Anya: Are you stupid or something? Giles: Allow me to answer that question with a firing.

'Sleeper'


Spike's Bitches 34: They're All Slime and Antlers  

[NAFDA] Spike-centric discussion. Lusty, lewd (only occasionally crude), risque (and frisque), bawdy (Oh, lawdy!), flirty ('cuz we're purty), raunchy talk inside. Caveat lector.


§ ita § - Feb 01, 2007 8:35:19 pm PST #3761 of 10001
Well not canonically, no, but this is transformative fiction.

Others have made the argument.

Actually, I didn't think so. Jim Crow was terrible and oppressive, but it involved no ownership of people. It's an independent horror to me--if people can't be traded for money or other goods it's some other sort of subjugation in my eyes.

it did create a comprehensive legal and social system that placed a class of people in a subordinate position

Not slavery. Bad, subjugation, but not slavery.

Not to mention that many members of the subordinate class were doing basically the same thing that their ancestors did under slavery -- sharecroppers being analogous to field hands, maids and cooks similar to house servants.

That's still happening now, though, and I wouldn't call it even remotely analogous to slavery then or now.

Once you can own and you are not owned, I don't see the link.

It was the same people fucking over the same people that they'd been fucking over before. They were just doing it a new and different way.


Fay - Feb 01, 2007 10:47:12 pm PST #3762 of 10001
"Fuck Western ideologically-motivated gender identification!" Sulu gasped, and came.

But there's all this stuff I don't KNOW...like, you know, HOW TO FUCKING ACT. Or direct. Or buildsetsmakesoundeffectspaintblock....argh.

Well, others have already said most of what I'd say, I guess - but fwiw, I've acted in R & J when I was in Canada at High School (I was the Nurse) & directed the Queen Mab scene; I'm running an after school drama club at the moment, and I'm presently acting in a short 1930s comedy in the Bangkok Community Theatre's fringe production. And I've acted in other Shakespeare & directed other plays, some with kids.

And I agree - I think you'll enjoy it immensely, and I think your instincts for directing and blocking are going to be v. sound.

I'd like to be constructive - what specifically are you worried about?

Do you have anyone who has any experience (adults or kids) with the technical side of staging a production? I'd be tempted to start off by sitting down with the kids and identifying specifically what all the backstage jobs involve and getting your stage crew sorted out, because it sounds like that's the bit you're daunted by - they may already have experience and/or transferable skills that they can bring to the table. (When I was in R & J our drama teacher/director made 3 of us into co-directors and we each took responsibilty for directing individual scenes, which she oversaw - it spread her workload a bit, while giving us experience in directing and making us reflect on our own performances too...) Plus if you have a bossy and anal and efficient responsible kid to be the Stage Manager, that's going to make life one hell of a lot easier.

(I'd second the "Go modern dress! Choose modern dress!" thing, incidentally, but YMMV.)

For my money, the most important thing, far and away, is that they understand what they're saying and mean it, and that you've got the blocking worked out - and that's going to come naturally, to some extent, when they know what they're saying and what the emotion of the scene is.

When I'm planning something I like to work out what areas I'm going to need for my stage, in terms of basic props/levels and where people are entering and exiting. I tend to work it out with a pad and a pencil, scribbling cryptic-looking, make-sense-only-to-me maps of how people will move about the stage and get on and off.

If you want to have proper set changes, then maybe sit down with the script and try to group scenes into locations so you know how many different looks you're going to need to create, and then decide how you can make the scene changes simple - you'll need something to represent Juliet's bed/tomb, you'll need some way of presenting the split level for the balcony scene, you'll could probably use chairs several times, but you don't have to have them...if you want to go with a very simple set, with a black curtain and blocks or something, you could do that. Or not. Do you have a particular idea of the 'look' you want to aim for?


sj - Feb 02, 2007 3:20:33 am PST #3763 of 10001
"There are few hours in life more agreeable than the hour dedicated to the ceremony known as afternoon tea."

Job~ma to your GF, GC!

I'm up. We're going out with TCG's father and step-mother tonight, so I should probably clean up the apartment in case they end up back here.


vw bug - Feb 02, 2007 3:27:08 am PST #3764 of 10001
Mostly lurking...

How much do I love waking up to all this help for Erin? THEEEEEEEES much!

Timelies all!


Laura - Feb 02, 2007 4:19:00 am PST #3765 of 10001
Our wings are not tired.

Lots of job~ma to the GC GF!

And timelies! I have lots of coffee and am in the office. I stayed home and mostly slept yesterday. It was good. Back to the grind now.


Ailleann - Feb 02, 2007 4:38:55 am PST #3766 of 10001
vanguard of the socialist Hollywood liberal homosexualist agenda

So it's pretty much my last day in this department, and my boss (who didn't want to let me go, but couldn't help it) just called to say goodbye, since he won't be in the office today, and now I'm all verklempt.

I've packed up everything that's going with me to my new cube, and I kinda just want to put it in my car and not ever come back here. Bah.

But we're having Bob's today, and that makes it happier.


DCJensen - Feb 02, 2007 4:40:54 am PST #3767 of 10001
All is well that ends in pizza.

Skimming, late for work...

I wish I had the list I compiled of all the advice I wrote down my first year in college theater. Basically it was a list of the rules for the mechanics of acting on stage that helped me concentrate on the acting once I got them down. Some of these seem basic and "obvious" but not so to a newbie.

For instance:

- don't go from prop to prop, hiding behind "things."

- Try to enter with the foot upstage from the audience when entering from the sides

- Practice projecting instead of yelling when you can. Stop by the theater on your time off. Talk to friends in the supermarket from the end of the isle. Soon you will be able to talk to someone in the back of the theater without getting hoarse.

- Learn foot placement

- Etc

I'm sure Buffistas can come up with more


Cass - Feb 02, 2007 4:48:56 am PST #3768 of 10001
Bob's learned to live with tragedy, but he knows that this tragedy is one that won't ever leave him or get better.

Puppycat seems to have taken the notaspider squid toy and deleggified it. So what should we call the legless fur blob* now?

* the toy, we aren't punishing the cat for this or anything.

Have inhaled allergy meds, am still inhaling coffee, go team Let's Breathe and stay awake until at least early evening tonight! I am on the sleep schedule of a toddler, it's wacky.


Cass - Feb 02, 2007 4:51:11 am PST #3769 of 10001
Bob's learned to live with tragedy, but he knows that this tragedy is one that won't ever leave him or get better.

and now I'm all verklempt.
Aw, that's nice. Sad, but nice.

I dreamt sort of about an old job last night and woke up missing it. Well, missing what it had been about six months before I left it at least.


Steph L. - Feb 02, 2007 5:16:21 am PST #3770 of 10001
this mess was yours / now your mess is mine

So what should we call the legless fur blob* now?

Nugget.