It was on TV.

Corwood, I can't help but notice Kurosawa's Dreams is not on your lists. Have you not seen it? Moving and powerful. Of course.

I am Corwood with regard to Kurosawa.

Me, too! Kurosawa and Mifune rock.

How Movies Could Help The Terrorists Win.

Okay, hyperbole.

High and Low: yeah, the police procedural. I liked how it was about classism in Japanese culture without the script mentioning it once (that I recall, at least). It sort of reminds me of The Battle of Algiers in how it allows you to throw your sympathy to the horrible criminal before the end.

Throne of Blood: I was torn between first list and second. I was trying to save the Massively Great list for those that filled me with indescribeable emotion, and I think Throne of Blood, while the best MacBeth on film, was more on the describeable side for me.

I liked Nashville, though! Do I get any points for that?

Sure, if I was giving out points! I gotta say, I used to love Nashville a lot, but the more really great Altmans I've seen, the less it stands among his best work for me. See McCabe & Mrs. Miller, Thieves Like Us (now on DVD!), California Split, The Long Goodbye for the best of early Altman.

it was pointless to watch Ran unless you saw it on the big screen

I don't think so, but I can see how the big screen would improve your experience. I mean, dig the color scheme and imagine a 40-ft tall version of this: [link] I mean, the scene that shot came from is really the best huge battle scene ever captured on film, hands down.

I can't help but notice Kurosawa's Dreams is not on your lists

Never seen it, but it's in my Netflix queue. I have to space out watching Kurosawa movies (like I have to space out the works of any great directors) to prevent sensory overload.

Thieves Like Us (now on DVD!)

ooh I've never seen that one!

It's up there with McCabe & Mrs. Miller in my not-at-all-humble opinion. I mean, Bonnie & Clyde wasn't a bad movie, right? But Thieves Like Us makes it seem like a crappy movie in retrospect. It's not just as sweet and light as Altman ever was, but it's also a realistic movie about desperate bank-robbing fugitives in Depression-era Mississippi. How could that possibly work? I've seen it 4-5 times and still don't know, but it somehow works overtime.

I would put M*A*S*H among Altman's greats. Just wipe the TV Series (which I liked a lot, buts it's a whole different vibe) out of your mind. The film is a really good dark political comedy with a great array of characters and performances.

Ratatouille has really stuck with me. I'm seriously in love with this movie. I think right now one of my favorite parts was the villain who becomes a hero aspect of it. It's bringing me great joy. I even got a little weepy at the Anton Ego flashes back to being a little boy at the doorway with skinned knees segment.

This movie, in ways that I'm still working out, absolutely captures that special, intimate relationship we all have with food. I have to see it again soon.

I don't like M*A*S*H as much as Robin, but I can see why some people do. And I really hope I didn't make anyone feel bad about not loving Kurosawa, because people for damn sure have wildly varying experiences of cinema (or any other aesthetics) depending on what brought them to that moment and what happens during their experience. The fact that my opinions are clearly and objectively the best and most infallable opinions ever shouldn't detract from anyone's ability to tell me I'm full of horseshit.