All right, no one's killing folk today, on account of our very tight schedule.

Mal ,'Trash'


Buffista Movies 5: Development Hell  

A place to talk about movies--old and new, good and bad, high art and high cheese. It's the place to place your kittens on the award winners, gossip about upcoming fims and discuss DVD releases and extras. Spoiler policy: White font all plot-related discussion until a movie's been in wide release two weeks, and keep the major HSQ in white font until two weeks after the video/DVD release.


Sue - Jul 05, 2007 8:05:39 am PDT #9910 of 10001
hip deep in pie

His movies are all about the particular experience of huge myths, and while I'm baffled by P-C's boredom at Seven Samurai and Laga's feeling that they were homework

I'm wondering if they saw them on a TV or a big screen. It can make all the difference. I had a friend who was a huge Kurosawa fan, and he absolutely insisted it was pointless to watch Ran unless you saw it on the big screen. I have to admit that I turned off Seven Samurai after only a few minutes, but I have ADD when it comes to watching things at home.


Polter-Cow - Jul 05, 2007 8:09:07 am PDT #9911 of 10001
What else besides ramen can you scoop? YOU CAN SCOOP THIS WORLD FROM DARKNESS!

It was on TV.


Sean K - Jul 05, 2007 8:43:42 am PDT #9912 of 10001
You can't leave me to my own devices; my devices are Nap and Eat. -Zenkitty

Corwood, I can't help but notice Kurosawa's Dreams is not on your lists. Have you not seen it? Moving and powerful. Of course.


Glamcookie - Jul 05, 2007 9:03:56 am PDT #9913 of 10001
I know my own heart and understand my fellow man. But I am made unlike anyone I have ever met. I dare to say I am like no one in the whole world. - Anne Lister

I am Corwood with regard to Kurosawa.

Me, too! Kurosawa and Mifune rock.


§ ita § - Jul 05, 2007 9:27:23 am PDT #9914 of 10001
Well not canonically, no, but this is transformative fiction.

How Movies Could Help The Terrorists Win.

Okay, hyperbole.


Hayden - Jul 05, 2007 10:00:36 am PDT #9915 of 10001
aka "The artist formerly known as Corwood Industries."

High and Low: yeah, the police procedural. I liked how it was about classism in Japanese culture without the script mentioning it once (that I recall, at least). It sort of reminds me of The Battle of Algiers in how it allows you to throw your sympathy to the horrible criminal before the end.

Throne of Blood: I was torn between first list and second. I was trying to save the Massively Great list for those that filled me with indescribeable emotion, and I think Throne of Blood, while the best MacBeth on film, was more on the describeable side for me.

I liked Nashville, though! Do I get any points for that?

Sure, if I was giving out points! I gotta say, I used to love Nashville a lot, but the more really great Altmans I've seen, the less it stands among his best work for me. See McCabe & Mrs. Miller, Thieves Like Us (now on DVD!), California Split, The Long Goodbye for the best of early Altman.

it was pointless to watch Ran unless you saw it on the big screen

I don't think so, but I can see how the big screen would improve your experience. I mean, dig the color scheme and imagine a 40-ft tall version of this: [link] I mean, the scene that shot came from is really the best huge battle scene ever captured on film, hands down.

I can't help but notice Kurosawa's Dreams is not on your lists

Never seen it, but it's in my Netflix queue. I have to space out watching Kurosawa movies (like I have to space out the works of any great directors) to prevent sensory overload.


lisah - Jul 05, 2007 10:04:58 am PDT #9916 of 10001
Punishingly Intricate

Thieves Like Us (now on DVD!)

ooh I've never seen that one!


Hayden - Jul 05, 2007 10:16:26 am PDT #9917 of 10001
aka "The artist formerly known as Corwood Industries."

It's up there with McCabe & Mrs. Miller in my not-at-all-humble opinion. I mean, Bonnie & Clyde wasn't a bad movie, right? But Thieves Like Us makes it seem like a crappy movie in retrospect. It's not just as sweet and light as Altman ever was, but it's also a realistic movie about desperate bank-robbing fugitives in Depression-era Mississippi. How could that possibly work? I've seen it 4-5 times and still don't know, but it somehow works overtime.


Scrappy - Jul 05, 2007 10:18:08 am PDT #9918 of 10001
Life moves pretty fast. You don't stop and look around once in a while, you could miss it.

I would put M*A*S*H among Altman's greats. Just wipe the TV Series (which I liked a lot, buts it's a whole different vibe) out of your mind. The film is a really good dark political comedy with a great array of characters and performances.


Sean K - Jul 05, 2007 11:35:39 am PDT #9919 of 10001
You can't leave me to my own devices; my devices are Nap and Eat. -Zenkitty

Ratatouille has really stuck with me. I'm seriously in love with this movie. I think right now one of my favorite parts was the villain who becomes a hero aspect of it. It's bringing me great joy. I even got a little weepy at the Anton Ego flashes back to being a little boy at the doorway with skinned knees segment.

This movie, in ways that I'm still working out, absolutely captures that special, intimate relationship we all have with food. I have to see it again soon.