I looked that up, and it's already in my queue. Here's the trailer [link]

Was that HBO? I thought that was theatrical. I've always wanted to see that, too.

The theatrical movie that I was thinking of was from 1999.

For what it is worth, my Mom saw that performance (the one done from the audience), and was one of the people who posted mini-posters (then called "bills") to advertise it. A minor character in Salt of the Earth was based on her too.

Chris Gore mentioned commentary on Following, and I thought Memento had commentary. Did he stop doing them?

Starting with Batman Begins he hasn't done them, and I suspect that, post-Batman, nobody's going to make him. I found this in an interview from a while back:

I hate doing commentaries. I’ve done them on my other films because in each case they came up with a reason or an interesting way to do it. Insomnia was in production. For Following, I was just talking about how to make a film. As for talking about artistic interpretation, if you will, you can’t possibly do that until the film has had its wings—because the film is not complete until it’s had an audience. There’s nothing more mortifying than to watch these commentaries on movies they’ve done before the movie’s come out because you don’t [really] know what the movie was [and how it played before those it was created to serve]. The movie’s not finished until it’s in front of an audience.

Best. Behind-the-scenes. Photo. Ever. [link]

Best. Behind-the-scenes. Photo. Ever.

That is awesome.

That IS awesome.

Just to add some grist to the Inception theory mill, particularly the Mal tricking Cobb to stay in Limbo theory, here is an English translation of the lyrics to Je ne Regrette Rien:

No, nothing at all
No, I don't regret anything
Neither the good that's been done to me
Nor the bad
It's all the same to me

No, nothing at all
No, I don't regret anything
It's been payed for
Swept away
Forgotten
I don't care about the past

With my memories
I have lit the fire
My disappointments, my pleasures
I no longer need them
Swept away are the loves
With their trembling
Swept away forever
I start again at zero

No, nothing at all
No, I don't regret anything
Neither the good that's been done to me
Nor the bad
It's all the same to me

No, nothing at all
No, I don't regret anything
Because my life, because my joy
Today begins with you

Well, DH saw Inception again yesterday and has changed his mind. He's now convinced that the "reality" scenes are, in fact, reality, including the end. Which means now *I* have to see it again too because that's what I was arguing after the first time we saw it, and he convinced me to change MY mind to no-it's-all-a-dream! Argh! Movie!

I asked him to come in here and post for himself, but in case he doesn't, the most convincing case to be made for reality = reality is that before every scene change in the real world, someone will say where they're going next. "I'm taking the train to Kyoto." "I'll fly to Mombassa." And when everyone wakes up, the flight attendant says "We are landing in Los Angeles." Every time the characters change location in the real world, there is an audio cue to tell us where they are going next and how they're going to get there, which explicitly contrasts with the dream-rule of you-don't-remember-getting-here.

Oooh. Fonebone may have nailed it. I like it.

I still love the fact that the movie is ambiguous enough for it be an arguable point.