This thread is for non-fiction TV, including but not limited to reality television (So You Think You Can Dance, Top Chef: Masters, Project Runway), documentaries (The History Channel, The Discovery Channel), and sundry (Expedition Africa, Mythbusters), et al. [NAFDA]
Is Schama a royalist? Because that would make his hatred of David somewhat understandable, if frightfully dated. The guy did die almost 200 years ago, after all.
I'm just looking forward to next week's ep on Turner--he's probably my favorite painter.
Is Schama a royalist?
I'm not sure, he got very incensed when moving into David's period as painter to Napoleon, something about being just addicted to power, and Schama seems very offended by something about "The Death of Murat". I think Schama has a real detestation for anything resembling representationism in art, that art isn't legitimate unless smart people have to stare at it and debate its Meaning.
Bourdain doesn't like this season's HK:
[link]
6/28/07 post
Yep, that's the one, Lee
I think Schama has a real detestation for anything resembling representationism in art, that art isn't legitimate unless smart people have to stare at it and debate its Meaning.
Feh on him, then. Like I said upthread, I love Turner, but when it gets too fuzzy/nonrepresentational, I just tune out. Guernica is about as abstract as I can take.
What happened on that episode? Schama doesn't like David?
What happened on that episode? Schama doesn't like David?
My folks are into that show, evidently. I talked to them before it was on last night and my Mom was talking about how much she was looking forward to the show but that she hates David. I don't know why.
He kept on coming back to The Death of Marat as being TEH EVIL PAINTING that ruined David's life, which is more than likely true, but he was really ripping it as being a Terrible Thing. I thought it was more analogous to Triumph of the Will in that it was a propaganda piece that outlived the regime it was promoting, as did the creator. Just as with Leni Reifenstahl, he was rejected by his native country and sent into exile, where he did more innocuous works until his death. But, Triumph is still acknowledged as a piece of art, even one with an abhorrent theme, just as The Death of Marat is.