Tact is just not saying true stuff. I'll pass.

Cordelia ,'Dirty Girls'


Mejiaville

Jeff writes up the show promos for Buffy, Angel, and Firefly; he also does the Previouslys. Love him muchly, for he sees what we don't and reports it back to us.


Jeff Mejia - Apr 23, 2003 9:24:45 pm PDT #72 of 121
"Don't think of yourself as an organic pain collector racing towards oblivion." Dogbert to Dilbert

Here is the promo for the next Angel episode, "Peace Out" :

Narrator: Next Wednesday ...

We open on a shot of Angel entering a room in a cave setting, as he walks underneath a stone entrance. On either side of him are two large braziers holding flame.

Narrator: Only one answer...

The scene jumps forward, stll in the cave room, but this time Angel is in the foreground of the shot. His shirt is ripped and bloody from the abdominal wound that the skittering creature opened up. Back behind Angel, standing in front of one of the braziers, is a bald, older-looking man(?). He looks like some kind of monk.

Angel: "So, we can either do this the easy way..."

The scene jump cuts again. This time, we see Angel backhand some demonoid type creature as the "monk" looks on.

We cut bakc to the shot Angel standing in the center of the room, with the "monk" in front of the brazier.

Angel: "...or the hard way."

Cut to a shot of a bipedal demonoid spinning around to strike a blow. This is in the cave room.

We see Angel with a surprised look on his face as he stands in front of one demonoid, then he spins around to clobber another demon.

Narrator: ...can stop a fate....

Cut to a shot of the MoG walking out of the Hyperion through the double frosted-glass doors. There don't appear to be any other people in the Hyperion lobby.

The shot fades out of focus, and then is replaced by a fuzzy close up of Jasmin, standing in her room as the shot focuses in on her face.

Jasmine: "Bring them to me."

Cut to a shot of the MoG in the sewers, after they have been captured. The are kneeling on the floor with their hands behind her back. Soldiers are surrounding them, and Connor, holding a sword, stalks a circle around them.

Cut to a shot of Angel standing in the cave room. The "monk" stands next to him as Angel painfully drops to his knees.

Switch to a close up of Angel on his knees, looking up at the "monk".

Angel: "What is it? I'm kind of in a hurry."

Cut to a close up of the MoG kneeling as Connor circles around them. This shot focuses in on Wesley and Gunn.

Narrator: ...worse than death.

Cut to a daytime shot of the Hyperion lobby. A large number of people are there, in various stages of undress. All are smiling. A blonde woman is in the center of the group, taking off her top.

Cut to a shot of the blonde woman standing naked in front of Jasmine. The woman has that "blissed-out" look on her face.

Flash cut to a shot of Gunn standing in the "jail cell" that the gang had prepared for Angelus in the basement of the Hyperion. He has a disgusted look on his face.

Gunn: "She eats people?"

Cut to a close up of Jasmine, standing in front of Connor. She is smiling, but the smile seems to be turning into a frown as she glances towards her left.

Cue the Angel logo.

Narrator: All-new Angel, next week on the WB Wedenesday night.

Grr. Arrgh.

ELAPSED TIME - 0:20


Jeff Mejia - May 01, 2003 9:55:33 pm PDT #73 of 121
"Don't think of yourself as an organic pain collector racing towards oblivion." Dogbert to Dilbert

Here is the promo breakdown of next week's Buffy episode, "Love TrainTouched" :

Narrator: Acuvue-cam presents a preview of next week's Buffy the Vampire Slayer....

As the opening scenes that we've seen in the previous promos for the final episodes scroll across the screen, we here the song "Goodbye to You", sung by Michelle Branch, as the backing music. (That was the song that ended the episode "Tabula Rasa")

Goodbye to you, whoa-oah,

We open with a shot of Buffy walking around the room where the seal of Dazalthar is, from the scene where she threatened Andrew in "Storyteller". An orangeish, fiery glow colors the scene. Superimposed over the shot are the words THE COUNTDOWN IS ON. Also superimposed over the shot is a pocket watch used as a pendulum.

That scene fades out, and another scene fades in, this time shot of Buffy in a black leather coat and a long sword fades in. This looks as if it's from "Selfless", when Buffy was going to take on Anya. The pendulum/pocket watch is still superimposed over the shot. The THE COUNTDOWN IS ON words disappear, and they are replaced by ONLY 3 WEEKS LEFT. The words stay on the screen while the scene fades out, and we continue with a shot of Buffy, this time risning up, looking concerned about somehting. I can't place where this is from. The pendulum/pocket watch is still superimposed over the shot.

We get a very brief flash of three ghostly images of a face, in deep shadows. The images glow in kind of a greenish light and looks to consist of three identical faces lined up next to each other. The shot then flashes to its negative image, then back to the "normal" shot before disappearing.

As the UPN logo and the words NEXT TUESDAY appear on the screen, we open with a shot of Faith clutching Robin Wood's left arm and bringing it up to her face.

We switch angles and come up from behind Wood towards Faith as he caresses her cheek with his hand. Faith closes her eyes.

Pull out to a side shot as Faith leaps into Robin's arms as she kisses him. He falls backwards (presumably on to a bed behind him).

Faith (VO): "This is tonight. Forget about tomorrow."

The shot dissolves, and then some storm clouds appear with a lot of lightning flashing. The words HOW WOULD YOU SPEND... appear on screen.

Goodbye to everything that I knew...

