Love for Title - The Shoes of the Fisherman's Wife Are Some Jive Ass Slippers - Mingus (Mingus always had the best titles)

This was totally my song for that category on my actual mix! But - I can't fit it on there it turns out. But still, funny.

This was totally my song for that category on my actual mix! But - I can't fit it on there it turns out. But still, funny.

Heh! Mingus has great great titles. Harry Partch does too.

"The Cognescenti Plunged Into Hell While At Cocktails"

Also:

Titles of some sections are: "The Lost Musicians Mix Magic " ,"Three Undergrads Become Transfigured in a Hong Kong Music Hall " ,"Exercises in Harmony and Counterpoint are Tried in a Court of Ancient Ritual " ,"The Romancing of a Pathological Liar Comes to an Inspired End" , and "Two Detectives on the Trail of a Tricky Culprit Turn in Their Badges."

Technically I should have deleted the 20 Gig of mp3s on it, but I... forgot. Technically you should delete them too. I'll just assume that you did, OK?

Of course I did! Would I do something like that?

Okay, Shawn, I've decided to write about Klymaxx's Meeting In The Ladies Room. It lets me write about that whole early 80s era of electro funk that overlapped with dance pop for a bunch of groups like Shalamar ("Dead Giveaway" "Dancing in the Sheets"), Cameo ("She's Strange", "Word Up"), Gap Band ("You Dropped a Bomb on Me"), Mary Jane Girls ("In My House" - one my favorites), and the Pointer Sisters hits from that Beverly Hills Cop era ("Neutron Dance").

It's interesting because it's the last era of black dance music before hip hop drum loops completely change the sound and rhythm and get absorbed into pop (mid to late 80s, with New Jack Swing). Prince's synthesizers are the abiding influence with lots of Chic guitar too.

Not Shawn, but I am bouncing, bouncing, bouncing in anticipation!

Okay, Shawn, I've decided to write about Klymaxx's Meeting In The Ladies Room. It lets me write about that whole early 80s era of electro funk that overlapped with dance pop

YES! If not because of the legitimation, but just because it's such an 80s expression. Considering how hip hop drowned out most black women for the late eighties, Meeting in the Ladies Room is almost a bit rap.

Thanks to David I will now be singing Word Up for the next week or so. I am also craving the sight of a tall fade.

It's the code word.

So, does a cover version of a song have to have been originally performed by the writer?

I have downloaded three versions of a song from the very first album I ever bought for myself, and all three were duds. I have moved on to the next album...

Thanks to David I will now be singing Word Up for the next week or so. I am also craving the sight of a tall fade.

Larry Blackmon is your man.

Kat P., if I trade in some of my vinyl for cheap CDs I think I'll make a compilation of that early 80s dance/funk/pop stuff. I'll make sure you get a copy. (You too, Shawn.)

Sue, not in my book. The original recorder of the song is who I would consider the original artist.