I didn't think it was nomination-worthy for the big categories. It was glitzy and overdone and shallow
I thought it was leagues better than Chicago, so I assumed it would get nominated. (But Babel seems to be this year's Crash, picking up nominations I assumed would go to movies that didn't completely suck.)
I didn't realize how many original songs it had, though -- I thought "Listen" was the only new one. I want Inconvenient Truth to win that category, just because.
And Borat up for Best Adapted Screenplay just makes my eyes roll.
Yeah, what\'s up with that? Was there a Borat novel that I missed?
I still have to see
Dreamgirls and
Babel.
Yeah, what's up with that? Was there a Borat novel that I missed?
Also, it didn't have a screenplay! It was improv!
Yeah, what's up with that? Was there a Borat novel that I missed?
No, but there was
Da Ali G Show.
Also, it didn't have a screenplay! It was improv!
Ex-fucking-actly.
I'm assuming it was relatively guided improv, since Cohen had narrative goals he wanted to achieve with the whole thing, but unless there was a script that all or most of the people were adhering to (thereby removing what little point I think the movie had), yeah, I don't get it either.
I feel truly out of touch with current moviedom. I only recognized about half of the nominated movies.
ita, even if that's true, I could probably find you a more deserving screenplay by throwing a rock. That's not an Oscar-worthy narrative.
That's not an Oscar-worthy narrative.
Oh, I totally agree. I thought it had a weak as hell narrative.
At least the Best Picture noms provide interesting menu opportunities for Oscar parties.