people were free to walk anywhere in the dormitory wing where they were bunked

I wondered about that in Sam, Interrupted. I mean, people are living, not just being examined for a condition, so there must be some sort of leeway, but especially in that episode, people just seemed to be everywhere they wanted to be.

Here...I dunno. I don't want people in my room at the best of time. If I might be strapped to my bed, I don't want anyone not explicitly tasked with my care coming into the room. Vulnerability issues rampant.

I'd read somewhere that Rachel was on medication (presumably prednisone) for a back injury. The "moon" face is a pretty typical side effect.

Loved the episode! LOVED!

That's what I thought, Marcia!

I realized, reading the recap on io9, that I can't be objective about this show anymore. (Which is probably no surprise to anyone in this thread, but there you go.) I can see, if I try to, that there are some plot logic problems in the last episode, but I just don't care. The Winchesters are too real to me, emotionally.

That said, I was the same way about Buffy for a very long time, and S7 of that series really disappointed me. But in that case nobody felt like who they were supposed to be, and the whole structure of the show was so different, it didn't seem like my show anymore.

Dean and Sam are still very much Dean and Sam to me, though, so maybe that's the difference?

Dean and Sam are still very much Dean and Sam to me, though, so maybe that's the difference?

THIS very much.

I would agree that so far they have cnntinued to knock the character portrayals out of the park, both the boys and most of the others, whatever happens with plot logic.

What are the logic problems, Amy?

eta: I read a fan slamming the dialogue saying any line could be put in anyone's mouth. Uh, no? I can tell the difference between Sam, Dean, Cas, and Bobby based on most of their lines alone. Haven't you been paying attention?

I think the transfer of Sam's crazy to Cas doesn't really bear close looking at -- the wall is what's dust, leaving his memories of hell exposed (which doesn't really explain the hallucinations of Lucifer anyway, unless we say the time in the cage really made him crazy), but his memories aren't Cas's, so I'm not sure why Lucifer is now talking to Cas.

Also, as much as I loved Dean handing over the coat, it seems like a stretch me to me that he's carrying it around with him, rather than keeping it in the Impala, safe-stored wherever it is.

But my point is, I don't really care. Because the emotional weight of the episode is what mattered to me, and that was all right on target -- Dean stunned that Cas is back, and willing to tread lightly with Cas's psyche (EVEN THOUGH CAS DESTROYED SAM), and Dean's dedication to finding help for Sam, and Sam helping out some random girl even though he's on the razor's edge of complete catatonia, and Cas just embracing all that guilt and regret in a heartbeat as soon as it came back to him, looking at Dean and Sam with his heart in his eyes and his own shame so clear on his face.

They spent enough time in the episode drilling in on it not being a medical issue with Sam that I had no issue there. If it's memories of Lucifer, or some sort of taint of his torture, I didn't have any problem with Castiel taking it on as a more literal burden.

Like, it was the mark of his abuse, specific Lucifer mark that had been walled off, and Cas couldn't wall it back off again from scratch, or repair the wall, or remove that specific mark, but he could assume it.

Also, since Dean is evidently carrying some stuff from car to car, I have no issue with that being part of the stuff. I am surprised because so many of the shippers have him doing it, but I like it in conjunction with his conflict over being able to forgive him. He clearly wasn't even trying to forget.

Also, since Dean is evidently carrying some stuff from car to car, I have no issue with that being part of the stuff.

I wish we'd had the line from the preview, though, because I can't imagine it didn't have something to do with the coat being right there.

Like I said, I don't mind Cas taking on the Lucifer hallucinations (although I do in that CAS! we just got you back, dude), because I understand the emotional point of it. I just think if you go all the way back to the wall and what it is and what Sam's seeing and why, it probably isn't the sturdiest plot structure ever built.

I'm rewatching Canyon Flowers (Life) for Rachel Miner. And a lot of her speech patterns are all hers, but she does play it up on Supernatural to the nth degree (who knows, maybe she was playing it down in that role). And on Life she played a quirky sadistic character, so there is that happy sadistic glint in her eyes.