In the US this was published as "The First Two Lives of Lukas-Kasha", and it is among Alexander's better novels.
Oh, my god, I read that. I had no idea that was Lloyd Alexander. I have no idea where my copy went, how I got it, and little memory of the plot. Weird.
I've never heard of
Asia
or "Cutting It Fine". So I, as a reader, would appreciate an index or list of acknowledgments or something. OTOH, I think Emma Bull used all song titles for the chapter headings in
War for the Oaks
and I don't recall her providing any such list.
Gar, actually quoting songs is a whole 'nother deal. I have friends (Mely) who've seen most of their royalties on a short story eaten up by payments for song lyrics.
I believe the rule is that you can use up to [edit: seven (7)] words of the song before the need to pay royalties kicks in.
Note for Jacqueline Carey fans: The December Locus mentions that Jacqueline Carey has just sold the Imriel trilogy, featuring characters from the Kushiel books, to Warner.
How are these classifications made? Is it the audience of a book or the writing?
They're made by hook or by crook (or by the individual choice/policy of the library). Usually the book is classed according to where people are most likely to look for it (sames time and queries). For children, the librarian usually evaluates the material and chooses whether it should be for all children, or classed in YA for older children. I know several libraries that put the Goblet of Fire book in YA, because of the
death
at the end (and will presumably continue in that vein to the end of the series).
If I'm using song lyric references for chapter titles in a book, what is the best way to credit them? An appendix at the end.
Gar, you will be required to credit them. Probably on-page, not in an appendix. You will be required by the copyright owners, who will demand large sums of money to allow you to reprint song lyrics. (Unless the song was published before 1924.)
(I'm assuming that one sentence references are still fair use - that even under stricter copyright laws,I don't have to secure permission.)
This is so in large works, like whole books, where citing one line is practically nothing, but song lyrics are
notorious
for (a) being so short that citing one line is considered not fair use; and (b) requiring outrageous license fees -- which the copyright owners can set as arbitrarily as they choose. I'm told some owners set fees prohibitively high, just to make sure they don't get quotes from here to eternity.
Confused: Are we talking movie rights, or a new trilogy (re: Carey)?
Books. Time-Warner has a publishing division; their sf/f imprint is Warner Aspect.
Oh, cool! That should be a fun series!