I've seen honest faces before. They usually come attached to liars.

Willow ,'Conversations with Dead People'


Heroes 1: We Could Be Heroes  

[NAFDA]. This is where we talk about the show and ancillary materials such as web comics! Anything that's aired in the US (including promos) is fair game. No spoilers though -- if you post one by accident, an admin will delete it. Chuffa, Chuffa!


Jessica - Apr 24, 2007 3:32:43 pm PDT #484 of 5028
If I want to become a cloud of bats, does each bat need a separate vaccination?

FINALLY caught up with the ep!

So uh...Alan Moore is getting a big fat royalty check for Linderman's opening speech, right? (I mean, if you're gonna steal, steal from the best, but...wow. I even pulled my copy of Watchmen off the shelf to make sure I wasn't projecting, and it's practically a verbatim lift.)


esse - Apr 25, 2007 1:33:45 am PDT #485 of 5028
S to the A -- using they/them pronouns!

I liked how Sylar's painting style is nothing like Isaac's.

I love how Sylar turned the scene was saw from Isaac into something so much darker. It was like a David McKean image being recreated by Frank Miller. Cree-pee.

No scar . . . yet.

I thought it was a tiny scar, but it would be way cooler if it's a big honkin' scar. Of course, the most sense is that he has no scar, since the future has been changed.

What a Watchmen shout-out! Jeez. It would be interesting to see if Alan is credited anywhere for that. Surely Jeph Loeb knew what he was doing.

I loved the Petrellis, all in the same house for the first time ever (minus Nathan's sons). I wonder what Claire will think of her brothers. She looked so devastated and joyous at the same time--I'm so impressed by Hayden.

How odd to see Peter in a polo. He looked more like the upper-class New York dude his mom and Nathan wanted him to be in this scene than he did even in a tuxedo. Strange.

Poor Isaac, who foresaw his own death and met it with surprising grace. Loved Hiro vs. Hiro, particularly all the strings and clippings--it must be hard to keep track of where all the different bits of past and future cross and change, and that seems like a very intuitive (if complicated and difficult to penetrate) system for keeping track of how Hiro could go back and change things. I also like that Hiro set himself up in Isaac's old apartment--where everything changed for him, where everything changed for them all.

but why would Sylar repaint something that Isaac's already done?

He's never seen it before. How would he know it hasn't been painted before? Not to mention, when the whole cheerleader thing was going on, Peter finished the painting Isaac started, so obviously more than one person utilizing the power can see the same thing.

I loved the reveal that Mama Petrelli was also a power--it makes you wonder what she might be hiding about her husband's death. I love that now there's this backstory of an older generation of powers, and how awesome it is that they can bring in other actors we haven't seen as much of recently now, like Eccleston or dude-wot-plays-Linderman.

Great episode. So pleased to have the show back.


DCJensen - Apr 25, 2007 4:23:13 am PDT #486 of 5028
All is well that ends in pizza.

I wonder if Papa Petrelli had powers at all. Maybe Nathan and Peter are SOL (Sons of Linderman).


DCJensen - Apr 25, 2007 4:25:45 am PDT #487 of 5028
All is well that ends in pizza.

I do find it interesting that Linderman claims that he was once part of a group of supers, and that a couple decided to use their powers for their own self-interest. I wonder if one of the two was Linderman himself.


Stephanie - Apr 25, 2007 4:32:11 am PDT #488 of 5028
Trust my rage

I asumed he meant Papa Patrelli, although I'm less sure having seen Mama. Although maybe the Petrelli parents were working at cross-purposes. (A sort of Mr & Mrs. Smith with superpowers)


Laura - Apr 25, 2007 4:57:33 am PDT #489 of 5028
Our wings are not tired.

particularly all the strings and clippings

That was an awesome moment for me because I had a crazy uncle that did that. He was the most entertaining man ever, but also more than a bit off. Every inch of his walls were covered with pictures, articles, menus, and whatever else he found interesting. When he ran out of room he ran clothes lines back and forth all over the living room. It was lovely to remember Uncle Billy.

Love the older generation Heroes. How will they ever keep the youngins under control?

Next week looks very interesting. I may have to break down and read the on line stuff to hold me over.


Vortex - Apr 25, 2007 5:33:23 am PDT #490 of 5028
"Cry havoc and let slip the boobs of war!" -- Miracleman

Vortex - Apr 25, 2007 5:34:00 am PDT #491 of 5028
"Cry havoc and let slip the boobs of war!" -- Miracleman

How odd to see Peter in a polo. He looked more like the upper-class New York dude his mom and Nathan wanted him to be in this scene than he did even in a tuxedo. Strange.

For me, it was the slicked back hair. I mean, I hated the emo curl, but this didn't exactly work for me either.

He's never seen it before. How would he know it hasn't been painted before?

Also, is it me, or are the arms crossed a different way?


esse - Apr 25, 2007 5:49:03 am PDT #492 of 5028
S to the A -- using they/them pronouns!

He carried his weight differently post-death. Before he led with hunched shoulders a lot. Now his shoulders are back and his hips are leading. Rather like his hot bro.


Vortex - Apr 25, 2007 5:57:20 am PDT #493 of 5028
"Cry havoc and let slip the boobs of war!" -- Miracleman

Before he led with hunched shoulders a lot.

It was the weight of the emo curl! It was keeping him down!