I was just about to put out a request for the hivemind while doing my homework for my Reference class tonight. I had to pull together a bunch of sources for teaching a little class to teenagers on HUAC and the Hollywood Blacklist, and I was having a serious brain freeze on the name of the film about the performance of a 1930s musical which was banned due to the Red Scare and which was performed from the audience by the cast members due to union issues. Then I hit the right combination of search terms and figured out it was The Cradle Will Rock, which I still haven't seen but really want to.
Buffista Movies 7: Brides for 7 Samurai
A place to talk about movies--old and new, good and bad, high art and high cheese. It's the place to place your kittens on the award winners, gossip about upcoming fims and discuss DVD releases and extras. Spoiler policy: White font all plot-related discussion until a movie's been in wide release two weeks, and keep the major HSQ in white font until two weeks after the video/DVD release.
"I have a job
Three days a week.
But other days
It's nice to eat."
I believe HBO ran a remake of The Cradle Will Rock back in the late '80s.
I looked that up, and it's already in my queue. Here's the trailer [link]
Was that HBO? I thought that was theatrical. I've always wanted to see that, too.
The theatrical movie that I was thinking of was from 1999.
For what it is worth, my Mom saw that performance (the one done from the audience), and was one of the people who posted mini-posters (then called "bills") to advertise it. A minor character in Salt of the Earth was based on her too.
Chris Gore mentioned commentary on Following, and I thought Memento had commentary. Did he stop doing them?
Starting with Batman Begins he hasn't done them, and I suspect that, post-Batman, nobody's going to make him. I found this in an interview from a while back:
I hate doing commentaries. I’ve done them on my other films because in each case they came up with a reason or an interesting way to do it. Insomnia was in production. For Following, I was just talking about how to make a film. As for talking about artistic interpretation, if you will, you can’t possibly do that until the film has had its wings—because the film is not complete until it’s had an audience. There’s nothing more mortifying than to watch these commentaries on movies they’ve done before the movie’s come out because you don’t [really] know what the movie was [and how it played before those it was created to serve]. The movie’s not finished until it’s in front of an audience.
Best. Behind-the-scenes. Photo. Ever. [link]
Best. Behind-the-scenes. Photo. Ever.
That is awesome.
That IS awesome.
Just to add some grist to the Inception theory mill, particularly the Mal tricking Cobb to stay in Limbo theory, here is an English translation of the lyrics to Je ne Regrette Rien:
No, nothing at all
No, I don't regret anything
Neither the good that's been done to me
Nor the bad
It's all the same to me
No, nothing at all
No, I don't regret anything
It's been payed for
Swept away
Forgotten
I don't care about the past
With my memories
I have lit the fire
My disappointments, my pleasures
I no longer need them
Swept away are the loves
With their trembling
Swept away forever
I start again at zero
No, nothing at all
No, I don't regret anything
Neither the good that's been done to me
Nor the bad
It's all the same to me
No, nothing at all
No, I don't regret anything
Because my life, because my joy
Today begins with you