Those words fade out, and the words YOUR LAST MOMENTS ON EARTH? appear.

The shot fades, then we cut to a shot of Spike kneeling before Buffy, looking up to her. The shot is from behind Buffy. I can't make out where this is, but a filing cabinet appears to be behind Spike.

Spike(VO): "A hundred plus years, and there's only one thing that I've ever been sure of."

Switch angles to from behind Spike, angled up towards Buffy. Spike reaches his right hand up to Buffy's cheek. She closes her eyes and turns her head away from his hand a bit.

Cut to a shot of Xander and Anya kissing passionately as they lay on the floor. Anya is on top, and Xander is wearing his red flannel shirt.

Fade out, then fade into a shot of Faith snuggling up next to a shirtless Robin, holding his head in her hands as he kisses her neck. They are both in bed..

Cut to a shot of Kennedy snugling up behind Willow in bed. Both are smiling.

Cut back to Spike, kneeling, but this time we just see a close up of Spike looking up towards Buffy. Spike: "I love you."

Fade to black, then fade in to a shot of Buffy, sitting on some kind of couch, talking to Spike (who is offscreen in this shot).

Buffy: "Will you just hold me?"

As this shot fades, a shot of Buffy sitting next to Spike on the couch overlaps it, then fades in. Spike has his arm around Buffy as they stare into each other's eyes.

That scene starts to fade as the storm clouds and lightning begin to come into view, then we switch to the Acuvue logo.

Narrator: Don't miss a minute of Buffy's final hours.

Narrator: An all-new Buffy, sponsored in part by Acuvue contact lenses.

ELAPSED TIME - 0:30


Jeff Mejia - May 01, 2003 9:59:30 pm PDT #74 of 121
"Don't think of yourself as an organic pain collector racing towards oblivion." Dogbert to Dilbert

Here is the promo breakdown for next week's Angel episode, "Home" :

Narrator: Next Wednesday on the season finale of Angel...

We open on a shot of the gang, standing in an office lobby. Everyone is cleaned up and dressed nicely. In the shot, we can see Gunn, Lorne, and Angel. All have stunned looks on their faces. Angel turns towards the camera location. The words SEASON FINALE appear at the bottom of the screen.

That shot fades, then we cut to a shot of a police cruiser rolling down the road, lights blazing.

Narrator: They ended world peace.

Cut to a shot of a city street. People are milling around, and a guy grabs a wire trash container and throws it thorugh a window of a store (which shatters before the trash bin hits it, but that's what you capture when you see things in slow motion).

We cut to a shot of Angel standing in the doorway to his office, leaning up against it as he folds his arms across his chest.

Fade to white, then cut to a shot of Angel and crew in an elevator.as the doors open.

Cut to a shot of Lilah, seated on a couch, talking. Note that she is wearing a high necked blouse.

Lilah: "This is the offer of a lifetime."

Cut to a shot of Fred, dressed in business casual attire, in an office. She is standing in front of some glass walls. We see some reflection in the glass. Fred turns with an astonished look on her face.

Narrator: Now...

Cut to a shot of a large office lobby. A huge W&H logo sits in the middle of the lobby as many people in business attire hurry by. A tall person in a suit walks by and talks to the camera location.

Businessman: "Morning, Mr. Angel."

Reverse shot to see Angel standing in the lobby, with a wary look on his face. He still has some cuts from his battle with Jasming.

Narrator: ...all their dreams may come true.

Cut to a shot of Gunn standing in the elevator next to some woman. This is shot from the side, so you can't tell who the woman is for sure, but it could be Cordelia, looking a lot more like Season 1 Cordy. Gunn turns to look at the woman.

Cut to a shot of Lilah standing before a desk in an office. The curtains to the windows behind her a drawn to expose the room to sunlight. Again, Lilah is wearing something that covers her neck (but exposes a lot of cleavage, just FYI).

Reverse to a shot of Angel standingin the office with his back to the windows. As the sunlight fills the room, he turns towards the light and brings his arms up to cover his face.

Cut back to a shot of Lilah standing in front of the windows, with curtains wide open, showing the view of the city. She is looking towards Angel and has a grin on her face.

Cut back to Angel, with his hands up, but he pulls them away from his face as he realizes he isn't burning.

Angel: "I'm not bursting into flames."

Cut the Angel logo, this time with SEASON FINALE written underneath it.

Narrator: All--new Angel, the season finale, next week on the WB Wednesday night

Grr. Arrgh.

ELAPSED TIME - 0:20


Jeff Mejia - May 06, 2003 10:33:47 pm PDT #75 of 121
"Don't think of yourself as an organic pain collector racing towards oblivion." Dogbert to Dilbert

Here is the promo breakdown for next week's Buffy episode, "End of Days" :

As the Acuvue Cam logo splashes across the screen, we here Michelle Branch in the bacground as the narrator starts his spiel:

Goodbye to you,
Goodbye to everything that I knew...

Narrator: Acuvue-cam presents a preview of next week's Buffy the Vampire Slayer....

The opening scenes are similar to what we've seen before, shot in sepia tone, but there are more of them and they all seem to be of Buffy attacking.

The first scene is from "Selfless" and shows Buffy leaping from a table in the frat room, sword over her head.

Narrator: It's the show that broke all the rules...

Cut to a shot of Buffy fighting in an alley against 2 vampires, maybe from "First Date".

Switch to a shot definitely from "First Date" that shows a side shot of Buffy kicking a vampire as she stands in front of a wall.

