That's the thrill of living in the Hellmouth! There's a veritable cornucopia of fiends and devils and ghouls to engage ... Pardon me for finding the glass half-full.

Giles ,'Same Time, Same Place'


Buffista Movies 7: Brides for 7 Samurai  

A place to talk about movies--old and new, good and bad, high art and high cheese. It's the place to place your kittens on the award winners, gossip about upcoming fims and discuss DVD releases and extras. Spoiler policy: White font all plot-related discussion until a movie's been in wide release two weeks, and keep the major HSQ in white font until two weeks after the video/DVD release.


smonster - Sep 04, 2011 2:32:30 pm PDT #16149 of 30000
We won’t stop until everyone is gay.

P-C, yes. all over. And especially the credits. My thought was, well, they're setting up the next one nicely . I do love that Franco commits 110% to the role. No trace of irony or sarcasm there.


bon bon - Sep 04, 2011 2:40:02 pm PDT #16150 of 30000
It's five thousand for kissing, ten thousand for snuggling... End of list.

The kids are wearing different clothes. Similar, but not the same.


Typo Boy - Sep 04, 2011 2:46:40 pm PDT #16151 of 30000
Calli: My people have a saying. A man who trusts can never be betrayed, only mistaken.Avon: Life expectancy among your people must be extremely short.

I had never caught Marlene Dietrich in "The Blue Angel" and it came into rotation on the free movies in my cable package. I won't take the time to comment on the movie at as a whole, but the beginning was really amazing. People talk about world building in Science Fiction, Fantasy and Horror, but really every type of fiction implicitly builds a world, even if it is a faithful copy of a real period and location. The world building in "Blue Angel" ,set and actually filmed in Weimar Germany, is amazing.

We open with a dark city street, early morning before sunrise. A man is callously tossing chickens, mostly roosters in a cage for transport to market. They squawk and protest, but their fate is sealed. (Some explicit foreshadowing here.) Then we see a plain woman washing a window behind which is a poster advertising sexy Lola Lola. She strikes the same pose as Lola Lola in the poster, comparing herself for a moment.

Fade to interior shot where a made is clear stuff and serving breakfast. She mutters to herself "Cigar butts and books everywhere. Everything stinks," then calls in the Professor to breakfast. He sits down and begins to eat amid the stink, then whistles to a canary in a cage, which does not respond. He takes it out and sees that it is dead. Calls in the maid who takes it from him, throws it in the dustbin, saying "Oh well, its been a long time since it sang anyway". The Professor looks a bit perturbed, but not very, and goes back to eating his breakfast, without washing his hands from having touched the dead bird.

Fade to the classroom where students await the Professor, all male full of mischief. They scribble insults in the Professor's notebooks, pass around port, and squabble. The expressions on their faces and body language might be described as impish, but only in the original mean of "imp" full of petty, vicious and gleeful evil.

Then the Professor comes in and he bullies and humiliates the students. He starts by settling in and blowing his nose right at them (into a hanky but without turning his face) obviously the beginning of daily routine that reinforces immediately that they have to put up with rudeness from him. Then he humiliates a student for being unable to pronounce the English word "The" . (The Professor teaches English.)

OK, the above was long, but every detail helped establish not only a dark world, but a world that is dark in a particular way - filled with spite and petty malice. Everything described has established in a matter of minutes the world we are dealing with. It is the start of a classic film, but I think it is also a lesson in world building many science fiction and fantasy writers could learn from.


Polter-Cow - Sep 04, 2011 3:10:11 pm PDT #16152 of 30000
What else besides ramen can you scoop? YOU CAN SCOOP THIS WORLD FROM DARKNESS!

I do love that Franco commits 110% to the role. No trace of irony or sarcasm there.

Yeah. I said the human component was almost entirely irrelevant because I really did like his relationship with his father. Sadly, Freida Pinto was just there to look pretty.

I have a feeling any sequels won't be as good, as they are likely to get more caught up in bravura action sequences and massive destruction or whatever, but we'll see.

In conclusion, that was the Worst Neighbor Ever. (Seriously, what kind of a fucking douchenozzle berates an old man with Alzheimer's??? )


Jesse - Sep 04, 2011 4:56:21 pm PDT #16153 of 30000
Sometimes I trip on how happy we could be.

OMG, the gyno scene in the What's Your Number preview still makes me cackle EVERY SINGLE TIME. I have seen it a zillion times!


Burrell - Sep 04, 2011 6:06:44 pm PDT #16154 of 30000
Why did Darth Vader cross the road? To get to the Dark Side!

Interesting Typo. It's been many years since I've seen Blue Angel and I admit I remember very little of it. The only scene that vividly comes to mind is Dietrich's strip tease because how WRONG is that outfit ? Well that and the way the camera gazes into her eyes.


Amy - Sep 04, 2011 6:19:41 pm PDT #16155 of 30000
Because books.

The last time I saw Blue Angel was film class. Great movie.


Hayden - Sep 04, 2011 6:42:48 pm PDT #16156 of 30000
aka "The artist formerly known as Corwood Industries."

It's been years since I've seen Blue Angel, too. However, in a fit of synchronicity, I did watch Destry Rides Again last night.


smonster - Sep 05, 2011 8:34:44 am PDT #16157 of 30000
We won’t stop until everyone is gay.

Worst Neighbor Ever.

David Hewlett!! I mean, I can kind of understand his frustration at that point. And he certainly got his comeuppance in a number of ways.

Also, I love John Lithgow.


juliana - Sep 05, 2011 7:50:28 pm PDT #16158 of 30000
I’d be lying if I didn’t say that I miss them all tonight…

Eff Christopher Nolan.

Awww. I still love Inception, though I'm coming to the conclusion that he's the William Gibson of action movies.