And I agreed that I was, and talked about how, if you're on the phobic end of the spectrum, you'll probably have to filter your sources.
In for a penny, in for a pound? I don't agree.
I don't know what I've said that reads this way. Thus my confusion.
I refer to the "Bruce Willis gets shot at the start of the movie" example. You can certainly discuss the movie without mentioning that. I don't think that means it is a spoiler, or that a critic is obliged to avoid mentioning it.
Are you assuming that the person outraged doesn't want to know anything about the movie? If so, I don't see why. If not, I don't see the segue.
On the radio (which, IMO, is a different thing altogether than a written review), a "review" of The Kids Are Alright played. I swear, it sounded like she was doing a point-by-point summary of the entire plot, which, wtf, lady? She gave some criticism (good and bad) of elements within that summary, but, seriously?!
I want to see this so very badly ...
I was teetering at Portman and they lost me with Aronofsky.
Are you assuming that the person outraged doesn't want to know anything about the movie?
The person who is outraged over learning about what happens in the opening scene of a movie? If I'm writing a review, yes, I guess I am going to assume that. Because I cannot know (much less comprehend) all the nuances of what every reader considers to be a spoiler. "Some people want to know some things but not other things" may be a more accurate premise, but it doesn't offer any functional benefit for the writer.
But I read the key as that it was a surprise that happened at the opening of the movie, not just any thing. Which is why Matt's analogy to Darla sounded right. Not everything in every opening ten minutes of the movie falls into that category.
In the example I was using, the analogy to Darla is right on -- it's a surprise that sets the tone for the rest, because it's not what you were expecting just from looking.
what movie sparked this discussion in the first place?
I was keeping it a secret! It's
The American.
And what happens in the opening scene (apparently) is that
George Clooney wakes up in bed with a woman, gets a phone call, and shoots her.
ha! sorry. I'm a secret buster, apparently. Well, thank you for sharing that. Given the plot of the movie, I'm not sure why that opening scene is a surprise. Going in, marginally knowing the plot (I don't really know much about the movie except the basic plot), I kind of expect something like that early in the film.
I heard the movie is
boring, so I think I'm going to rent it.