Cut to a shot of Buffy, inside the school, throwing an axe (not The Axe). I can't remember what episode this is from).

That shot blurs into a different shot of Buffy, this time about to thrust her sword into Anya during "Selfless".

Narrator: ...and now, the legend is ending.

Cut to a shot of Buffy throwing a weapon, this time the shot is from "Help", where she is fighting the demon that was summoned by the boys.

The words ONLY 2 WEEKS LEFT appear on the screen as the shot fades to a different one.

Narrator: Only two weeks are left.

We come to a shot of Buffy fighting the "zombies" in the school basement, during "Lessons", the opening episode of the season.

Quick cut to a shot of Buffy punching someone in an alley.

Switch to a shot of Buffy being held by vampires, as she kicks one approaching her, from "Sleeper".

We see Buffy fighting the newbie vamp in the crypt, as Rona and Vi look on, from "Showtime".

We see one final shot of Buffy wielding a flaming torch as she threatens the demon with it, from "Help".

The words fade out, and they are replaced by a very brief flash of three ghostly images of a face, in deep shadows. The images glow in kind of a greenish light and looks to consist of three identical faces lined up next to each other. The shot then flashes to its negative image, then back to the "normal" shot before disappearing.

Narrator: Next Tuesday on an all-new Buffy....

As the UPN logo and the words NEXT TUESDAY appear, we switch to full color. We open on the ending shots of "Touched", where we see Faith open the latch to the chest.

We then cut to a split screen, showing the open chest and the bomb at the top of the explosives in both shots.

As the words fade, we reverse angle to see Faith looking shocked at what she's discovered. Two SIT's are directly behind her, holding lit flashlights.

The shots become blurry as we see reactions of everybody to the bomb. The first shot appears to be of Rona, Kennedy, and another SIT.

Cut to a blurry shot of Faith screaming.

Cut to a close up of the bomb timer, as we see it move from 00:04 to 00:03. The stuff under the timer is labeled C4. The camera zooms in on the digital timer.

The shot then becomes an explosion, as the screen turns white.

Cut to a shot of a fireball, then we see a shot of three SIT's flying in the air away from the explosiong.

The shot moves in closer to focus in on two of the airborn Potentials

Narrator: The End has never been closer.

Faith: "EVERYBODY GET DOWN!"

Cut to a shot of the rubble in the aftermath of the explosion. We see a lit flashlight lying on the ground, and then a hand reaches for it and grabs it.

Cut to a shot of Faith, lying on the ground as someone lifts her up. Her eyes are closed and she is either unconscious or dead.

Cut to a shot of Vi, lookng horrified as she looks around the ruins.

Vi: "Is anybody else alive? "

Other potential (OS, overlapping): "Oh God."

Vi: "Anyone?"

Narrator: Nothing can prepare Buffy for what's next.

Cut to a shot of Buffy dropping down through a hole in the ceiling of a subterranean room. She is carrying The Axe in her hand.

Cut to a close up of Buffy landing from the drop.

Cut to a shot of a Turok-han climbing up from some sewer. He swings his claws out at someone, but misses. He may be trapped.

Cut to a shot of Buffy wielding The Axe. In this scene, she is wearing different clothes than when we saw her drop from the ceiling.

Cut back to the subterranean location that Buffy dropped into. In this shot, she swings The Axe at a Turok-Han as it ducks.

Switch to another shot of Buffy holding The Axe as she prepares to kick someone.

Cut to a shot of Angel leaning up against a stone wall, looking on in amusement as he stands there with his arms folded over his chest. He is wearing a suit.

Angel: "God, I miss watching this."

Reverse angle to see Buffy approach Angel. From this shot, we can see a torch lighting the place, as though this were a stone temple or something.

Buffy: "Angel."

Pull out to a side shot of the two, as Buffy walks up to Angel and prepares to kiss him.

Cue the Acuvue logo.

Narrator: The last episode before the phenomenal series finale, sponsored in part by Acuvue contact lenses.

ELAPSED TIME - 0:30.


Jeff Mejia - May 07, 2003 10:26:56 pm PDT #76 of 121
"Don't think of yourself as an organic pain collector racing towards oblivion." Dogbert to Dilbert

Here is the short, sad life of Connor Angel, aka Stephen Holtz, aka The Destroyer (or in other words, the breakdown of the previously for tonight's Angel episode, "Home"):

(Connor) Previously on Angel...

We open on a shot of Angel as he finds out from Wesley the results of the sonogram, from "Quickening".

Angel: "I'm gonna have a son."

Cut to a shot of Angel, in the alley in the rain, looking down at Darla and holding her hand, from "Lullaby".

Switch to a shot of Darla on her back in the alley, looking up at Angel.

Darla: "This child, it's the one good thing we ever did together."

Cut to the shot of Darla staking herself.

Switch angles to see Angel as the dust from Darla's self-staking slips through his fingers.

Focus in on the baby Connor lying in the alley as the rain pours down.

Cut to the shot of Holtz holding his crossbow on Angel as he stands in front of the burning Caritas.

Lilah (VO): "Daniel Holtz"

Reverse angles to see Fred and Angel protecting the baby as they look ot Holtz.

Cut to a shot of Holtz carrying Connor and jumping through the portal into Qortoth, from "Sleep Tight".

Lorne (VO): "He's taken the baby away for good."

Cut to an establishing shot of the lobby of Wolfram and Hart (LA branch).

Lindsey (VO): "Wolfram and Hart."

