I'd have no qualms about drinking it at all. Probably a lot cleaner than some of the river water around here. Actually, it would probably be easy enough to distill it. One thing the moon has is plenty of energy.

Hi. I love Crichton. Sorry.

So, in this context, just for fun:

P.K. Dick, love him or hate him?

Crichton is one of those authors whose stories are better on the the screen than they are on the page.

Dick is the god of idea-men, with a writing style that drives me bats. I don't mind if every science fiction ever made is loosely or directly based on his works, though, because his ideas are gold.

I like Jack McDevitt. And would like to offer up James P. Hogan as somebody I think of as "hard" and Greg Egan as somebody who's so hard it hurts. of course, he can't write endings, which is unfortunate, but everything before the ending is one heck of a hard SF journey!

I really liked The Andromeda Strain, enough so that I've reread it several times. I've enjoyed a lot of his other books. The "said" thing doesn't bother me at all.

Journalistic style is to use "said" for everything.

I rewrote one of my stories using it a few years ago and I plan to someday go back and undo it.

English major chime-in:

The golden rule of Show, Don't Tell dictates use of "said" whenever possible. "Asked" and "replied" are pretty much the only accepted alternatives. Dialogue tagging ought to be as simple and unobtrusive as possible; I prefer to see "said" everywhere, because when that's all you see, your brain tunes it out and all you see is the dialogue, which is the way it should be. The idea is, if you can't get across in the dialogue itself that Jim whined his lines, tagging it ..., Jim whined isn't going to do the legwork for you. I've had teachers refer to it as an admission of failure.

End English major chime-in.

I like most Jack McDevitt. However, I love his A Talent for War with the kind of passion that has made me urge it upon strangers on the street and buy every used copy I find to give away. It's so good that it taints his other books, because I read each one breathlessly hoping that it's another Talent for War and it never is.

Dialogue tagging ought to be as simple and unobtrusive as possible;

But dialogue tagging can be simpler. So why bother with "said"? It's medium simple, conveys nothing. If you intend to convey nothing, use nothing.

So why bother with "said"? It's medium simple, conveys nothing. If you intend to convey nothing, use nothing.

Sometimes having, "[character] said" helps the reader keep track of who is saying what, especially in a long, intricate piece of dialog. I don't think it's necessary after every speaker says his/her bit, but it can help keep things straight. This is especially true when there are more than two characters talking.

"Valuable point one."

"Ah-hah, but counterpoint."

"Allegedly supportive commentary re: the first person's idea."

"Nicely put, but that allegedly supportive commentary is not really to the point"

A good writer might convey who is saying what in the above by letting us know what the characters think, whether they are the sort of person who makes their own side look stupid, and so on. But I think sprinkingly a few Speaker 1, 2, or 3 saids throughout the above would add a lot to it. And "said" seems more transparent to me than saying, "he intoned," "she sniffed," "he commented," "she drawled," etc. I'm a big fan of dialog heavy writing, and I like "said". My eye just skips right over it, acknowledges the speaker, and goes on to the next bit.