So there is something I can do, besides scream like a woman?

Wesley ,'Chosen'


Buffista Movies 7: Brides for 7 Samurai  

A place to talk about movies--old and new, good and bad, high art and high cheese. It's the place to place your kittens on the award winners, gossip about upcoming fims and discuss DVD releases and extras. Spoiler policy: White font all plot-related discussion until a movie's been in wide release two weeks, and keep the major HSQ in white font until two weeks after the video/DVD release.


DavidS - May 27, 2012 12:28:31 pm PDT #20719 of 30000
"Look, son, if it's good enough for Shirley Bassey, it's good enough for you."

I don't think the implication was that Black Widow got all scared of the Hulk because she's a girl

Oh, I thought she was scared of the Hulk because unlike the opening scene with the Russian mobsters, or with Loki, they weren't people she could outwit/out manipulate.

Her character seems to have a running risk/reward assessment going on at all times along with a sense of how much leverage she has in a situation. There was no leverage with the Hulk on her tail.

Whereas even with long odds of jumping on a Chitauri flyer and putting out the doom machine (which I belatedly realized was another example of Joss' "break the power center" except they had enough special effects budget so that it didn't have to be a medallion) she was all, "No, it'll be fun." Because she's confident in her ability to affect the situation somehow.


§ ita § - May 27, 2012 12:31:24 pm PDT #20720 of 30000
Well not canonically, no, but this is transformative fiction.

To me, it was just uneven. I gained absolutely nothing from her looking scared in the shadows. Zip, nada, zilch. It didn't make the Hulk seem more terrifying, nor her more sensible. Her trying to talk Bruce down before he changed? Valuable point. Her looking him in the eye but pulling the gun on him (and knowing there was a battalion at her back) in Calcutta? Valuable point.

Not the lip wobbling though. Didn't like it at all.


Zenkitty - May 27, 2012 12:36:27 pm PDT #20721 of 30000
Every now and then, I think I might actually be a little odd.

I got that the only time Natasha is afraid is when she has no control in the situation.


DavidS - May 27, 2012 12:37:17 pm PDT #20722 of 30000
"Look, son, if it's good enough for Shirley Bassey, it's good enough for you."

I got that the only time Natasha is afraid is when she has no control in the situation.

My take as well.


§ ita § - May 27, 2012 12:40:39 pm PDT #20723 of 30000
Well not canonically, no, but this is transformative fiction.

If she can face down the Chitauri and do the shit she did at the end of the movie, her "no control" is totally the whim of the writer, and not plausibly extrapolated from the events onscreen.

It's clear I have a platonic Natasha Romanova in my head, and that wasn't it, right? They managed to nail Tony, far exceed my expectations of Steve, finally convince me of Bruce and the Other Guy, be totally consistent with the excellence of Nick, but I get a moustache twirling Loki, cardboard Clint, and conveniently human Natasha. And I'm grumpy in the face of an excellent movie not being more perfect.


Consuela - May 27, 2012 12:43:17 pm PDT #20724 of 30000
We are Buffistas. This isn't our first apocalypse. -- Pix

Mine as well.

Say, I've been reading some comics and some fic, and what's the deal with how sometimes Natasha is called Natalia?

Also, I saw Contagion last night, and wow, is that not the movie to see when you're coming down with a cold. Also, even the most beautiful movie stars in it look like ordinarily-attractive folks you might see on the street.

Steven Soderbergh is brilliant.


Zenkitty - May 27, 2012 12:46:41 pm PDT #20725 of 30000
Every now and then, I think I might actually be a little odd.

If she can face down the Chitauri and do the shit she did at the end of the movie, her "no control" is totally the whim of the writer, and not plausibly extrapolated from the events onscreen.

I disagree. She had control in all the situations she was in with the Chitauri and the shutting-down-the-Tesseract. Not complete control, but that isn't necessary. She just has to know she can DO something. Against Hulk, she couldn't do anything except run and hide.


Maysa - May 27, 2012 12:52:21 pm PDT #20726 of 30000

No, that scene also had the cliche standard Holocaust survivor. Except, he'd have been, what two?

I enjoyed the movie, but that scene really bothered me. It's like, please don't trot out the Holocaust for a two minute manipulative reference. I also don't think that some insane horned-helmet god brainwashing people's hearts with a staff and opening a rift into another galaxy and bringing weird giant-turtle-dragon creatures to terrorize New York really relates the frickin' Holocaust or WWII. There's only so much historical import in a blockbuster about magic hammers that I can take.

I did really like the personal relationships and stories in the movie, though. Especially the friendships between Tony/Bruce and Natasha/Clint.


askye - May 27, 2012 12:57:05 pm PDT #20727 of 30000
Thrive to spite them

I think it could have been done without the Holocaust reference.


§ ita § - May 27, 2012 1:12:30 pm PDT #20728 of 30000
Well not canonically, no, but this is transformative fiction.

She had control in all the situations she was in with the Chitauri

To me, she could jump on the sled and steer the alien and its technology simply because the script said that was a doable act. And she couldn't get the Hulk off her trail while the script said she couldn't. They're both ridiculous stunts, and the divide between them strikes me as nothing but arbitrary.

If she'd made the face of steely resolve instead of the wibble of vulnerability, what less would the movie have said to you?