Switch to a shot of Angel and dead Holland standing in the elevator to the home office, from "Reprise".

Holland: "Our firm has always been here."

Focus on a reaction shot of Angel listening to Holland.

Switch angles to focus on Holland.

Holland: "We go on, no matter what."

Flash cut first to a shot of Angelus sucking blood out of a dead Lilah, from "Calvary", then switch to a shot of Lilah and Wesley in bed together, from "Tomorrow".

Lilah: "That didn't suck."

Switch back to Angelus sucking blood from Lilah, as he raises his head up when discovered, from "Calvary".

Cut to a shot of dead Lilah on the floor of the Hyperion, from "Salvage".

Connor (OS): "We have to destroy her. She could have been turned."

Switch to a shot of a very scruffy Wes, staring down at Lilah's dead body.

Switch to a close up of Lilah wrapped in plastic sheeting.

Return to a shot of Wesley, as he brings an aze down to decapitate Lilah's body.

Wesley: "I'm sorry, Lilah."

Pull back to see Wesley bringing down the axe on Lilah's neck, while a figment of Lilah looks on.

Flash cut, then we see Connor dropping from a rift in Quortoth to land in the Hyperion lobby, from the end of "The Price".

Focus on Connor as he raises his stake-gun and points it at Angel.

Switch to a shot of an incredulous Angel.

Angel: "Connor?"

Switch back to Connor.

Connor: "Hi Dad."

Cut to a shot of fire coming out of the sky, as seen from Connor's loft, from "Apocalypse Nowish".

Focus on a close up of Cordelia holding Connor's face in her hand as she talks to him.

We see Connor and Cordelia in bed, conceiving Jasmine.

Cordelia: "You never had a childhood, or family, or anything that's real. I want you to have something that is."

Switch to scenes from "Peace Out". We see Connor talking to Jasmine.

Jasmine: "Cordelia."

Connor: "What did you do with her?"

Reverse to focus on Jasmine.

Jasmine: "She's exactly where I need her to be."

Switch to the empty church, where a comatose Cordelia is laid out on the altar, draped with a sheer covering.

Focus on Connor, talking to Cordelia.

Connor: "I know she's a lie - Jasmine. My whole life's been built on them."

Switch back to a long shot of Cordy on the altar.

Cut to a close up of Cordelia's face, draped in the sheer covering, as Connor stands next to her.

Reverse angle to focus on Connor.

Connor: "I guess I thought this one was better than the others."

Move to the scene on the street after Jasmine had been revealed. Jasmine is standing near Angel and talking to Connor.

Jasmine: "Do you still love me?"

Cut to Connor.

Connor: "Yes."

Cut back to Jasmine, as she smiles and moves towards Angel.

Cut back to Connor, as he punches Jasmine clean through from the back of her head to her face.

Switch to a reaction shot of Angel, as looks on, stunned.

We see Jasmine fall to the ground, dead.

Connor runs off down the street.

We see Angel returning to the Hyperion. He is seated on a couch and is relating what happened to the rest of the MoG.

Angel: "Jasmine's dead. Connor killed her."

Switch to a reaction shot of the gang as they absorb this news.

Cut back to Angel.

Angel: "He's just given up. I think he's gonna do something, he might -"

Lilah (OS): "End world peace? Well you already took care of that."

Switch to the MoG as they look towards their right, towards the voice.

Cut to Angel, as he looks to where the voice is coming from.

Finish with Lilah, standing in the doorway to the office.

Lilah: "Congratulations."

ELAPSED TIME - 1:07


Jeff Mejia - May 13, 2003 8:49:17 pm PDT #77 of 121
"Don't think of yourself as an organic pain collector racing towards oblivion." Dogbert to Dilbert

Here it is -- the last promo breakdown for a new episode of Buffy the Vampire Slayer, titled "Chosen" :

Narrator: Acuvue Cam presents a preview of next week's Buffy the Vampire Slayer.

We open with a shot of a hand lighting a match, then bringing the lit match over some kind of engraved tablet sitting on a table.

Narrator: The end is here.

Cut to a shot of 5 young people kneeling next to the Seal of Danzalthar, with their arms out (kind of like a seance), similar to the new Bringers we saw in "Storyteller".

Fade to a shot of Caleb, standing in the temple, with blood running down his face from his eyes, nose, and mouth.

Caleb: "Are you ready to finish this?"

The figure of Caleb is overlapped by a sillhouette of a figure, glowing white, with no distingushing features.

Cut to a shot in the Summers' house. Willow is in the left foreground, Spike is standing right behind her, Faith can be seen further back, leaning against a doorway, and it could be Kennedy stadning next to Faith. They are all looking intently at something off-camera.

Narrator: Be there as the Slayer takes her last stand.

Fade to a shot of Buffy standing up from the couch in the living room. Spike is now seen standing behind her. Buffy is wearing different clothes than we saw in the previous episode. Also, it's obvious that it is daylight outside the house.

Narrator: Will this be Buffy's final hour, or her finest hour?

Cut to the shot of Angel from "End of Days", looking on with a half-grin on her face.

Fade out, then fade in on an extreme close-up of Buffy. She has a gash over her left eye, and her face is smudged with dirt, but her eyes are wide open and very bright (but not a special effect).

Reverse angle to see Spike, looking a bit tousled himself, looking at Buffy with a surprised look on his face. The way he is lit, he almost looks like an elf in this shot.

