Sigh. Can't blame you though.
'War Stories'
Buffista Music II: Wrath of Chaka Khan
There's a lady plays her fav'rite records/On the jukebox ev'ry day/All day long she plays the same old songs/And she believes the things that they say/She sings along with all the saddest songs/And she believes the stories are real/She lets the music dictate the way that she feels.
No votes for Diamond Dogs? The One Where David Invents Cyberpunk?
Aladdin Sane and Space Oddity people. These are the two true Bowie albums. Please.
And that's all I have to contribute at this late and drunken hour. Lawrence instituted the smoking ban in all bars yesterday. I spent a lot of time outside the door of my favorite bar tonight.
I only have 26 Bowie albums, so I'm not qualified to say which is the best. But, I have to say, I can listen to both Low and Ziggy Stardust for weeks at a time without a break. None of the rest can bear up to THAT much repeated listening, as far as I can tell.
Oh, except Heathen.
Gandalf, I envy your immense Bowie having. I have but a paltry ten myself. It's the largest collection of albums I have by a single artist, The Lords of Acid come in a close second.
Hunky Dory ranks among my topest favoritest albums. Ever. Has anybody mentioned the Goth Oddity releases?
(Oh, and Heathen rulz)
And I love "Of Montreal" because 1) really cool name, how many bands are prepositional phrases? and 2)Disconnect the Dots is a very cool song.
Awesome! How much do you know? I think I've downloaded a good chunk of their earlier material and stuff off the more recent CDs, and I own Bedside Drama and Satanic Panic. I'm glad to find someone else who loves them. And "Disconnect the Dots" is cool. How many songs nowadays have the word "poppet"? Not enough, I tell you. Not enough.
No votes for Diamond Dogs?
t Raises hand.
Re the earlier discussion, I've really enjoyed this thread too. I do think it's true that the tastes of people who post here tend to skew more in some directions than others (eg as far as contemporary artists are concerned the discussion is overwhelmingly about "white" music...I know that kind of statement might sound like it's intended as a hand grenade, but I honestly just mean it as an observation). But as someone who has posted here numerous times on for-want-of-a-better-word "mainstream" music, I've never felt like what I had to say was taken less than seriously, even if some people clearly thought it was odd to prefer Justin Timberlake to Wilco (or whatever).
My favourite album from the 1970s is this, which I don't expect made the Pitchfork list.
My favourite album from the 1970s is this, which I don't expect made the Pitchfork list.
This bit:
this statement on the back cover: "Only electronic keyboards were used on this recording."
reminds me of the statement on the liner notes of Filter's Short Bus:
Statement: There is a certain subset of musicians who for reasons unknown adhere to the false premise that "electronic" music or the tools involved imply a lack of creativity or inspired performance. Technology in the hands of creative, intelligent individuals is a tool for art, not a hindrance. Filter, being members of the current millennia, admit freely to the use of such devices.
"Only electronic keyboards were used on this recording."
I think it's a riff on the classic bit from the liner notes of many 1980's metal LPs: "No synthesizers were used in the making of this album."
Which I also put in the liner notes of the first Lothars CD, 'cause, theremins? Not synthesizers.