Please...Wesley...why can't I stay?

Fred ,'A Hole in the World'


Boxed Set, Vol. IV: It's always suicide-mission this, save-the-planet that.  

A topic for the discussion of Farscape, Smallville, and Due South. Beware possible invasions of Stargate, Highlander, or pretty much any other "genre" (read: sci fi or fantasy) show that captures our fancy. Expect Adult Content and discussion of the Big Gay Sex.

Whitefont all unaired in the U.S. ep discussion, identifying it as such, and including the show and ep title in blackfont.

Blackfont is allowed after the show has aired on the east coast.

This is NOT a general TV discussion thread.


SailAweigh - May 03, 2007 7:25:08 pm PDT #986 of 10001
Nana korobi, ya oki. (Fall down seven times, stand up eight.) ~Yuzuru Hanyu/Japanese proverb

It's askye! Cleverly, or not so cleverly disguised as Sail.

The watch and flail was a lot of fun, nothing better than a bunch of Buffistas gathered around the tv to squee "oh, dean!" in unison.

There was plenty of laughter during the show as well -- at the pictures of young Dean and touches like Dean rolling down the window and tossing out Sam's phone. Also, when Dean called Sam "Bitch" and Sam not getting that is "I love you" in Winchester.

Even though the ending was obvious I did like the episode. Jensen brings on the pain so well that there were lots of good moments. At the end, when Dean's Mom touched his face you could see his heartbreaking.

As soon as we saw Dean flipping through the magazine and saw the ad I thought "Carmen Electra!". I bet Dean had seen that ad and spent some, ah, personal time, with the picture and coming up with a scenario where that was Carmen Electra. Or it could just be my crack addled brain.

The violins at the end should have been Journey or Forgiener.


Lee - May 03, 2007 7:58:04 pm PDT #987 of 10001
The feeling you get when your brain finally lets your heart get in its pants.

meh.


P.M. Marc - May 03, 2007 8:37:07 pm PDT #988 of 10001
So come, my friends, be not afraid/We are so lightly here/It is in love that we are made; In love we disappear

Also, concur on the excessive heavy-handedness of the music. If you are going to be heavy-handed on this show, you must use Journey! Or Foreigner! None of this violin crap!

I concur! The music was very silly and did Not Belong there.

I don't want Joss anywhere near any episodes of the show. He'd give them all weird sexual hang ups. Plus, he's not heart-on-sleeve earnest enough for it.


Lee - May 03, 2007 8:44:16 pm PDT #989 of 10001
The feeling you get when your brain finally lets your heart get in its pants.

I concur on the music too!

I also concur on Joss. Love him, but this is not that show, or his Verse.


smonster - May 03, 2007 8:53:53 pm PDT #990 of 10001
We won’t stop until everyone is gay.

askye is me. And sail, apparently.

Okay, so no Joss... is there a ME alum (other than Edlund) people would like to see pen an ep of SPN? Tim? Jane? Ultimate Drew?

This week's Heroes was the first time I wanted to watch the episode again. Immediately.


P.M. Marc - May 03, 2007 8:55:20 pm PDT #991 of 10001
So come, my friends, be not afraid/We are so lightly here/It is in love that we are made; In love we disappear

I am totally going to have to rewatch to pick apart Dean's constructed reality.

Noted in the LJ, but I'll cross post here, because most of the flist's asleep by now: Dad's still dead. Same year, even. A grave by the water instead of a pyre. Dean can't see himself as doing anything but following in Dad's footsteps, though this time, it's radiators and wheel wells instead of rifles and rock salt. His relationship with Sam is strained--no hunt to keep them together, and again, you have the education difference. (Sam in his fantasy is actually acting out of character by coming with him on the djinn hunt, which is the real start of players in the wish/fantasy breaking the fourth wall, as it were.) Interestingly, Dean *does* seem to see himself as a highly flawed person, one who'd snag his brother's ATM card, or screw his brother's prom date. (Which perhaps says Dean views himself as responsible for Sam losing his potential economic place in the world, and any chance he had at a normal future.)

(Copied and pasted directly, I fear.)

Not c&p'd: when lost, he seeks out Dad. Who, of course, isn't there, but it's still interesting to me that he goes to discuss his dilemma with his (absent) authority figure, perhaps seeking absolution here? He knows what he has to do, but doesn't want to do. (And, relatedly, large portions of this season have been about what Dean may have to do, but doesn't want to do, and also relatedly, what they failed to stop last season, they failed to stop in large part *because* Dean was unwilling to see his family sacrificed.)


Lee - May 03, 2007 8:58:06 pm PDT #992 of 10001
The feeling you get when your brain finally lets your heart get in its pants.

I thought a shortened version of that, Plei-- from my LJ:

So in Dean's dream world, he was a dick to Sam growing up, seems to be a little bit of a lush, he and Sam aren't that close, and John is still dead (though he did have a peaceful death)? Interesting.

t snip

Ah ha. Not a dream, just the results of a wish. I wonder if either of them really believe that?


Consuela - May 03, 2007 9:45:33 pm PDT #993 of 10001
We are Buffistas. This isn't our first apocalypse. -- Pix

We now have 3 Deans: Real!Dean that we see, the Dean that he imagines himself to be in the hallucination, and the Dean he would have been in reality if the hallucination had been real.

The imagined Dean is the one he himself constructs, and is by far the least appealing of the three: he's a fuckup who steals his brother's ATM, has little sense of family loyalty (I think), and isn't particularly close with his family. Also, no higher education. But he's still charming enough to win a nice girl.

It's an interesting image he has of himself, and really reinforces the Dean-as-mother trope. He's utterly invested his self-worth in what he can give to others--family and/or strangers. If he's not giving, saving, hunting, he's not really of any value to anyone, that he can see.

It's actually really sad. Thankfully most of the time Dean doesn't spend much time dwelling on it. But when he does, we get the Manly tears of doom, which I much Prefer to the Emo Single Tear.


Morgana - May 03, 2007 10:01:28 pm PDT #994 of 10001
"I make mistakes, but I am on the side of Good," the Golux said, "by accident and happenchance.” – The 13 Clocks, James Thurber

I haven't rewatched the episode yet, so help me out here... what was Dean's wish, supposedly? For his mom to be alive? I don't think it could have been just a generic "let me be happy" wish, because I really don't think he was all that happy in that AU. Nothing meaningful to do with his life, Dad's still dead, Sam not only doesn't speak to him, but actively doesn't like him, and he seems to be sort of possibly a petty crook (stealing Sam's ATM card)/borderline alcoholic. I know once Dean came back to reality he said he was tempted to stay there, but I'm not entirely sure why.


Cass - May 03, 2007 10:48:17 pm PDT #995 of 10001
Bob's learned to live with tragedy, but he knows that this tragedy is one that won't ever leave him or get better.

I know once Dean came back to reality he said he was tempted to stay there, but I'm not entirely sure why.
Well Mom was alive, Dad was dead but peacefully, and Sam didn't like him so much but he was happy in his way and with an alive Jess...

Even with Dean not being happy, I think he was tempted because everyone else kinda was. And Dean pushes the immediate gratification button a lot in life but I don't see him expecting long-term, real happiness for himself.