When we first met Fred, she had survived 5 years in a hell dimension without her head being exploded. Despite how she died, I think she had a fair amount of kickassedness and agency until then.
The Minearverse 6: Fiery Thread of Death
[NAFDA] "There will be an occasional happy, so that it might be crushed under the boot of the writer." From Zorro to Angel (including Wonderfalls, The Inside and Drive), this is where Buffistas come to anoint themselves in the bloodbath. Oh, and help us get Terriers dvds!
I think of Joss as being a self-identified feminist, who is conscious of the issues and history of sexism and yet has some grotesque blind spots that he keeps going back to.
So a human being in other words.
I dunno. I have issues around the whole issue of debating whether someone is or is not a feminist. I feel much more comfortable saying that my take on feminism and his take do not always match up. Then again, I say the same thing about a colleague of mine who works in the women's studies department.
I am Burrell.
Makes sense to me too,but I took too long to get there.
When we first met Fred, she had survived 5 years in a hell dimension without her head being exploded. Despite how she died, I think she had a fair amount of kickassedness and agency until then.
Yeah. That's why her death irked me so much, because it was an agency free zone for a character who shouldn't have gone that way.
And then there's Dr. Horrible.
Sigh.
and yet has some grotesque blind spots that he keeps going back to.
I have no idea who is or is not a feminist in real life. (I'm not even sure I know how one defines "feminist" these days.) I think that most writers have those kind of blind spots. Some are just more noticeable than others.
I do wish that Joss would talk less about being a feminist in interviews. Because, personally, when he talks about empowering women, I feel burdened (by my annoyance).
Oh hey. Maybe that's what he meant.
Yeah. That's why her death irked me so much, because it was an agency free zone for a character who shouldn't have gone that way.
I didn't so much mind that she had no way to save herself—to my mind a human vs. Great Old One cage match only has one possible outcome. And a bit of crying and whimpering is certainly understandable when you're being devoured body and soul. I think the thing that was off-putting to me was all the guys swearing devotion while gathered around her bed, like Joss had been chomping at the bit to stage a production of La Traviata.
Things got better once Illyria made its entrance.
I guess what I should have said is that Tim has fewer blind spots in his recent writing than Joss has in his. I just was mad enough about those blind spots to put it in a more inflamatory way than perhaps I should have. But I do think there will be much less ick in a Dollhouse with Tim in control than a Dollhouse with Joss in control.
Is Joss gone? I know Tim's been named executive producer, and someone mentioned showrunners leaving, but Joss wasn't showrunner on later Buffy or a lot of Angel, was he?
I'm thinking if Tim is showrunner, it's going to be much like previous Tim/Joss shows. However, I think where things ended up at the end of the season are WAY more interesting than where they started, and I also can't help but wonder if this is where Joss wanted it to be before Fox started "improving" on it.
I'm fairly sure that Joss is still there. I have no idea whether or not Tim's change in title translates to him being Dollhouse's showrunner.