Hang on, are we saying the Pogues aren't folky? I'm pretty sure Shane and the boys would object to that most strenuously.
Stiff Little Fingers are from Ireland but they're pure punk.
There's a lady plays her fav'rite records/On the jukebox ev'ry day/All day long she plays the same old songs/And she believes the things that they say/She sings along with all the saddest songs/And she believes the stories are real/She lets the music dictate the way that she feels.
Hang on, are we saying the Pogues aren't folky? I'm pretty sure Shane and the boys would object to that most strenuously.
Stiff Little Fingers are from Ireland but they're pure punk.
Just listened more carefully to A Grand Don't Come For Free, and I think I have the whole story down. I'm coming around to Jim's side on this; it's some sharp and affecting song-writing. I especially like the choice to re-write the final narrative in the middle of the song when it headed somewhere too nihilistic.
No, the Pogues were definitely folky, but TMTCH were, uh, moreso. And less punky.
I'm flailing now, aren't I?
Got 4th row tickets to see Brian Wilson perform Smile in late October. Hell, yeah! I accidentally bought three extra tickets in the 7th row of the SC section, which, it looks like, are actually 7th row tickets dead center. If anyone wants to see Brian Wilson in Austin, let me know. I'll sell these extra tickets at cost.
Does anyone know anything about the Britiah rapper The Streets? Is he any good, or just hype?
Conversation starts here:
Jim "Buffista Music II: Wrath of Chaka Khan" Aug 9, 2004 8:30:26 am PDT
followed by Angus's challenge.
Gee, you'd think I skimmed or something...
Thanks!
A friend made me a Streets CD and I just couldn't get into it. Lyrically it was pretty good but I just wasn't feeling the songs or the vocal delivery. Not my thang.
ION, Sebadoh on Thursday! It's been a looooong time. (Long enough that I've managed to forget about the travesty that was Harmacy.)
One of the book contributors, Mike Applestein, has an online blog and did the zine Caught in Flux. Here's a cool issue of CiF, where people relate how they discovered music. My co-editor Kim Cooper, relates a particularly saucy tale of 70s debauchery. Most of these stories would probably sound familiar to music fans here. Claudia Gonson (Magnetic Fields) has a cool rememberance about discovering music through her childhood friendship with Stephin Merritt.