We fade from that shot to a shot of the entire army of SiT's standing around a large hole in a cave. Everyone is armed with various types of weapons. The shot zooms to the center of the group, where we see Buffy and Faith standing side by side. No one looks as if they have fought, yet, as everyone looks down into the hole.

Cut to a shot of Buffy standing in the living room, talking to everyone. Spike is seen leaning against a doorway behind her. Buffy is wearing the same clothes that she was seen in the previous shot in the cave.

Buffy: "I'm finishng this once and for all."

Cut to a reaction shot of Giles, standing in front of the living room windows. He looks shocked.

Cut to a shot of Buffy and Angel in the temple, shot from behind Buffy and looking directly at Angel.

Cut to Spike lurking in the shadows, looking on at Buffy and Angel, as the FE stands further behind him.

Buffy (VO): "Brace yourself."

Cut to a blurry shot of Spike, standing and looking at something towards the camera.

Cut to a blurry shot of Buffy (or is it the FE?), standing in the Summers' basement.

Quick cut to a shot of the Axe, lying on the gorund or a white sheet, as Buffy runs her hands over it.

Cut to a blurry shot of Buffy talking to the troops in the living room.

We then get a blurry close up of one of the Uber-Vamps, as it growls.

There is a brief shot of a very blurry shot of something (maybe the FE in its true form), but there is no way I can tell for sure with the mess on screen.

Then we get three or four shots of just some blurry, streaky colors, before we settle in on Willow, eyes wide open and with a smile on her face. Her hair (including her eyebrows) is totally white, and Willow herself begins to glow and the entire screen becomes white.

Narrator: The earth-shattering series finale.

Cut back to the cave scene, where we see Buffy swing her Axe, while other UberVamps are in the background, fighting the Potentials.

Pull way back to see Buffy's swing connect with 3 Turok-Han, as they fly backward and fall into the pit.

Cut to a shot of many Turok-Han clambering up cave walls, and then a close up of one of the Ubervamps hits the screen.

We then see a shot of multiple Ubervamps (5-6) charging up an incline in the cave. Some of the Turok-Han are carrying spears.

Amidst the melee, we see Buffy kick an Ubervamp in the face.

Cut to a shot of Spike, head tilted up, looking at something off-screen. He has a slight smile on his face, and is lit by a bright light from above.

Spike: "I want to see how it ends."

An extreme close-up of Willow's face (hair color=red) overlaps and fades in.

That shot fades to black, then we fade in on an Ubervamp coming out of the shadows.

Cut to a shot of Chou-an slicing an Ubervamp's face with her axe.

Fade to black, then fade in on a shot of the Excalibraxe in mid-air.

Fade to black, then fade in on Spike inside the cave. He is screaming as he looks up towards the ceiling. He is wearing an amulet around his neck.

Fade to black, then fade back in on the Axe, still flying in the air (but not spinning).

Cut to a shot of Buffy, bruised and with a cut over her left eye, as she catches the Axe and holds it poised for striking.

Cut to a side shot, as we see Ubervamps charge the gang. Buffy is in the foreground and brings the Axe back, then stabs an Ubervamp with the stake end and the Ubervamp is dusted.

Fade out on a shot of storm clouds issuing lightning.

Narrator: Buffy the Vampire Slayer, sponsored in part by Acuvue contact lenses.

ELAPSED TIME - 0:30


Jeff Mejia - May 13, 2003 10:14:05 pm PDT #78 of 121
"Don't think of yourself as an organic pain collector racing towards oblivion." Dogbert to Dilbert

Here is the breakdown of the previously for this week's Buffy episode, "End of Days":

(Giles) Previously on Buffy the Vampire Slayer...

We open on a shot from "Dirty Girls", as Buffy brings Faith back into the Summers household.

Faith: "Hey!"

Cut to a reaction shot of Giles. He looks a bit startled, and then a bit wary.

Giles: "Hello Faith."

Cut ot Buffy and Faith walking outside, as they search for Caleb's stronghold.

Faith: "Trying to turn a bunch of little girls into an army."

Cut to a shot of the SiT's training out in the Summers' back yard, with Kennedy leading them, as Buffy and Robin look on, from "Get It Done".

Cut back to Buffy and Faith on patrol.

Buffy: "They're potential Slayers. Just like we were."

Switch to the shot of Caleb in his truck, from the beginning of "Dirty Girls:"

Caleb: "Call me Caleb."

Cut to many shots of Caleb fighting Buffy and the others, from "Empty Spaces". We see:

Caleb punching Buffy and Buffy goes flying.

Buffy crashing into a wall.

Caleb snapping the neck of one of the Potenetials, as Molly looks on.

Xander getting pulled back.

Buffy turning to watch.

Caleb poking out Xander's left eye.

Xander: "Aaaghhh!"

Buffy (OS): "Xander!"

We then cut to a shot of Anya sitting on the couch in the living room.

Anya: "Look, I'm not saying it's a happy scenario, but we're dealing with a Big Bad that can be any dead person it wants."

We see Caleb reaching out for, and then passing his hands through, the FE/Buffy.

Cut to Buffy talking to the assembled group in her living room, as she outlines her plan for another assault on Caleb at the vinyard.

Buffy: "The bad guys always go where the power is. They're protecting the vinyard, or something at the vinyard."

Cut to a shot of Rona and Chou-an, looking on in disbelief.

Cut back to Buffy, pleading with the gang.

Cut to a shot of the Bringers grinding their way through rock, trying to extract the Axe.

