Kaylee: So how many fell madly in love with you and wanted to take you away from all this? Inara: Just the one. I think I'm slipping.

'Serenity'


Jossverse 1: Emotional Resonance & Rocket Launchers  

TV, movies, web media--this thread is the home for any Joss projects that don't already have their own threads, such as Dr. Horrible.


Polter-Cow - Oct 12, 2010 10:45:38 pm PDT #2805 of 5827
What else besides ramen can you scoop? YOU CAN SCOOP THIS WORLD FROM DARKNESS!

Who is, do you think? Cuz it ain't me either. I never want to see that again in my life.

Yeah, I am not usually offended or squicked by things, but I just couldn't believe what the fuck I was watching and did not understand why someone would make that and want people to watch it.


DavidS - Oct 13, 2010 6:12:28 am PDT #2806 of 5827
"Look, son, if it's good enough for Shirley Bassey, it's good enough for you."

but I just couldn't believe what the fuck I was watching and did not understand why someone would make that and want people to watch it.

I can't believe they're so tone deaf on the issue. It's that kind of shit that killed Dollhouse before it got a chance to get any audience traction.


§ ita § - Oct 13, 2010 6:15:26 am PDT #2807 of 5827
Well not canonically, no, but this is transformative fiction.

Technically, I don't know if it's the "they", but the issues are still totally valid.


smonster - Oct 13, 2010 7:31:56 am PDT #2808 of 5827
We won’t stop until everyone is gay.

I don't think they're making the statement they think they are, they being Zack Whedon and Melissa T.


Polter-Cow - Oct 13, 2010 7:52:50 am PDT #2809 of 5827
What else besides ramen can you scoop? YOU CAN SCOOP THIS WORLD FROM DARKNESS!

And Anton King, the director of the video, also credited with the "story."

I think I can see what they were going for, but it was just so baffling to watch. The way it was presented, I think, was not critical enough of what we were seeing, which gave a sense of implicit complicity.

Okay, I just made up that last phrase because it sounded cool.


§ ita § - Oct 13, 2010 7:54:05 am PDT #2810 of 5827
Well not canonically, no, but this is transformative fiction.

But it had a happy ending, see! The damaged doll gets a homeless man of her very own. I don't see why you guys are bitching.


Seska (the Watcher-in-Training) - Oct 13, 2010 7:58:39 am PDT #2811 of 5827
"We're all stories, in the end. Just make it a good one, eh?"

The way it was presented, I think, was not critical enough of what we were seeing, which gave a sense of implicit complicity.

There were quite a lot of moments of that in Dollhouse.


Laga - Oct 13, 2010 8:26:50 am PDT #2812 of 5827
You should know I'm a big deal in the Resistance.

If that was the story they wanted to tell, is there a way to tell it that would be less offensive? Is it because we associate those actors with human dolls that it's hard to see the girl in the box as not human?


§ ita § - Oct 13, 2010 8:29:25 am PDT #2813 of 5827
Well not canonically, no, but this is transformative fiction.

Is it because we associate those actors with human dolls that it's hard to see the girl in the box as not human?

I didn't see her as human at all. I figured if you come in a box with styrofoam peanuts, you're a robot. But that doesn't mean you're not an offensive story.


smonster - Oct 13, 2010 8:53:17 am PDT #2814 of 5827
We won’t stop until everyone is gay.

Is it because we associate those actors with human dolls that it's hard to see the girl in the box as not human?

The objectification (meaning "making into an object") of women or any other group is the first step to justifying abuse and murder. Women are replaceable! You can just get a new one when one wears out/gets old/is damaged! For more info on this trope across time, watch any one of Sut Jhally's "Dreamworlds" documentaries.