Damn. Now that deserves a state funereal.
Right? Maybe we can get Ray Charles on money.
'Harm's Way'
There's a lady plays her fav'rite records/On the jukebox ev'ry day/All day long she plays the same old songs/And she believes the things that they say/She sings along with all the saddest songs/And she believes the stories are real/She lets the music dictate the way that she feels.
Damn. Now that deserves a state funereal.
Right? Maybe we can get Ray Charles on money.
Maybe we can get Ray Charles on money.
I can get behind that.
Heh. He's in a newsroom.
Um. Oh. Turns red.
But that's really sad. And I'd much rather have a Ray Charles ten dollar bill.
Or Mt. Rushmore.
Heh. He's in a newsroom.
Um. Oh. Turns red.
No need. I'm actually home. But I am working, which means I'm plugged into just about all the same wires as I am at work.
Um. Oh. Turns red.
How would you know?
But that's really sad. And I'd much rather have a Ray Charles ten dollar bill.
In Ireland they've got Yeats on the 20 pound note.
Honestly, the more I think about it, the more I like it -- we could just continue this thing with the back of the quarter, beyond the states. Coins would be like stamps.
we could just continue this thing with the back of the quarter, beyond the states. Coins would be like stamps.
I would enjoy it. Except that I'd have even more collector people at the shop asking me to poke through all the quarters for the one that they need.
No need. I'm actually home. But I am working, which means I'm plugged into just about all the same wires as I am at work.
Well, that's just neat.
Aw, Ray Charles & Bob Quine in the same week.
Subjectively, he was one of my absolute faves. Objectively, Ray Charles was a giant of American music. All the raves and big claims you'll hear in the coming days are, if not true, at least defensible: he was a titan, perhaps THE great American popular singer. His legacy is vast in intrinsic value and influence. His discography is also vast and can be intimidating to a newcomer. I'll put some thought into it and make some recommendations tomorrow. At one point I thought that he didn't make a bad record from roughly 1954 to 1965 or 1966 (the Atlantic and ABC years.) I have since delved into his catalog deeply enough to know that isn't true -- I find Have a Smile with Me almost unlistenable, and I think the Betty Carter duet is really overrated (although I blame most of that on her) -- but the ratio of good to bad astonishing, especially considering how prolific he was. The Genius of Ray Charles, Ray Charles Live, The Genius Sings the Blues (all Atlantic) and Ingredients in a Recipe for Soul are particularly good. And that leaves out most of his biggest and best hits.