A Hard Day's Night Of The Living Dead
8 1/2 Mile (which really made my day)
A place to talk about movies--old and new, good and bad, high art and high cheese. It's the place to place your kittens on the award winners, gossip about upcoming fims and discuss DVD releases and extras. Spoiler policy: White font all plot-related discussion until a movie's been in wide release two weeks, and keep the major HSQ in white font until two weeks after the video/DVD release.
8 1/2 Mile (which really made my day)
Genius!
I think those Zombies were from 28 Days. They were moving pretty quick for Romero zombies.
Still you can't argue with: "John! Paul! George! Ringo! Zombies!"
I think those Zombies were from 28 Days.
Because they were hungover?
Because they were hungover?
Heh. No because you could see their cheekbones like Viggo.
BTW, Hec, thanks for recommending the "Out of the Past" podcasts awhile back. I need to really amp up the section on noir in my book and they have been quite interesting. I wish they would dissect the films more though.
Those were awesome, Corwood.
BTW, Hec, thanks for recommending the "Out of the Past" podcasts awhile back. I need to really amp up the section on noir in my book and they have been quite interesting. I wish they would dissect the films more though.
You're welcome! Kind of depends on the film. Some of them do generate a real close analysis. Though I tend to hew to the theory that Noir was a cycle rather than a genre, and they definitely see it as a genre.
Kind of depends on the film. Some of them do generate a real close analysis. Though I tend to hew to the theory that Noir was a cycle rather than a genre, and they definitely see it as a genre.
Well, I'm on board with noir as a genre, but it definitely was also of a certain time and I wish they would acknowledge that more.
I'm only up to Laura, because, of course, I had to start at the beginning, rewatching each one as I go. Next up are The Killers, Rififi, and The Big Sleep, so that's promising.
I'm only up to Laura
I always consider LAURA an odd fit with the rest of noir. Probably because there was more of an unwittingly fatal femme than a conscious femme fatale, and the dialogue favored snarky social ladder bitchiness over hard boiled tough-guyisms.
Well, I'm on board with noir as a genre,
Really? I don't know how you counter the argument that a genre work is made to genre conventions. Since Noir wasn't itself a genre at the time the films were being made, I can't see how a bunch of melodramas and policiers can be lumped together generically. On more of a gut level, though, I just don't feel like movies made outside of the noir era are really noir at all. Movies that consciously ape stylistic elements of noir always look like pastiche. I don't feel that way about later day Westerns.