Someday I will get to see Waitress.
I also want to see Once and POTC3.
That's right: I haven't seen a movie in MONTHS.
A place to talk about movies--old and new, good and bad, high art and high cheese. It's the place to place your kittens on the award winners, gossip about upcoming fims and discuss DVD releases and extras. Spoiler policy: White font all plot-related discussion until a movie's been in wide release two weeks, and keep the major HSQ in white font until two weeks after the video/DVD release.
Someday I will get to see Waitress.
I also want to see Once and POTC3.
That's right: I haven't seen a movie in MONTHS.
Also, yay on new thread and esp. new thread name!!!!
Matt Damon kick some ass.
As I said at the time, Dude beat me up with a back issue of Cosmo!! I'll never live this down!
That final car chase in #2 was indeed very jittery, and although it didn't make me nauseated, it made it almost impossible for me to assemble visual images into a coherent narrative. Like, it was all pure raw experience and absolutely no idea what was going on. Which is probably a bad thing.
Dude beat me up with a back issue of Cosmo!!
"Are you Jason Bourne's bitch? Huh? Are you? Take this Cosmo quiz!"
it was all pure raw experience and absolutely no idea what was going on. Which is probably a bad thing.
I see it as a possibly desirable goal of the storyteller. Why wouldn't it be? Pure raw experience has its place.
Oy.
I see it as a possibly desirable goal of the storyteller. Why wouldn't it be? Pure raw experience has its place.
I suppose so, but, at the end of a film that had been narratively coherent up to that point (or relatively so, by Hollywood standards)? Kind of a "one of these things is not like the other" experience.
The upshot of the chase sequence, as with other sequences in the movie, is to showcase Bourne's awesome skills of divergent thinking and creative mis-use of everyday objects. When I can't tell what's going on, how am I to tell he's being creative, and it's not just an accidental splicing of film?
Oy.
I have to give the reviewer credit for typing that long a piece one-handed.
Jessica, my response to that is "Oh, fuck off. Welcome to being a minority. Please keep up."
Okay, I'm a bit snappish, but you can read most anything into anything, and he's not revealing much other than his own issues by doing so.
When I can't tell what's going on, how am I to tell he's being creative, and it's not just an accidental splicing of film?
Dunno. I didn't have any problem with it. I was just surprised to see a devaluation of conveying raw experience. Some storytellers should be so lucky. Hell, more should.
This post may not be top ten, but it is old enough to drink.