The money was too good. I got stupid.

Jayne ,'Ariel'


Buffista Music II: Wrath of Chaka Khan  

There's a lady plays her fav'rite records/On the jukebox ev'ry day/All day long she plays the same old songs/And she believes the things that they say/She sings along with all the saddest songs/And she believes the stories are real/She lets the music dictate the way that she feels.


Lyra Jane - Jul 04, 2004 2:56:47 pm PDT #3754 of 10003
Up with the sun

Fetish wasn't released with a big promotional push, and it was more than five years ago.

I didn't know this was something from several years back. It still stinks of marketing ploy to me, though. (I know my reaction is supposed to be, "How great that she can be honest about that in her music!," but really? I don't want to know that much about anybody's sex life unless I'm sleeping with them.)

I think the same about Ms.-Jackson-If-You're-Nasty, BTW.


Rio - Jul 04, 2004 8:03:18 pm PDT #3755 of 10003
Are you ready to be strong?

The JJ thing makes me sad, too. Even if privately she was into B&D? To put it on her album just screams NOTICE ME, I'M SHOCKING in a sad kinda pathetic way.


DavidS - Jul 04, 2004 8:35:15 pm PDT #3756 of 10003
"Look, son, if it's good enough for Shirley Bassey, it's good enough for you."

So how do you classify Lou Reed's "Walk on the Wild Side"?


Rio - Jul 04, 2004 8:39:24 pm PDT #3757 of 10003
Are you ready to be strong?

That song is pretty enough to justify its own existence.


DavidS - Jul 04, 2004 8:41:31 pm PDT #3758 of 10003
"Look, son, if it's good enough for Shirley Bassey, it's good enough for you."

That song is pretty enough to justify its own existence.

Insider trivia: The super cool bass on that song is played by Herbie Flowers - the leading British session man of his day. He also plays the bass on the equally cool glam era hit "Rock On" by David Essex.


Gandalfe - Jul 04, 2004 9:49:25 pm PDT #3759 of 10003
The generation that could change the world is still looking for its car keys.

So how do you classify Lou Reed's "Walk on the Wild Side"?

Proto-post-punk-pop?


Jim - Jul 05, 2004 12:57:21 am PDT #3760 of 10003
Ficht nicht mit Der Raketemensch!

Even nicer WOTWS trivia: the sax solo was by the guy who taught Bowie sax when he was 12. I love that.


tommyrot - Jul 05, 2004 5:16:46 am PDT #3761 of 10003
Sir, it's not an offence to let your cat eat your bacon. Okay? And we don't arrest cats, I'm very sorry.

Bowie and Reed were, um... close at the time. Bowie produced Transformer and sang backup on one song.

Damn, this is another album that I have had on LP for ages that I need a CD version. Or else get it from the the iTunes music store.

edit:

Crap, iTunes music store does not have Transformer. Maybe I should see Spider Man and check out a music store. BTW, does anyone like Songs for Drella?

"Walk on the Wild Side" is the Platonic ideal Lou Reed song....


Jim - Jul 05, 2004 5:31:03 am PDT #3762 of 10003
Ficht nicht mit Der Raketemensch!

BTW, does anyone like Songs for Drella?

One of the best albums of the '90s. Why people mention the vastly inferior New York as Reed's creative renaissance I'll never know.


Hayden - Jul 05, 2004 7:13:02 am PDT #3763 of 10003
aka "The artist formerly known as Corwood Industries."

I'm not so crazy about Songs for Drella, and New York hasn't aged well at all. The rest of Lou's 90s output was so abysmal that it's not worth having an opinion about.