Cool! The script was a great read. I enjoyed the colorful stage directions. Or...what do you call them in teleplays? Some of them were character notes, but others were describing the camera and the way we, the audience, were seeing (and interpreting) things.
Giles ,'Conversations with Dead People'
The Minearverse 5: Closer to the Earth, Further from the Ax
[NAFDA] "There will be an occasional happy, so that it might be crushed under the boot of the writer." From Zorro to Angel (including Wonderfalls, The Inside and Drive), this is where Buffistas come to anoint themselves in the bloodbath.
I wonder which version you read, Polter-Cow. Not that it changed that much as we went. Those are called stage directions, screen direction or just plain prose.
The four minutes on the road early in the piece -- one continuous shot which goes from car-to-car -- was about a million dollars. Not that anyone will notice, the Zoic fx are that good.
I wonder which version you read, Polter-Cow. Not that it changed that much as we went. Those are called stage directions, screen direction or just plain prose.
I'm not sure. I will take this part out as soon as you see it, but I got it from a friend of mine at CAA about three weeks ago.
The four minutes on the road early in the piece -- one continuous shot which goes from car-to-car -- was about a million dollars. Not that anyone will notice, the Zoic fx are that good.
Awesome. As I was reading, I thought, "Shit, this is going to be hard to film."
I'm totally going to Anaheim.
Agents are allowed to give out scripts, Polter-Cow. I don't suspect they'd have had the many colored version I ended up with, as I was revising the entire shoot.
Agents are allowed to give out scripts, Polter-Cow.
Ah, okay. I know she warned me not to, like, post it on the Internet, but I wasn't sure whether it was allowed to leave the agency at all.
I don't suspect they'd have had the many colored version I ended up with, as I was revising the entire shoot.
No, I don't think it was that one. There was no mention of colored pages or anything.
Ok, The Who writer who'll be at the con is Paul Cornell.
And the Sat. 2:30 panel is a go, but I bet it'll be reeeeeally crowded, since other people on the panel include Rockne O'Bannon and JMS.
The other Saturday panel is around the time my DH has a concert, so I can't do that one.
Or not. It looks like one is on a Wednesday afternoon. Boo work. Booo!
Holy ass! The Day pass is $75!!!
I love you Tim, and I will be lighting a Buttercream Yankee Candle in support of you on that day.
WHY DOESN'T SF SEEM TO LAST ON TV?
Oh, oh, I know this one!