Joan's a bit of a chameleon; she can look very different from month to month. She's definitely had looks that I thought were HAWT, but I wouldn't count the look in that photo as one of them (sorry, David).
LJ - I blushed and FAQ Girl giggled.
There's a lady plays her fav'rite records/On the jukebox ev'ry day/All day long she plays the same old songs/And she believes the things that they say/She sings along with all the saddest songs/And she believes the stories are real/She lets the music dictate the way that she feels.
Joan's a bit of a chameleon; she can look very different from month to month. She's definitely had looks that I thought were HAWT, but I wouldn't count the look in that photo as one of them (sorry, David).
LJ - I blushed and FAQ Girl giggled.
"No woman is truly beautiful until she has circles under her eyes. " - Helmut Newton.
OMG I just be the hottest woman alive! t /eyebaggage handler
Well, you were already the prettiest...
OMG I just be the hottest woman alive!
I cannot dispute this.
The Decemberists are bittorrenting a hi-res (73MB) version of their new video for "16 Military Wives": [link]
Smaller, lower-res versions are also available.
"Wonderful Radio London..."
Listening to Petra Haden Sings The Who Sell Out. As is well advertised around these parts, I hold this Who record the most exemplary of rock and roll records. Reading Mike Watt's liner notes it's heartening to know that he and d. boon had the same opinion of Sell Out. (Though God, it just breaks your heart knowing that Mike still lives in daily conversation with d. boon, though boon's been dead 19 years now. That's a wound that'll never really heal for him.)
So, Watt loved Petra's musicality and voice. He gave her an eight track and put The Who Sell Out on one track, and told her to sing along to the various parts filling out the other seven tracks. High Concept!
Still curious how she'll handle Keith Moon's drumming on "I Can See For Miles" (an orchestrated avalanche of percussion). "Tattoo" is pretty, and I love the radio ads.
eta: ...and she handles "I Can See For Miles" by staying away from the drums, lowering her register to catch the menace of the lyrics, and building a lot of drone into it. Which works very well.
...and also, the songs that seem to work best are the ones built around the Who's own harmonies. So songs which are sort of tossed off originally, like "Silas Stingy" and "Relax" really benefit from her close attention. Her lead vocal on "Sunrise" (aside from all the instrumental bits she's singing) is really gorgeous and felt.
Brian Wilson is going to fucking flip out when he hears this.
Anyone here used yourmusic.com? Every CD is six bucks, with free shipping. The only catch seems to be you have to buy at least one CD a month, and the selection is a little wonky (they have all four major Massive Attack releases but have nothing by Interpol and are missing American Idiot ). Is there something sneaky I'm missing? Cause it definitely seems like a good way to get some cheap CDs when I have money.
What's the penalty for not buying a CD for one month? That may be where they plan to make most of their money. Or maybe they're only selling cut-out (overstock) CDs?
RE: Petra Haden, I forget if I or anyone else linked to this article in the Boston Globe a couple of weeks ago. [link]
Some wonderful quotes from Pete Townsend about her project:
"I was a little embarrassed to realize I was enjoying my own music so much, for in a way it was like hearing it for the first time," Townshend said in a lengthy e-mail interview. "What Petra does with her voice, which is not so easy to do, is challenge the entire rock framework: the traditions, the processes, the decor, the accessories, the entirety of the established dynamics of traditional pop-rock. 'I Can See For Miles' is powerful not for the restrained electric guitars and suppressed and distant thundering drums of Keith Moon but for the torturously sustained vocal harmonies that John Entwistle added over my fairly conventional four-part. Petra is the first analyst who heard the vocal harmonies as they were written and reproduced them properly. When she does depart from the original music she does it purely to bring a little piece of herself -- and when she appears she is so very welcome. I felt like I'd received something better than a Grammy."