No, she told Topher to lose Victor's Roger imprint.

No, Topher came out and held up the hard drive and said something about being the unabridged Lawrence Dominic. Adelle said "Lose it in the archives. I trust his body is on the way to the Attic?"

Then they talked about Echo, and she told Topher to "shelve the Lonely Hearts imprint"

Given she never leaves the Dollhouse, I'm guessing she got messed up somewhere along the line (possibly by Alpha), and this is how they are using her.

I think that she doesn't leave the Dollhouse because she's scarred and can't handle the way that people react to her.

No, Topher came out and held up the hard drive and said something about being the unabridged Lawrence Dominic. Adelle said "Lose it in the archives. I trust his body is on the way to the Attic?"

I just checked, it's either leave it in the archive or lose it in the archive.

closed captioning says "lose". not that it's always reliable, but there ya go.

Either way, it's archived, right? Not gone.

Well, if it's lost in the archive, it might take some finding. The implication of lost is won't be found again.

I heard "lose," too, which seemed counter to their reason for keeping him alive. I still think DeWitt is the inside person. There's something very fake about her persona. And choosing Boyd, who's expressed numerous problems with the operations and is overly concerned for Echo's welfare, to be Head of Security just smacks of some sort of chess game with unknown opponents.

Anyway, other than the sorta-yuck dominatrix thing (which was only partially about trust and mostly - it seemed to me - about Eliza Dushku's ass, which is a fine thing, mind you, but kinda gross with the exploitation), this was the first episode that I really liked.

This is my favourite episode thus far. Hung together really well.

A thought on where they are going with this. The dollhouse has a larger purpose. And given the way they operate probably an evil purpose. Maybe it is a dysopian totalitarianism where the purpose is to turn the whole world into a giant dollhouse, where identity is fluid. Education mostly via imprint, with a few really talented people eductated from scratch so that new skills get put into the mix. Everyone is obedient and contented. Everyone is happy to live in dorm/spas - smaller ecological imprint. (When the whole world is a dollhouse no need for massive security systems. And I'll bet the spa cuisine turns into dorm food.) Fits in with the name of the corporation. The whole doll creation process has to be improved, the bugs worked out the equipment developed to the point where it can be run by unskilled people. That is why there are only 20 dollhouses. Right now they need to stick to the howerver many can turn a profit by pimping to the super-rich. Once it is perfected then they move to on the next stage and ultimately try to take over the world. And I can see Adelle totally go for this as a good thing. Its a nightmare, but to some it might look like utopia.

Anyway I'll bet that if the series lasts long enough, that it goes somewhere along that line.

This is my favourite episode thus far. Hung together really well.

I agree. I really liked the episode. Like, as a cool episode of television and not a tolerable episode of a show I had trouble getting into.