Fire bad. Tree pretty.

Buffy ,'Chosen'


Buffista Music II: Wrath of Chaka Khan  

There's a lady plays her fav'rite records/On the jukebox ev'ry day/All day long she plays the same old songs/And she believes the things that they say/She sings along with all the saddest songs/And she believes the stories are real/She lets the music dictate the way that she feels.


Hayden - Apr 14, 2005 12:24:49 pm PDT #8138 of 10003
aka "The artist formerly known as Corwood Industries."

Just a reminder for any Austinites, Bubblegum Music Is The Naked Truth is the theme for the Alamo's show on Monday, April 18th.

Sweet.


tina f. - Apr 14, 2005 12:26:37 pm PDT #8139 of 10003

I guess it's easier to be mononamed if you're a guitarist.

When I was putting all my CDs on my iPod I noticed that on the inside sleeve of Boy that Larry Mullen, Jr. is just "Larry." Adam Clayton was the only one who had both first and last name. Guess Larry decided he couldn't pull the mononame off.


Hayden - Apr 14, 2005 12:30:16 pm PDT #8140 of 10003
aka "The artist formerly known as Corwood Industries."

Not without an oh-so-cool name like "Bono" or "The Edge." Perhaps if Larry had called himself "Carlos The Dwarf"...


joe boucher - Apr 14, 2005 12:44:14 pm PDT #8141 of 10003
I knew that topless lady had something up her sleeve. - John Prine

Guess Larry decided he couldn't pull the mononame off.

Maybe he didn't want to be confused with Wild Man Fischer.


DavidS - Apr 14, 2005 12:47:21 pm PDT #8142 of 10003
"Look, son, if it's good enough for Shirley Bassey, it's good enough for you."

Speaking of one named musicians, I recently got I Am A Bird Now by Antony and the Johnsons.

Anybody else heard it yet? I've heard Antony compared to both Jeff Buckley and Nina Simone. Mostly I'm hearing the Nina Simone stylings, if she was a gay white boy with a great voice.


tina f. - Apr 14, 2005 1:07:12 pm PDT #8143 of 10003

Anybody else heard it yet?

I got it off emusic a couple of weeks ago. It is like the second highest rated CD of the year at metacrtic right now. I enjoyed it but I haven't felt the urge to listen to it over and over.

In constant rotation with me at the moment is the new Bright Eyes, the Wrens (who are possibly playing this summer in Chicago), and Archer Prewitt Wilderness.

I wish I liked the new Brendan Benson more, too. I ordered it after re-discovering his second album and the new one is pretty good but I prefer Lapalco.

In other news, I am seeing Iron and Wine next week and am very excited because his new EP is very good. Oh, and did you Mountain Goats fans know that John Darnielle has a blog? It's purty good stuff.


DavidS - Apr 14, 2005 1:28:02 pm PDT #8144 of 10003
"Look, son, if it's good enough for Shirley Bassey, it's good enough for you."

The song by Anthony I am finding most affecting is "For Today I Am A Boy" which I hear in the context of the included postcard from a child hermaphrodite to his parents at a sexual reassignment clinic, from 1966. (Which I presume is real.) It's such a vulnerable, naked song.


joe boucher - Apr 14, 2005 2:04:05 pm PDT #8145 of 10003
I knew that topless lady had something up her sleeve. - John Prine

One little girl is called Jane Marie
Another little girl is called Felicity
The third little girl is called Sally Joy
The other is me and I'm a boy
My name is Bill and I'm a headcase...

Which is from 1966. Townshend was pretty awesome before he started taking himself too seriously.


DavidS - Apr 14, 2005 2:06:27 pm PDT #8146 of 10003
"Look, son, if it's good enough for Shirley Bassey, it's good enough for you."

Heh. I love that song. I started a tape with "I'm A Boy", "20th Century Boy" and "Nancy Boy." I could definitely add Anthony's "For Today I Am A Boy."

I also enjoyed Antony's career aspiration from this review at Guardian Unlimited:

Born in London, Antony was relocated to California at the age of 10, before settling in New York as a young man in 1990, with an ambition to become 'a transvestite chanteuse at 3am nightclubs bathed in blue light, like Isabella Rossellini in Blue Velvet', and this is as helpful an archetype as any; perhaps also Scott Walker, or Nina Simone, or Bryan Ferry or mid-Seventies Bowie, or Sam Cooke or Jimmy Scott or a medieval chorister, because Antony sounds like all of the above, but always himself.

It is his vibrato and multi-octave voice (often double-tracked) that stuns you from the first few bars on in, putting the washing-up on permanent hold. He is obviously the most original vocalist we've heard since Bjork, and never less than wholly affecting as he goes about eclipsing the impressive contributions of his guests.

The mood is predominantly mournful, but in its dulcet softness, luxuriously so. Cellos, violins, violas and flutes are used to frame Antony's voice and piano, and torch songs such as 'My Lady Story' feel exquisitely sad. Even then, it's only after several listens that attention is directed to the words, which in this instance seem to tell of transsexual woe: 'My lady's story is one of annihilation,' it begins. 'My lady's story is one of breast -amputation.'

But there's also an uplifting quality to what might be the highlight of the album, 'For Today I Am a Boy', which has much in common with black gospel music, both in style and in its sense of a quest for redemption. 'One day I'll grow up and be a beautiful woman...,' Antony sings with assured and powerful conviction, 'but for today I am a child, for today I am a boy.

'One day I'll grow up and feel the power within me, one day I'll grow up, of this I'm sure.'


joe boucher - Apr 14, 2005 2:14:48 pm PDT #8147 of 10003
I knew that topless lady had something up her sleeve. - John Prine

I love that song.

Me, too. And the line "My name is Bill and I'm a headcase" comes in handy a lot. Speaking of the Who, how's the Petra Haden now that you've had some time w/ it? (You bought it, right? Somebody picked it up & it's gotta be you or Hayden.)

I have an emusic account so I'll check out Antony tomorrow. Now it's time to go home. Bon soir, tout!