Discuss!

Hmm... how 'bout, prof is an overgeneralizing tool who's way too easily impressed by his own rhetorical tricks?

a.k.a. "the plural of chiasmus is not data"

I think some of the Jane Austen books and movies would disprove that right out.

Were there any good film adaptations of Austen books before 1990?

Even so:

So is To Kill a Mockingbird a mediocre book or a mediocre film?

Kind of proves professor was a generalizing ass.

I read a whole book on the topic, several years ago, and the classic example disproving that thesis is The French Lieutenant's Woman, which is a film arty enough that it can't even be shot down on snooty anti-populist grounds. (The book also brought up whether Apocalypse Now is really an adaptation of Heart of Darkness, and if it is, whether it's a successful one, and in the process what "successful adaptation" means.)

Ooh, let me know if the nuns book is good, Susan--that sounds interesting.

And Breakfast at Tiffany's - mediocre book, mediocre movie, or mediocre both? (Personally, I think it is a very good book and a very good movie. "Great" may be a word reserved for things that are less fun. At least that's how I've always seen it interpreted.)

If nothing else, Breakfast at Tiffany's is prevented from being great by the horrible racial caricature. But I do love the rest of the movie.

Ooh, let me know if the nuns book is good, Susan--that sounds interesting.

I will. I can't even remember where I heard about it, a review, a blog comment, or what, but the title pinged my inner historian.

Were there any good film adaptations of Austen books before 1990?

Laurence Olivier played Mr. Darcy in a 1940 version of Pride and Prejudice. Which won an Oscar for Art Direction. So even though I haven't seen it, I can't dismiss it out of hand.

I'll go so far as to say that different qualities make a good book as opposed to a good movie. For example, a book can take a dozen pages to perform blatant exposition without it necessarily being a fault. A movie taking 10 minutes, less so.

Laurence Olivier played Mr. Darcy in a 1940 version of Pride and Prejudice. Which won an Oscar for Art Direction. So even though I haven't seen it, I can't dismiss it out of hand.

It gets mixed reviews. It tends to appall Austen purists because the costumes are Victorian and Lady Catherine de Burgh is defanged, but there are those who love it, too. I fall on the purist side of the fence, but that may be at least partly because I saw the Firth/Ehle version first and just can't imagine P&P being done better.

The Risky Regencies blog discussed the Oliver adaptation here: [link]

I also use he French Lieutenant's Woman as an example of why in translation from book to film preserving the spirit often requires significant alterations in the letter.