Cut to a shot of Caleb and the FE/Buffy, looking on at the Bringers at work. From "Touched".

FE/Buffy: "You know what will happen if the Slayer and her girls it, don't you?"

Switch to a close up of Caleb.

Caleb: "They won't."

Cut to a reaction shot of the FE/Buffy.

Switch to a shot of Xander with the guaze still over his eye.

Cut to a close-up of Dawn talking to Buffy.

Dawn: "We have to be together in this. So I need you to leave."

Reverse to from behind Dawn, as we see Buffy's stunned reaction.

In another scene from "Touched{", we see Faith stanidng in the center of the group as she takes command.

Faith: "Now, I'm your boss."

Cut to a shot of Buffy walking the lonely streets of Sunnydale, hugging herself.

Spike( VO): "There's only one thing I've ever been sure of. "

Cut to a shot of Spike, kneeling before Buffy and looking up at her.

Spike: "You."

Cut to a shot of Buffy lying n Spike's arms as she falls asleep.

Spike (VO): "You're the One, Buffy."

Switch to the vnyard cellar, as Caleb and the FE/Buffy are talking. Suddenly, a Bringer's body comes tumbling down the stairs.

Cut to a shot of Buffy standing at the top of said stairs.

Buffy: "I heard you've got something of mine."

Cut to a shot of the Axe, still embedded in the rock.

Switch to a reaction shot of Buffy as she looks at the Axe with a bit of a smile on her face.

Cut to Faith talking to the assembled troops before they carry out her plan of attack.

Faith: "Those of you who are coming with me to the arsenal?"

Cut to a shot of the Potentials, Anya, and Robin as they look at Faith.

Faith: "You know who you are. Let's do this thing."

Cut to Faith leading the group through the tunnels, in search of the arsenal.

Close up of Faith as she shines her flashlight on soemthing.

Reverse to see that it is a chest of some kind. Faith kicks the lock off of the chest, then opens the lid.

The lid opens up to reveal the bomb planted inside. The clock on the bomb ticks down to 00:03.

Cut to a reaction shot of Faith. Her eyes get wide, then she spins around and yells for everyone to take cover.

Faith: "Get down!"

ELAPSED TIME - 1:00


Jeff Mejia - May 19, 2003 11:21:40 am PDT #79 of 121
"Don't think of yourself as an organic pain collector racing towards oblivion." Dogbert to Dilbert

In honor of the upcoming Buffy finale, here is a re-posting of the previously from "The Gift". This will be posted in multiple parts. Here is the first part (NOTE - the entire sequence lasted 35 seconds):

1. Giles talking to Buffy about the duties of a slayer - "the chosen one" speech. "Welcome to the Hellmouth"

2. Buffy talking to Willow, asking her for help with school. "Welcome to the Hellmouth"

3. Xander introducing himself to Buffy while helping her pick up dropped books. "Welcome to the Hellmouth"

4. Cordelia introducing herself to Buffy in class. "Welcome to the Hellmouth"

5. Willow at the drinking fountain, wearing the softer side of Sears. "Welcome to the Hellmouth"

6. Giles talking to Buffy in the library -- " I know what you're here for." "Welcome to the Hellmouth"

7. Angel, telling Buffy his name while in the crypt, just before Buffy goes to try and save Jesse. "Welcome to the Hellmouth/The Harvest"

8. The Vampyr book. "Welcome to the Hellmouth"

9. Catherine Madison in Amy Madison's body, attacking with an axe. "The Witch"

10. The praying mantis lady. "Teacher's Pet"

11. The Anointed One and The Master. "Angel"

12. A Hyena with glowing eyes. "The Pack"

13. Angel kissing Buffy for the first time. "Angel"

14. Angel in vampface after kissing Buffy. "Angel"

15. Buffy screaming in reaction to Angel's vampface. "Angel"

16. The puppet, Sid, attacking with a knife. "The Puppet Show"

17. The Clown comes after Xander. "Nightmares"

18. Buffy punches Giles so she can go up against the Master. "Prophecy Girl"

19. The Master bites Buffy. "Prophecy Girl"

(AT THIS POINT, THE PACE OF THE SHOTS ACCELERATES.)

