Seems like everyone's got a tale to tell.

Mal ,'Safe'


Buffista Movies 5: Development Hell  

A place to talk about movies--old and new, good and bad, high art and high cheese. It's the place to place your kittens on the award winners, gossip about upcoming fims and discuss DVD releases and extras. Spoiler policy: White font all plot-related discussion until a movie's been in wide release two weeks, and keep the major HSQ in white font until two weeks after the video/DVD release.


Glamcookie - Jul 05, 2007 9:03:56 am PDT #9913 of 10001
I know my own heart and understand my fellow man. But I am made unlike anyone I have ever met. I dare to say I am like no one in the whole world. - Anne Lister

I am Corwood with regard to Kurosawa.

Me, too! Kurosawa and Mifune rock.


§ ita § - Jul 05, 2007 9:27:23 am PDT #9914 of 10001
Well not canonically, no, but this is transformative fiction.

How Movies Could Help The Terrorists Win.

Okay, hyperbole.


Hayden - Jul 05, 2007 10:00:36 am PDT #9915 of 10001
aka "The artist formerly known as Corwood Industries."

High and Low: yeah, the police procedural. I liked how it was about classism in Japanese culture without the script mentioning it once (that I recall, at least). It sort of reminds me of The Battle of Algiers in how it allows you to throw your sympathy to the horrible criminal before the end.

Throne of Blood: I was torn between first list and second. I was trying to save the Massively Great list for those that filled me with indescribeable emotion, and I think Throne of Blood, while the best MacBeth on film, was more on the describeable side for me.

I liked Nashville, though! Do I get any points for that?

Sure, if I was giving out points! I gotta say, I used to love Nashville a lot, but the more really great Altmans I've seen, the less it stands among his best work for me. See McCabe & Mrs. Miller, Thieves Like Us (now on DVD!), California Split, The Long Goodbye for the best of early Altman.

it was pointless to watch Ran unless you saw it on the big screen

I don't think so, but I can see how the big screen would improve your experience. I mean, dig the color scheme and imagine a 40-ft tall version of this: [link] I mean, the scene that shot came from is really the best huge battle scene ever captured on film, hands down.

I can't help but notice Kurosawa's Dreams is not on your lists

Never seen it, but it's in my Netflix queue. I have to space out watching Kurosawa movies (like I have to space out the works of any great directors) to prevent sensory overload.


lisah - Jul 05, 2007 10:04:58 am PDT #9916 of 10001
Punishingly Intricate

Thieves Like Us (now on DVD!)

ooh I've never seen that one!


Hayden - Jul 05, 2007 10:16:26 am PDT #9917 of 10001
aka "The artist formerly known as Corwood Industries."

It's up there with McCabe & Mrs. Miller in my not-at-all-humble opinion. I mean, Bonnie & Clyde wasn't a bad movie, right? But Thieves Like Us makes it seem like a crappy movie in retrospect. It's not just as sweet and light as Altman ever was, but it's also a realistic movie about desperate bank-robbing fugitives in Depression-era Mississippi. How could that possibly work? I've seen it 4-5 times and still don't know, but it somehow works overtime.


Scrappy - Jul 05, 2007 10:18:08 am PDT #9918 of 10001
Life moves pretty fast. You don't stop and look around once in a while, you could miss it.

I would put M*A*S*H among Altman's greats. Just wipe the TV Series (which I liked a lot, buts it's a whole different vibe) out of your mind. The film is a really good dark political comedy with a great array of characters and performances.


Sean K - Jul 05, 2007 11:35:39 am PDT #9919 of 10001
You can't leave me to my own devices; my devices are Nap and Eat. -Zenkitty

Ratatouille has really stuck with me. I'm seriously in love with this movie. I think right now one of my favorite parts was the villain who becomes a hero aspect of it. It's bringing me great joy. I even got a little weepy at the Anton Ego flashes back to being a little boy at the doorway with skinned knees segment.

This movie, in ways that I'm still working out, absolutely captures that special, intimate relationship we all have with food. I have to see it again soon.


Hayden - Jul 05, 2007 12:57:25 pm PDT #9920 of 10001
aka "The artist formerly known as Corwood Industries."

I don't like M*A*S*H as much as Robin, but I can see why some people do. And I really hope I didn't make anyone feel bad about not loving Kurosawa, because people for damn sure have wildly varying experiences of cinema (or any other aesthetics) depending on what brought them to that moment and what happens during their experience. The fact that my opinions are clearly and objectively the best and most infallable opinions ever shouldn't detract from anyone's ability to tell me I'm full of horseshit.


DavidS - Jul 05, 2007 1:29:03 pm PDT #9921 of 10001
"Look, son, if it's good enough for Shirley Bassey, it's good enough for you."

Sean, Emmett and I just got back form Ratatouille.

Really enjoyed it, though I'm not sure about the villain-to-hero thing you allude to. Is that the father? Or Anton? I too was moved by Anton's flashback, as well as the interesting speech he gets about the function of criticism at the end. Okay, now I'm sure you mean Anton as the villain-redeemed.

I also liked the realism of the staff quitting. No way they're working in Rat Kitchen. And Linguini *almost* becomes worthy of Collette's affection by his mensch-like defense of his Little Chef.

I also liked that Remy and Linguini can't talk to each other.

Too bad I won't ever get a Happy Meals toy with rats on it, though.


Laga - Jul 05, 2007 1:47:16 pm PDT #9922 of 10001
You should know I'm a big deal in the Resistance.

I watched Kurosawa on a 21" screen.

I wonder if Ratatouille will lead to an increase in pet rat ownership? It's certainly led to an increase in my desire to cook ratatouille.