Tara: 'Your One-Stop Spot to Shop for Lots of New-Age and Occult Items.' Catchy. Giles: Think so? Tara: Uh huh. In a... hard to say sorta way.

'Sleeper'


Supernatural 2: Why is it our job to save everybody?  

[NAFDA]. This is where we talk about the CW series Supernatural! Anything that's aired in the US on TV (including promos) is fair game. No spoilers though — if you post one by accident, an admin will delete it.


§ ita § - Feb 04, 2010 8:51:03 pm PST #5077 of 30002
Well not canonically, no, but this is transformative fiction.

So no female character can do anything anti-Winchester without it being gender fail? The whole world is against them. It's a bit restrictive if it can only be guys.

I don't think it's shitting over her character. I think it's more indication that Heaven is hard core--they ran Castiel through the re-education wringer too. But I can see why he made it out but not everyone might. I mean, she had a point. Castiel had an attachment.

It was great to see him call Sam his friend. It's not only all about Dean. He could totally have just used Dean as his excuse.

I wonder how he knew to come back to 2010. I guess he stopped by the Winchesters and they looked safe and innocent.

Poor Dean. His (PG13) porn dreams are work-related. But given I had a SQL-related Supernatural dream last night, I can dig it.


Typo Boy - Feb 04, 2010 9:04:32 pm PST #5078 of 30002
Calli: My people have a saying. A man who trusts can never be betrayed, only mistaken.Avon: Life expectancy among your people must be extremely short.

So no female character can do anything anti-Winchester without it being gender fail?

When did I say that? Ana fell specifically because she empathized with humans. And she helped fight against the evil Angels who had aligned with Lucifer. In general she did not come across as an end-justifies-the-means girl. And she is carrying out Heaven's agenda? If they want an all out Lucifer vs. Michael fight, then killing Sam is NOT heaven's agenda. That was the point of having Castiel release Sam.

So I'd say having yet another sympathetic female character go evil and have to be killed is gender fail. And having Ana turn evil strikes me as shitting one her character. She was willing to call in Uriel in spite of knowing he was evil. She was willing not only to kill Sam, but to kill John and Mary. That's going beyond "hardcore".


§ ita § - Feb 04, 2010 9:13:18 pm PST #5079 of 30002
Well not canonically, no, but this is transformative fiction.

I don't see why it's gender fail to shit on her character. Sometimes stuff happens and it's to a woman. Did it happen because she was a woman?

Not that I agree her character was shit on, but still. It can't be gender fail just because she has tits.


Lee - Feb 04, 2010 9:22:34 pm PST #5080 of 30002
The feeling you get when your brain finally lets your heart get in its pants.

So I'd say having yet another sympathetic female character go evil and have to be killed

What other women has this been true for? Lots have died, yes (and I am not trying to say this is not problematic), but I don't think there's been that much of this exact pattern.


Anne W. - Feb 05, 2010 1:03:21 am PST #5081 of 30002
The lost sheep grow teeth, forsake their lambs, and lie with the lions.

The only other one I can think of is Ava.

I wonder how he knew to come back to 2010.

I wondered about that, too. But then again, we still don't know who or what brought him back to life after Raphael smote him, so perhaps he wasn't the one who zapped himself back to 2010. He wasn't exactly conscious enough to say after he got back.


Amy - Feb 05, 2010 4:29:35 am PST #5082 of 30002
Because books.

I just don't think you can have it both ways -- you can't call it gender fail if women are victims *and* if women are the bad guys. That makes women untouchable, and that's not realistic.

I don't think it was shitting on Anna's character to make her "evil." I'm also not sure I'd call her "evil" here -- she's not killing indiscriminately. She had a plan meant to benefit the greater good, and was doing battle in a very military "collateral damage" way.

Which is not to say I didn't loathe her last night. But that's because I love the Winchesters.


P.M. Marc - Feb 05, 2010 5:20:27 am PST #5083 of 30002
So come, my friends, be not afraid/We are so lightly here/It is in love that we are made; In love we disappear

Eh, I think it fits into their larger pattern of gender fail because of how they wrote it (I think there were some script tweaks that could have been made to make less faily, such nuking the stupid Fatal Attraction reference, which frankly didn't make contextual sense AND was wicked sexist), but saying Supernatural has gender issues is like saying water is wet.


§ ita § - Feb 05, 2010 5:31:04 am PST #5084 of 30002
Well not canonically, no, but this is transformative fiction.

The Fatal Attraction reference was a bad one. But I don't think that the premise of having a female character go against (or choose to go against) the brothers is gender fail without some specific points being hit. And I just wasn't feeling it here.

Unless it's that Dean's magic deep dicking couldn't keep her on the one true path.

The big surprise will be when an angel other than Castiel is for them. The rest will be actively against them. Anna would not have been that surprise. I expected nothing else of her.


Amy - Feb 05, 2010 5:32:37 am PST #5085 of 30002
Because books.

Unless it's that Dean's magic deep dicking couldn't keep her on the one true path.

::splutters tea on monitor::

Heh.


P.M. Marc - Feb 05, 2010 5:37:46 am PST #5086 of 30002
So come, my friends, be not afraid/We are so lightly here/It is in love that we are made; In love we disappear

But I don't think that the premise of having a female character go against (or choose to go against) the brothers is gender fail without some specific points being hit. And I just wasn't feeling it here.

I was kind of feeling it, mainly because her motivations were sloppily laid out and they threw the Fatal Attraction BS into the mix. More later. Have to catch my bus. It's not the premise, it's the execution.