20. Buffy, drained by the Master, falls into the pool of water to drown. "Prophecy Girl"

21. The Master escapes from the energy barrier. "Prophecy Girl"

22. The tentacles of the Hellmouth Beast. "Prophecy Girl"

23. Buffy's alive after Xander's CPR -- shot of Buffy "waking." "Prophecy Girl"

24. Buffy's standing -- "I feel strong. I feel... different." "Prophecy Girl"

25. Buffy throws the Master through the roof of the library. "Prophecy Girl"

26. The Master bites the dust. "Prophecy Girl"

27. The immolated vampire Absalom. "When She Was Bad?"

28. Buffy crushes the Master's bones. "When She Was Bad?"

29. The dead football player, Daryl Epps. "Some Assembly Required"

30. Spike's entrance into Sunnydale, driving over the "Welcome to Sunnydale" sign. "School Hard"

31. A shot of Spike in vampface. "School Hard"

32. The Inca Mummy Girl, as a mummy. "Inca Mummy Girl"

33. A close up of Machida. "Reptile Boy"

34. Ethan Rayne looking at the Janus bust. "Halloween"

35. Angel morphing into vampface. "Lie To Me"

36. Spike carrying Drusilla, all smiles, no vampface. Drusilla's in a white dress. "What's My Line, pt 1"

37. Kendra attacking Angel. "What's My Line, pt 1"

38. Mr. Phister, the worm guy. "What's My Line, Part Two"

39. Ted, with some skin ripped off his metal face. "Ted"

40. The bezoar demon. "Bad Eggs"

41. Angel, post coitus, wakes up and is about to lose his soul. "Surprise"

42. Buffy shoots the rocket launcher. "Innoncence"

43. The Judge gets hit with the rocket, as Angelus and Drusilla dive for cover. "Innocence"

44. Xander and Cordelia sneak a kiss in the library, and Willow catches them. "Innocence"

45. Willow kisses Oz. "Phases"

46. Amy Madison is casting a spell that flares up. "Bewitched, Bothered, and Bewildered"

47. Angelus breaks Jenny Calendar's neck. "Passion"

48. Giles, sans glasses, talks to a policeman after Jenny's death. "Passion"

49. Der Kindestod. "Killed By Death"

50. A Christine shot of Jimmy. "I Only Have Eyes For You"

51. A swimmer sheds his skin. "Go Fish"

52. The immolation-o-gram in Buffy's class. "Becoming, Part One"

53. Angelus grasping the sword in Acathla. "Becoming, Part Two"

54. Willow casting the re-souling spell in the hospital. "Becoming, Part Two"

55. Buffy stabs Angel with the sword. "Becoming, Part Two"

56. Angel's reaction shot to being stabbed. "Becoming, Part Two"

57. The portal to Hell closes up, leaving the Acathla statue. "Becoming, Part Two"

58. Xander kissing Cordelia, after dusting a vampire. "Anne"

59. A vamp getting staked by Willow. "Dead Man's Party"

60. Mr. Trick, in vampface. "Faith, Hope, and Trick"

61. Angel comes back from Hell, in a blaze of blinding light. "Faith, Hope, and Trick"

62. Close up shot of a beastly eye. "Beauty and the Beasts"

63. Xander and Willow kissing while in formal wear. "Homecoming"

64. Giles and Joyce kissing. "Band Candy"

65. Spike playacting vamping behind Joyce. "Lover's Walk"

66. The evil watcher getting toasted by lightning. "Revelations"

67. Spike catching fire while sleeping in the courtyard. "Lover's Walk"

68. Anyanka, in full demon makeup. "The Wish"

69. Sunnydale in the snow. "Amends"

70. Amy Madison transforming herself into a rat. "Gingerbread"

71. Xander fighting the undead (zombies) from his Uncle Rory's car. "The Zeppo"

72. Buffy waking up from a bad dream. "Bad Girls"

73. Faith, going to the Mayor. "Consequences"

74. Cordelia startles Wesley. "The Prom"

75. Vamp!Willow. "Dopplegangland"

76. The blue-skinned Mage. "Enemies"

77. Xander about to eat jello as he realizes the cook is trying to kill them all. "Earshot"

78. A hellhound. "The Prom"

79. Faith falling from her apartment, into the truck. "Graduation Day, Part One"

80. Angel feeding off of Buffy. "Graduation Day, Part One"


Jeff Mejia - May 19, 2003 11:23:32 am PDT #80 of 121
"Don't think of yourself as an organic pain collector racing towards oblivion." Dogbert to Dilbert

Here's part II of the previously from "The Gift":

81. The Mayor as demon, under attack from a flamethrower. "Graduation Day, Part Two"

82. Sunnydale High getting blown up real good. "Graduation Day, Part Two"

83. Angel leaves in the smoke. "Graduation Day, Part Two"

84. Buffy's first day of college, out on campus. "The Freshman"

85. An Initiative soldier, pointing a ray-gun. "Living Conditions"

86. Kathy gets her face ripped off. "Living Conditions"

87. Buffy in bed. "Living Conditions"

88. One of the Kathy's demon relatives. "Living Conditions"

89. Xander squeezes his juice box. "The Harsh Light of Day"

90. Harmony vamps out. "The Harsh Light of Day"

91. same as #88.

