Are you assuming that the person outraged doesn't want to know anything about the movie? If so, I don't see why. If not, I don't see the segue.
That's the thrill of living in the Hellmouth! There's a veritable cornucopia of fiends and devils and ghouls to engage ... Pardon me for finding the glass half-full.
Giles ,'Same Time, Same Place'
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A place to talk about movies--old and new, good and bad, high art and high cheese. It's the place to place your kittens on the award winners, gossip about upcoming fims and discuss DVD releases and extras. Spoiler policy: White font all plot-related discussion until a movie's been in wide release two weeks, and keep the major HSQ in white font until two weeks after the video/DVD release.
§ ita § - Sep 01, 2010 12:55:52 pm PDT #11074 of 30000
Well not canonically, no, but this is transformative fiction.
DebetEsse - Sep 01, 2010 1:12:15 pm PDT #11075 of 30000
Woe to the fucking wicked.
On the radio (which, IMO, is a different thing altogether than a written review), a "review" of The Kids Are Alright played. I swear, it sounded like she was doing a point-by-point summary of the entire plot, which, wtf, lady? She gave some criticism (good and bad) of elements within that summary, but, seriously?!
Laga - Sep 01, 2010 3:31:11 pm PDT #11076 of 30000
You should know I'm a big deal in the Resistance.
I want to see this so very badly ...
I was teetering at Portman and they lost me with Aronofsky.
Strega - Sep 01, 2010 4:01:57 pm PDT #11077 of 30000
Are you assuming that the person outraged doesn't want to know anything about the movie?
The person who is outraged over learning about what happens in the opening scene of a movie? If I'm writing a review, yes, I guess I am going to assume that. Because I cannot know (much less comprehend) all the nuances of what every reader considers to be a spoiler. "Some people want to know some things but not other things" may be a more accurate premise, but it doesn't offer any functional benefit for the writer.
§ ita § - Sep 01, 2010 4:12:10 pm PDT #11078 of 30000
Well not canonically, no, but this is transformative fiction.
But I read the key as that it was a surprise that happened at the opening of the movie, not just any thing. Which is why Matt's analogy to Darla sounded right. Not everything in every opening ten minutes of the movie falls into that category.
Jesse - Sep 01, 2010 4:13:24 pm PDT #11079 of 30000
Sometimes I trip on how happy we could be.
In the example I was using, the analogy to Darla is right on -- it's a surprise that sets the tone for the rest, because it's not what you were expecting just from looking.
le nubian - Sep 01, 2010 4:57:50 pm PDT #11080 of 30000
"And to be clear, I am the hell. And the high water."
what movie sparked this discussion in the first place?
Jesse - Sep 01, 2010 4:59:05 pm PDT #11081 of 30000
Sometimes I trip on how happy we could be.
I was keeping it a secret! It's The American. And what happens in the opening scene (apparently) is that George Clooney wakes up in bed with a woman, gets a phone call, and shoots her.
le nubian - Sep 01, 2010 5:15:40 pm PDT #11082 of 30000
"And to be clear, I am the hell. And the high water."
ha! sorry. I'm a secret buster, apparently. Well, thank you for sharing that. Given the plot of the movie, I'm not sure why that opening scene is a surprise. Going in, marginally knowing the plot (I don't really know much about the movie except the basic plot), I kind of expect something like that early in the film.
I heard the movie is boring, so I think I'm going to rent it.
Jesse - Sep 01, 2010 5:17:06 pm PDT #11083 of 30000
Sometimes I trip on how happy we could be.
It's not boring! It's an art film! From what I read.