just as JFK's assassination will.
You think they'll jump forward more than a year? Maybe next season.
To be determined... (but it's definitely [NAFDA])
just as JFK's assassination will.
You think they'll jump forward more than a year? Maybe next season.
You think they'll jump forward more than a year? Maybe next season.
I could see them opening next season with that. Kind of bookend the beginnings of S2 & 3 with landmark moments of the Kennedy Administration.
We've only got four episodes left, the next one is called "The Inheritance," the names of the two after don't really give anything obvious away (although, no doubt, it'll be obvious after the episode airs) and the final episode's title hasn't been released yet.
I thought it was hinting at that happening eventually, but that it hadn't yet at the point Jane got fired by Joan.
Jane gave Roger her address right after she got fired, so I assume the affair started shortly after that (if not that night).
I'm not sure what it is about Jane that makes me want to see her suffer. But I do. I want Joan to skin her alive.
You know, though-- I don't think Jane wants to be rebound wife. Not with Roger.
I think that she wants to be Don's rebound wife. I suspect that she's with Roger because there's no one better. Now that she knows that Don and Betty are having problems, she's trying to make a move. But then Roger upset the apple cart by leaving his wife for Joan. And I think that Don knows that Jane told Roger about him and Betty, which is why he fired her.
Over on House Next Door, they're thinking that JFK will be shot between seasons. They say the Weiner is planning five seasons to cover 10 years, so it'll only cover every other year.
Over on House Next Door, they're thinking that JFK will be shot between seasons.
Makes sense -- it would also fit Weiner's style very well to come back in early in '64, having missed the big traumatic event but coming in when the emotions and the sense of things being shaken up are still raw. An OMG-turn-on-the-radio ep seems too heavy-handed, but a series of after-the-fact references and allusions would make perfect sense.
1964 has the added virtue of being All About the Beatles and heralding a huge cultural shift. Don and the other ad men are going to be on the wrong side of a generational divide.
Also, when Don was sitting in his dark office talking to Peggy about not informing him first about Freddy - he reminded me a lot of Michael Coreleone in Godfather II.
By the by, Mad Men V.2 Soundtrack was just released today.
Also, when Don was sitting in his dark office talking to Peggy about not informing him first about Freddy - he reminded me a lot of Michael Coreleone in Godfather II.
I give her some credit for not throwing Pete under the bus. She said that they should tell Don, and Pete said no. Then Pete went running to Duck and Roger.
I could see S3 starting with (or immediately after) the JFK assassination and ending with the Beatles on Ed Sullivan. That would cover a brief period of time when a generational divide really came to the fore.