Dawn ,'The Killer In Me'
A place to talk about movies--Old and new, good and bad, high art and high cheese. It's the place to place your kittens on the award winners, gossip about upcoming fims and discuss DVD releases and extras. Spoiler policy: White font all plot-related discussion until a movie's been in wide release two weeks, and keep the major HSQ in white font until two weeks after the video/DVD release.
I mean, after the 32nd identical-but-in-different-coloured-silk slo-mo wire-ballet fight didn't you start to wish Jackie Chan would turn up and just twat one of them?
Actually, it made me wish that Zhiang Ziyi would pop up in the next "Rush Hour" or "Shanghai Noon" sequel and kick his hyperactive ass in slow motion while twirling pretty silks in the background.
Bwah! Googling "hero screencap" for Suela, and I ended up here. What a small internet it is...
Heh. *I* ended up on a Stargate Jack site, and kinda got distracted.
I lovedlovedloved Eternal Sunshine. Actually, I felt about it very much the way I felt about Lost in Translation; I can't adequately describe it, but they made me both melancholic and hopeful. And they both ended exactly as I would have wanted them to.
B ut I wonder how that plays in Japan -- a movie about their culture, written by a white guy, starring a Chinese woman.
Could've been worse. Madonna really, really, REALLY wanted to play the villainous geisha.
Hasn't someone fitted her with a shock collar to condition against acting by now?
Afer the discussion of Natalie Portman earlier, I thought some of you would appreciate the first sentence of Anthony Lane's review of Closer.
The new Mike Nichols film, “Closer,” starts with a man falling in love with Natalie Portman. From this we may assume that the movie is concerned with universal, a-priori truths...
I really want a screencap of the scene in the red iteration where Snow and Moon are fighting in the forest, and Snow stands with her sword high, and the red robes and the gold leaves -- guh. Just stunning.
Yeah. It was as beautiful and lush a film as I've seen. The part that I always think of is the fight on the lake as seen and heard from a distance.
I find this amusing:
Language Problems on 'Geisha' Set
Chicago director Rob Marshall is finding filming on his latest movie Memoirs of a Geisha complicated, because his cast all speak different languages. Sony Studios refused to cast non-Asian actresses in the big screen adaptation of Arthur Golden's best-selling book about the life of a Japanese geisha, and boasts Chinese Ziyi Zhang and Li Gong, Malaysian Michelle Yeoh and Japanese Cary-hiroyuki Tagawa and Ken Watanabe amongst its stars. An insider on the Japanese set tells American gossip site Pagesix.com, "They hired a 'Pan-Asian' cast. So now they have Chinese, Japanese, Korean and other Asian actors and they have had to hire a load of interpreters, especially since there are like 15 Chinese dialects. It is costing a lot of time to do anything." Producer Lucy Fisher and Doug Wick adds, "We have a Chinese and Japanese interpreter. The movie may or may not be a day over schedule, but we are brilliantly on time for an epic and on budget."
(This is from the IMDB.)
You know what would have made their lives easier? Going with a Japanese cast instead of a "Pan-Asian" one...