92. Oz fighting off wolfing out while in the bathtub. "Fear, Itself"

93. The animated skeleton. "Fear, Itself"

94. Anya in a bunny suit. "Fear, Itself"

95. The gang (Oz, Buffy, Willow) ducking some bats. "Fear, Itself"

96. Willow in her Joan of Arc suit, with a spider on her shoulder. "Fear, Itself"

97. Fiesta!Giles. "Fear, Iteslf"

98. Giles falling down in Buffy's dorm room. "Beer Bad"

99. Oz kissing Veruca in the cage before wolfing out. "Wild at Heart"

100. The Vercua-werebeast. "Wild at Heart"

101. Spike getting zapped by the Initiative. "The Initiative"

102. Riley going commando. "The Initiative"

103. Spike threatening Willow in her dorm. "The Initiative"

104. Buffy, dusting a vamp. "Pangs"

105. D'Hoffryn, offering Willow the job as vengence demon. "Something Blue"

106. Crows flying from the cultural center. "Pangs"

107. Riley firing his ray-gun. "Hush"

108. A reaction shot of Willow. "Hush"

109. Willow and Tara joining hands for a spell. "Hush"

110. One of the Gentlemen. "Hush"

111. A green Vahrall demon attacks Riley. "Doomed"

112. Same green demon attacking from a different angle. "Doomed"

113. A shot of the door to 314. "A New Man"

114. A shower of electric sparks. "The I in Team"

115. Adam, after killing his "mother". "The I in Team"

116. Spike gives the thumbs-up. "Goodbye, Iowa"

117. A shot of Adam. "Goodbye, Iowa"

118. Faith standing outside a grave in a dream. "This Year's Girl"

119. Faith wakes from her coma. "This Year's Girl"

120. Fuffy looks in a mirror. "Who Are You?"

121. Fuffy in the church, looking scared. "Who Are You?"

122. Faith and Buffy's hands together, switching everything back. "Who Are You?"

123. Xander opens a flaming book. "Superstar"

124. Vines sprout from Riley's room. "Where the Wild Things Are"

125. The fireplace explodes. "Where the Wild Things Are"

126. Anya is attacked from behind. "New Moon Rising"

127. Willow is startled by Oz. "New Moon Rising"

128. Oz is experimented on by the Initiative. "New Moon Rising"

129. Buffy running through some caves. "The Yoko Factor"

130. Xander fighting demons. "Primeval"

131. A wide shot of the demons vs. Initiative battle. "Primeval"

132. Another wide shot of the battle. "Primeval"

133. Undead!Forrest. "Primeval"

134. Another shot of the battle. A demon gets fried by lightning in the foreground. "Primeval"

135. Another shot of the battle. "Primeval"

136. The core Scoobies are united for the spell. "Primeval"

137. More of the battle. "Primeval"

138. Buffy faces Adam. "Primeval"

139. Another shot of the battle. "Primeval"

140. Buffy's eyes are glowing from the spell. "Primeval"

141. Another shot of the battle. "Primeval"

142. Uber!Buffy releases a dove. "Primeval"

143. Buffy rips out Adam's uranium core. "Primeval"

144. A shot of the First Slayer, hanging from a chandelier. "Restless"

145. Willow and Tara in the back of Xander's ice cream truck. "Restless"

146. The cheese man talks to Buffy while the First Slayer looks on. "Restless"

147. Buffy and Dawn turn towards Joyce - "MOM!" "Buffy vs. Dracula"

148. Harmony's note: "Slayer! come out and Die" (smiley face dotting the"i"). "The Real Me"

149. Close up of Dawn outside the magic shop. "The Real Me"

150. A reaction shot of Joyce - "Who are you?" "Out of My Mind"

151. The demon Toth firing his personality-splitting weapon. "The Replacement"

152. Spike getting de-chipped, or so he thinks. "Out of My Mind"

153. Buffy in a trance. "No Place Like Home"

154. Dawn standing in her room, fading in and out. "No Place Like Home"

155. Glory. "No Place Like Home"

156. Tara and Willow, floating above the dance floor. "Family"

157. Spike wakes up, realizing that he loves Buffy. "Out of My Mind"

158. The Snake-monster. "Shadow"


Jeff Mejia - May 19, 2003 11:25:38 am PDT #81 of 121
"Don't think of yourself as an organic pain collector racing towards oblivion." Dogbert to Dilbert

Here's the last part of the previously breakdown for "The Gift":

(FROM THIS POINT, THE SCENES ARE ONE SHOT PER FRAME.)

159. Joyce is wheeled to surgery. "Shadow"

160. The Queller demon, about to blow snot on Joyce. "Listening To Fear"

161. Riley, leaving the Summers' house because Buffy won't confide in him about Dawn. "Family"

162. The helicopter leaving with Riley. "Into the Woods"

163. Buffy watching the helicopter leave. "Into the Woods"

164. I really have no idea what this shot is. It is very dark. I see some eyes. Maybe Olaf the Troll? "Triangle"

165. Buffy taking on vampires. "Into the Woods"

166. A shot of Buffy in fight mode. "Into the Woods"

167. Ben turning into Glory in front of Dawn. "Blood Ties"

168. Some shimmering light in the Magic Box. "Triangle"

169. Glory primps in front of a mirror as a minion looks on. "Triangle"

170. Olaf the Troll inside the Magic Box. "Triangle"

171. Willow and Tara look on as Glory disappears because of the teleportation spell. "Blood Ties"

172. Spike lectures Buffy about blaming him for Dawn's disappearance. "Blood Ties"

173. A close-up of Dawn. "Crush?"

174. The girlfriendbot swings part of a teeter-totter at Buffy. "I Was Made to Love You"

175. Buffy hugs Puffy!Xander. "I Was Made to Love You"

176. Joyce's body on the couch. "The Body"

177. Buffy looks at her mother while holding the phone. "The Body"

178. Tara kisses Willow on the mouth. "The Body"

179. The Guide in the guise of the First Slayer -- "Death is your gift." "Intervention"

180. The Buffybot shorting out. "Intervention"

181. Glory brain-sucking Tara. "Tough Love"

182. Floaty,Scary!Willow shooting lightning at Glory. "Tough Love"

183. Glory on the receiving end of Willow's magic. "Tough Love"

184. Glory rips of the wall to Tara's dorm room. "Tough Love"

185. Willow, Tara, Dawn, and Buffy react to Glory. "Tough Love/ Spiral"

186. Buffy, carrying Dawn, leaps over a bench in the quad. "Spiral"

187. Glory, about to get hit by the truck. "Spiral"

188. The RV of Doom, rolling down the dirt road. "Spiral"

189. Buffy in front of Dawn, inside the RV of Doom. "Spiral"

190. The Knights of Byzantium on horseback. "Spiral"

191. The RV of Doom rolling on its side. "Spiral"

192. Glory blasts through Willow's protection spell, towing Dawn with her. "Spiral"