, because we've been just generally knackered. The second night, he had to do some work from home, so I put it back on, to watch it, again. Last night, he wanted to see it, so we watched it again. Although I've re-watched a lot of (most--all) episodes, I don't usually rewatch three nights in a row. I was unenthusiastic about rewatching it yet again, but am so glad I did.

I've always liked Revelations. I came in during season 3, so most of it is near and dear to my heart (and it's arguably one of the better seasons). Last night, I was able to pay attention to the sort of detail I don't usually catch. ASH's acting is generally transparent to me (which is a good thing--he's good enough I never think about his acting). But last night, I was able to take great pleasure in the subtlety of his approach to the role. His physicality and expressions--particularly when he's dealing with Gwendolyn Post, Mrs.--show so much. You can feel him wanting to take a swing at her, and keeping his body in check--relying on Giles' British reserve. You can see the tension in his shoulders. His face makes you feel his defeat.

You can feel his ease (just before she knocks him cold, and heads off to Crawford St. for the glove) in his body, hear it in his voice, see it on his face, once he's able to tell Post that his slayer's team has the glove in its possession, *and* that he's discovered how to destroy it with living flame.

Blocking, pretty photography and lighting are also elements that are usually transparent to me, unless they're glaringly absent. But last night, I noticed their presence. After the gang has had their we-fail-to-use-I-statments intervention with Buffy (the blocking of which is brilliant, from Xander's giving his seat to Buffy, on), over Angel's return and her smoochies with him, Giles sort of stands up for Buffy, and then dismisses the gang to their classes. Buffy follows him into his office to thank him.

We can see Giles is still visibly upset though, even before he says the lines to Buffy about not reminding her that the fate of the world yada yada yada, but apparently needing to remind her that not so long ago Angel tortured him, for pleasure, and for hours. During this scene, Giles is standing in front of his desk, and there's a painting on the wall behind him. It has either a sun or a moon (the painting is in shadow, so it's hard to tell). The scene is lit such that light, which I think is supposed to be sunlight filtering through one part of a side window (and really does have the warm glow of real sunlight), hits only a certain part of his face. The lighting also manages to illuminate the sun/moon in the painting, although almost no other part of the painting. It's so beautiful and subtle, it's almost as if the sun/moon in the painting is glowing, and is what is lighting up Giles face. Just thought I'd share.

Storywise, this episode is pretty integral to the season, too. It sets up Faith's alienation from the gang. It shows us how Buffy is not the only one with issues over not being the only slayer, and that Faith really needs to be "the one" to someone, which is what makes her so susceptible to Post's manipulations. Post didn't even have to break a sweat, winning over Faith. Faith is so susceptible, she continues to hold the you-exclude-me grudge, even at the end, when Buffy goes to her to try to make amends. That she quotes Post about her room being Spartan reveals so much, in so few words. It's a great set-up for her relationship with the Mayor.

Another thing I like about this episode is (continued...)